Designers Switching Houses & Moving to New Brands | Page 68 | the Fashion Spot

Designers Switching Houses & Moving to New Brands

Do people still care?
I don’t think people cared about Ann Demeulemeester before. One thing about the LDSS drama is that there will be some type of anticipation for the brand now.

Taking somebody from the studio will assure some type of consistency and stability to the brand, now they have to deliver the goods!
 
So they are doing now what they should have done in the first place….
This industry sometimes!

Was it? He was part of the team that was designing it before LdSS was hired... So they are back where they started: nowhere.

I'll reserve judgement for when he shows his first collection but it's not really the most encouraging or exciting news.
 
Antonioli says: "Stefano immediately demonstrated a strong creativity and a clear vision for Ann Demeulemeester. He represents the DNA of the brand with an eye to the future."

That should've been the criteria for selecting any new designer, but they went w/ that LDSS trash instead, and look where that got them.

I mean, that's just fluff for a press release.

For all we know he will turn it out to be worse than LdSS.
 
A young and relatively inexperienced designer who hasn’t been tainted by the big conglomerates or by fashion in general sounds great.. I’d rather trust the unknown than the too known at this point and it is far more refreshing than the smug, Natalia Barnett (lmao) vibe of designers like Demna or Hedi… it’s just the person making the decision here what makes me want to take the ‘demonstrated creativity and a clear vision’ with a pinch of salt.. since he has demonstrated not knowing when the absence of that is unfolding right in front of him.
 
Ann Demeulemeester’s audience as of the last 10 years or so has been very much that cultivated by StyleZeitgeist, with it’s own niche of retailers. They keep a presence in department stores but I always wondered who buys it except for the shoes they keep re-issuing (for good reason).

I feel the moment Rick Owens had his big commercial breakthrough around 2007 or so has been the time when Ann’s business in RTW really declined as he had more appealing product for that crowd.

They should have thrown the salary at a more experienced designer who knows that clientele as well as the brand itself, like maybe Nicolas Andreas Taralis, who could have kept a good balance at keeping the brand identity intact while at the same time providing a different take on it.
 
Ann Demeulemeester’s audience as of the last 10 years or so has been very much that cultivated by StyleZeitgeist, with it’s own niche of retailers. They keep a presence in department stores but I always wondered who buys it except for the shoes they keep re-issuing (for good reason).

I feel the moment Rick Owens had his big commercial breakthrough around 2007 or so has been the time when Ann’s business in RTW really declined as he had more appealing product for that crowd.

They should have thrown the salary at a more experienced designer who knows that clientele as well as the brand itself, like maybe Nicolas Andreas Taralis, who could have kept a good balance at keeping the brand identity intact while at the same time providing a different take on it.

Eh, I was recently looking back at his work thinking he might be good choice for Helmut Lang and unfortunately I think he's definitely past his prime.
 
Eh, I was recently looking back at his work thinking he might be good choice for Helmut Lang and unfortunately I think he's definitely past his prime.
You definitely touched a point that some of us, or people in general, or very nostalgic people at that forget sometimes: No matter how talented and gifted some of our faves are, some of them prime is totally behind them.

‘When you aren’t part of a fashion conversation or even doing things as an independent but still a very decent amount of publicity around your work, some things may never happen for you again at the helm of bigger brands.

Everytime I see Olivier’s name mentioned for a big brand, I just want people to leave that guy alone. He has more chances to make it on his own now than to have a successful tenure at the helm of a big brand.
 


I don't think they know what to do with the brand anymore, but let's see.

The full tea on his appointement:
EXCLUSIVE: Ann Demeulemeester Names Stefano Gallici Its New Creative Director

Gallici, who succeeds Ludovic de Saint Sernin, will unveil his first collection with a fashion show on Sept. 30 in Paris.

JUNE 1, 2023, 9:00AM

MILAN — Ann Demeulemeester is welcoming a new creative director, naming Stefano Gallici to the top post. His first collection is to be unveiled at a fashion show during Paris Fashion Week on Sept. 30.

Gallici succeeds Ludovic de Saint Sernin, who is exiting the brand after only six months.

Born in 1996, Gallici is not new to the Ann Demeulemeester world, as he was previously menswear designer at the brand. He began his career in Antwerp, Belgium, working as an assistant designer to Haider Ackermann, and then moved on to the Antonioli Group in January 2019.

