Their appointment does seem late, as I wouldn't really consider them to be in their prime now. However, from the crop of New York designers, they came up with, they're still standing, so I guess that's a testament to something -- maybe their ability to be good merchandisers?
I'd say their primary weakness is that they were never really solid image-makers.
Even before Jonathan took over Loewe, he had a pretty tight collaboration with Jamie Hawkesworth and Benjamin Bruno, which helped him cultivate a very specific type of look and feel. With regard to Jamie, he was part of that crop of photographers popping off between 2012 and 2015 (Harley Weir comes to mind), who started to emerge as the new guard of go-to fashion photographers. I'd say from that crop, Jamie's influence was/is probably the most undeniable when we look at contemporary imagery now (even nonfashion stuff). With regard to Bruno, he was already pretty seasoned as a stylist working under Carine's Vogue Paris during the magazine's heyday, so he certainly had an eye and a sensibility towards provocation. So, when they teamed up with Jonathan again at Loewe, not only were they good, but they both were also really driving a lot of visual culture on their own at the start of his tenure.
Jack and Lazaro have never really had close collaborators quite like that. They've also never really had any memorable campaigns, fashion films, and/or art-like collaborations. While they do make things people sell, which is certainly no skill to scoff at, part of Jonathan's magic was his ability to build a world, a feeling, a vibe -- which not only made Loewe cool but gave it this feeling that you were engaging with a brand that was bigger than the clothes.
If Jack and Lazaro could manage to lean into the visuals a bit more, I think they will be fine, but whomst knows. You can make a hit bag and have solid visuals and still be on shaky ground, especially in this crazy world.
I'd say their primary weakness is that they were never really solid image-makers.
Even before Jonathan took over Loewe, he had a pretty tight collaboration with Jamie Hawkesworth and Benjamin Bruno, which helped him cultivate a very specific type of look and feel. With regard to Jamie, he was part of that crop of photographers popping off between 2012 and 2015 (Harley Weir comes to mind), who started to emerge as the new guard of go-to fashion photographers. I'd say from that crop, Jamie's influence was/is probably the most undeniable when we look at contemporary imagery now (even nonfashion stuff). With regard to Bruno, he was already pretty seasoned as a stylist working under Carine's Vogue Paris during the magazine's heyday, so he certainly had an eye and a sensibility towards provocation. So, when they teamed up with Jonathan again at Loewe, not only were they good, but they both were also really driving a lot of visual culture on their own at the start of his tenure.
Jack and Lazaro have never really had close collaborators quite like that. They've also never really had any memorable campaigns, fashion films, and/or art-like collaborations. While they do make things people sell, which is certainly no skill to scoff at, part of Jonathan's magic was his ability to build a world, a feeling, a vibe -- which not only made Loewe cool but gave it this feeling that you were engaging with a brand that was bigger than the clothes.
If Jack and Lazaro could manage to lean into the visuals a bit more, I think they will be fine, but whomst knows. You can make a hit bag and have solid visuals and still be on shaky ground, especially in this crazy world.