Kudos to this guy.... everyone should prioritize self-growth and working on their own label (providing they have or want to have one) instead of wondering 'what other ancient house with an established legacy and aesthetic that's not mine and I have limited say on can I design for in order to be taken seriously?'. This is why fashion's so irrelevant everywhere you look at it these days, because companies first go after the talents that are somehow floating on their own (not even talents for the most part- just someone with curator skills), only to suck their energy, fill it with fear and discard them when they "mess up", making the sole idea of investing on them without the validity of a big name so unviable. It's sad the generations of the 19th and 20th century did allow some folks to build from scratch creative micro worlds out of the times they were witnessing, but oh not now, we need to use the people that could be doing that (for equally deserving generations) to redefine, readjust, revive, rewind, replay what happened then, because actually creating is a 'risky' investment. Which is interesting because of all fields that pride themselves on movement, fashion's by far the one that's plagued by this conviction of the 'never seen before', the "newer than you" syndrome, and yet most of it is rehash and while fields like science, music, art, civil engineering, all happily take new forms and get playful, fashion keeps getting closer in dynamics to religion and parliament structures (well, they wish-- more like antiques roadshow). Not saying we need crazy changes when at the end of the day it comes down to bottoms and a top, but just like you don't see Tim Hecker for Beethoven or Justin Bieber for Abba, it would be nice to see this one field quit the obsession of designing for a "legend" as a form of credential and go back to letting designers design instead of being allowed to timidly play with someone else's archive. Rant over.
I love big houses too.. in a museum.