In 2020, he joined the Ann Demeulemeester fashion house, based in Antwerp. That was the year the brand was acquired by the Antonioli Group, established by Claudio Antonioli.

“Stefano immediately demonstrated a strong creativity and a clear vision for Ann Demeulemeester,” Antonioli said. “He represents the DNA of the brand with an eye to the future.”

The Ann Demeulemeester label had been designed by an in-house team since the departure of creative director Sébastien Meunier in July 2020. Shortly afterward, Antonioli revealed he had acquired the brand, including its complete archive, the headquarters, its historic flagship in Antwerp, and its showroom space in Paris.

In his debut fall 2023 show for the brand in Paris, de Saint Sernin, a former Balmain designer who launched his namesake collection in 2017 and is known for his sensual, gender-fluid creations, veered toward a more seductive silhouette, showing plenty of skin, compared with Demeulemeester’s soigné tailoring and dark glamour.

A pensive woman with gothic leanings, and one of the original Antwerp Six, Demeulemeester began showing in Paris in 1992 and quickly became a fashion star, with WWD anointing her “Queen Ann” in a headline following a blockbuster collection in 1995 that would influence runways in other fashion capitals. She added menswear a year later.

Demeulemeester bowed out of fashion in 2013 to embark on other ventures, namely pottery and ceramics. However, she remains close to the brand, while her homeware and lighting designs — among other projects — are on display in the Antwerp store.

In June last year, she staged an exhibition during the Pitti Uomo men’s trade show in Florence celebrating 40 years of the label.

Since taking full control of the company, Antonioli has shifted almost all manufacturing to Italy and has trimmed the number of wholesale doors by 60 percent, eyeing a retail expansion for the brand and restoring its high-end positioning.

Antonioli founded his first Milan retail outpost in 1987 and is a cofounder of streetwear conglomerate and Off-White licensee New Guards Group, which was acquired by Farfetch in 2019.

In addition to his Antonioli stores — with physical locations in Milan and Torino in Italy, Lugano in Switzerland and Ibiza in Spain, plus the website — the entrepreneur established a company called Dreamers Factory encompassing Ann Demeulemeester and future projects that relate to his personal passions.
Source: WWD
 
The public reception of his appointement seems to be overwhelmingly positive, almost scarily so...
 
The public reception of his appointement seems to be overwhelmingly positive, almost scarily so...
Because of the sentiment that he deserves it. People like the idea of meritocracy instead of popularity from a political POV even if they consume « popularity ».
It’s always « de bon ton » to dismiss something popular anyway without even having a critical and trained eye…
 
Michelle Ochs named creative director of Hervé Leger:

 
Daniel W Fletcher Steps Down as Artistic Director of Fiorucci Menswear

Daniel W Fletcher is leaving Fiorucci after three and a half years as artistic director of menswear. He joined the relaunched brand in 2019 with a mission to restructure it and propel it toward further growth.

Fletcher, who showed a bespoke ready-to-wear collection in collaboration with Huntsman at London Fashion Week a few days ago, stated that he will finish his latest collection and say goodbye to him later this month.

He added that he is "immensely proud of what we've accomplished together during my time here, and we've had a lot of fun along the way."

Among other things, he has incorporated new categories, such as ready-to-wear, which goes beyond the brand's basic denim offering.

For his part, Fiorucci, who has not named a replacement, has declared that the separation has been "mutual and friendly".

Fletcher graduated from Central Saint Martins in 2015, so his appointment in December 2019 was quite an achievement, especially considering that the women's offering has been created by a design team at the brand rather than a designer. .

At the time, Fiorucci CEO Simon Backhouse said that "our ability to attract an individual of Daniel's caliber is a true testament to the strength of the brand and our growth ambitions."

Fiorucci was founded in the 1960s and was on the crest of the wave at the end of the 1960s and 1970s. However, in the 1990s it was declared bankrupt. But an administrative file in the 90s made it go through several hands.

It was bought by Japanese denim manufacturer Edwin and then jointly acquired by Itochu in 2014. Fiorucci was sold in late 2015 to British businesswoman Janie Schaffer (founder of the Knickerbox chain) and her partner and ex-husband Stephen .

They relaunched it in 2017 and have worked on the brand's renaissance by combining the brand's heritage with a modern approach.

