Chloë Sevigny continues to toe the blurry line between serious actress and controversial fashion icon, but for today's purposes, we'll focus on the fashion end of things. Nylon’s beauty issue hits stands next week, and Sevigny graces the cover, flanked by Anja Rubik and Clémence Poésy. These three blonde beauties also happen to be the spring faces of Chloé perfume. And if that's not enough Chloë-Chloé synergy for you, take note that the girls all happen to be wearing the label's garments as well. So, just to recap, that's Chloë for Chloé, with the other Chloé girls, all wearing Chloé. Try saying that five times fast. —Kendall Herbst
Show business, the best business I know! But really, I think anyone who frequents this thread agrees with you on this. Chloe has been a constant despite it all. Despite seven-hour phone conferences with her publicist about her glasses. Despite the slack she gets for the jeans she wears whilst shopping for trees. Despite it all, she has never altered her style for anyone but herself. And if you can bottle confidence and sell to a mass market of wannabes, trend-followers and, generally, people with lower self esteem than someone that lives in the public eye: someone's going to cash in on that. I admire her style even if I'm not always crazy about what she wears, but that's simply from the stand point that I wouldn't find it aesthetically pleasing on myself. I mean, she can make the 80's look good whereas I hate the 80's and could never dare to try to turn that decade around. She just goes for it. And personifying that essence of confidence and chicness through sellable clothes is great, both for her and the rest of the shopaholic world.
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