I was just off to bed when this popped up again.
Dublin is small but has some pockets of sophistication. I would agree that the Dublin fashion scene is probably very different to your scene in California. Dubliners have to wear more clothes, for one thing. I actually live in Paris but spend a lot of time in Dublin (my native town), New York, Maine and other places.
I don't think that having a budget in place for advertising and promotions necessarily means that one will engage a PR firm or ad agency to spend it on one's behalf.
Spending big money on ad space to impress clients and competitors is certainly dated but the big firms and more than a few middling firms carry on doing it because they either believe it to be effective or see no viable alternative.
After all, the internet remains an elusive marketing tool for 'blue chip' enterprises because it is viewed as so downmarket. There have been a couple of promising ventures, indicating that there is a future in internet advertising at AB level but they were hampered by ill-considered factors such as the use of state-of-the-art Flash technology that proved incompatible with iPhones etc etc...
The problem of magazines folding after selling space in future issues is not confined to the States. It has been happening here in Europe too. I suppose one could seek solace in Darwinism and the whole survival of the fittest philosophy but people tend to look at one sideways when one expresses such sentiments. Regarding the waning quality of US glossies, your comment gave me pause for thought and, you know, sad though it is to say so, you are right.
US Vogue is very successful but it is also very 'commercial'. It doesn't have the class of, say, Russian Vogue. Bazaar hasn't been much good since Liz Tilberis died. Nylon was OK in the early days but lost its edgy creative momentum. Details was good once. US Vanity Fair isn't as good as it used to be: far too many Dominick Dunne retrospectives and overlong articles about mummified socialites fed on dogfood and cartoon industry executives I try to avoid on the beach in Harbour Island every year. But they really lost me when they portrayed the late boxer Max Schmeling as a Nazi. One can't libel the dead, of course, but it was bad journalism.
Mind you, this is subjective on my part. I've only written for a few US magazines and newspapers. But I keep up with them because my agents always have a good selection on their coffee table. Mind you, as the States emerges from its real life Planet of the Apes experiment of the past decade and homo sapiens gets a handle on government again, we might see a recovery in terms of print media quality. After all, there have been some great movies coming out of the States. Hard times always stimulate creativity.
Coming back to the topic and the questions posed by the author of the thread, I am just expressing my personal opinions. However, these opinions are based on experience that includes print media, the internet, advertising and branding in London, Paris and New York. And a few other places. If I seem a bit offhand or cynical about magazines sometimes, this is probably because I know how it works. Amongst other things, I was a Vogue contributing editor and a Vogue Hommes features director, as well as head of 'special projects'. My advice to Jihanemo is actually very serious.
PK