That became clear a couple of months ago, when Fletcher presented the spring/summer 2023 collection at an event in Los Angeles. Fletcher maintained that he begins each season by going through Fiorucci's files.

Daniel W Fletcher deja su cargo de director artístico de menswear de Fiorucci
 
Was it? He was part of the team that was designing it before LdSS was hired... So they are back where they started: nowhere.

I'll reserve judgement for when he shows his first collection but it's not really the most encouraging or exciting news.

I don't expect him to be any better than LdSS.

This guy joined the design team when Antonioli took over the business from Anne Chapelle and since then, not much has happened to make the Ann Demeulemeester brand relevant to new audiences, except to rely heavily on celebrity endorsement. I'm not sure how much it helps to see Dua Lipa in a full look when her followers would probably rather gravitate towards Versace Jeans Couture than Ann Demeulemeester. It certainly does nothing to those who followed the brand from when Ann was still around designing.

I just had a quick look on the Ann Demeulemeester online store to re-assure myself what's currently in store from the brand. A standard cotton poplin shirt retails for 590€ and it's hard to read the Ann Demeulemeester touch in it and even then, it's a steep price for a classic button down that customers today already know they can get at a similar quality for a fraction of the price. To top that off, a wide legged suiting trouser with that certain Ann slouch costs 1090€!

While other brands certainly have the authority to charge their customers such high prices, it's safe to assume Ann Demeulemeester is struggling and wishes to retain continuity over disruptive newness in their creative lead, which might have allowed to push for such exclusivity. It will be hard to keep the ship afloat when the brand is at a serious challenge to find itself a new (deep-pocketed) audience while the ones Ann attracted herself are reaching retirement age.
 
That was fast...


Bally’s creative director Rhuigi Villaseñor steps down
Swiss luxury brand Bally has announced that it has made a “mutual decision” to part ways with its creative director Rhuigi Villaseñor.

In a statement, Bally CEO Nicolas Girotto thanked Villaseñor for his creative contributions during his time at the company, adding: “His passion, energy, and creativity helped catapult Bally back into the spotlight, further rejuvenating the brand’s 170-year legacy through a modern, glamorous lens. I wish him all the best in the next chapter of his creative journey.”

Villaseñor first joined Bally in January 2022, taking on the role to oversee creative direction across the brand, with his debut coming in spring/summer 2023.

He entered Bally from his own brand Rhude, where he had been at the creative helm since founding the label in 2015, for which he focused on an identity based around merging luxury with streetwear.

Villaseñor departs just over one year on from joining
On his appointment at Bally, Villaseñor had been tasked by Girotto with moving the company into “the next level” and evolving its “contemporary relevance” while maintaining its core values.

During this period, Villaseñor presented shows at Milan Fashion Week 20 years on from the brand’s last fashion week appearance and had continued to work on the brand’s identity.

Speaking on his departure, the designer said: “My experience at Bally has been an incredible honour. I wish the brand nothing but the best in all its future endeavours and look forward to enjoying its next creative chapter.”

Bally said that its design studio would continue to carry the direction of the brand forward until a new creative organisation was announced.

Villaseñor’s exit comes after Bally announced a long-term collaboration with actor Adrien Brody, who will be working with the brand on a series of capsule collections for ready-to-wear clothing, shoes, bags and accessories.

Through the collaboration, the brand said that Brody, who would be making his fashion design debut with the collections, would aim to showcase Bally’s heritage while “applying his artistic sensibility”.


Via Bally’s creative director Rhuigi Villaseñor steps down

Rhude streetwear founder raided company to fund lifestyle, lawsuit says


The owner of a minority stake in the clothing line alleged in U.S. District Court in L.A. that designer Rhuigi Villaseñor “has been pilfering the Rhude Companies’ coffers to support” a “lavish lifestyle” that includes private jet travel, Italian vacations, Ferraris, Lamborghinis and a collection of $100,000 watches.


George Robertson, who owns 20% of Rhude, alleged in the suit that Villaseñor boasted of annual revenues in excess of $30 million but made distributions of as little as $41,000 a year to his co-owner.
 
Karl Templer steps down as creative director of Ports 1961
 
No wonder there was no show for the latest collection and the collection itself so basic.
 

Users who are viewing this thread

New Posts

Forum Statistics

Threads
214,412
Messages
15,260,985
Members
88,408
Latest member
Arrgh
Back
Top