Jane Birkin | Page 35 | the Fashion Spot

Jane Birkin

But has she found freedom at a price? She currently lives alone. There's Dora the bulldog, but it seems Birkin longs for more. She draws my attention to the first song on her album, Prends Cette Main, about a middle-aged woman longing for one last lover: 'I think a lot of other people from probably about 40, 50, certainly from 50, have been in exactly that situation, and it would be nice to know what it's like to have a heavy body on you, it would be nice to try to get out from that sort of position when someone's gone to sleep on top of you and you have to try delicately to remove your arm. I can't remember that in, what, 10 years, 12 years?' There's also the realisation that time has passed her by more quickly than she'd thought. She points to the lyrics of another song, Madame, about her horror at realising she was no longer a young mademoiselle: 'When someone says, "Madame', and you realise that you're no longer, what, a little boy or what did you think you were – some kind of elf? Anyway, you suddenly wake up to the fact that your outside doesn't correspond at all with the inside anymore.'
And, indeed, despite the desirable location of Birkin's flat and its air of dishevelled opulence, she has to work to pay the bills like all the rest of us. But maybe, she says, that's the best way to be.
'Yes. I have to work. I have to pay back a lot of things. I have to work for a time of my life when I got screwed the way some people do. But then, actually, I also realised I was working because it would be very lonely not to. And also, you can't ring up the children all the time and say, "Hello, what are you doing tonight?" It's quite nice and rather surprising to be asked to be doing things at my age in so many different things. So, yes, I'll do this concert, and then someone wanted a rather vulgar comedy film, and I thought, "Oh, good, a vulgar comedy film is exactly what is needed." And so that will be fun, yes.' And, yes, Birkin, ever the stoic, will keep pushing on.
  • Jane Birkin performs at the Barbican Centre, London EC2, Saturday 21 February (020 7638 8891)
 
^^^yeah, I understand. I guess it's clear that if they haven't publicly showed support for the film, then they must be out of the project, and for a reason.

I started a thread on the movie last night, it's in 'the entertainment spot', someone (Scott or Gainsbourg) was wondering exactly about Jane or Charlotte being involved in some way. I know it's wrong to speculate but if you ever come across some article on it, feel free to share it!. :p

Certainly! Although all I've really seen is what's been posted here. I agree, it's such a shame that it's not what Jane and Charlotte want. They're so careful with his legacy that their reticence does make me wonder if it's going to be any good.
 
http://property.timesonline.co.uk/tol/life_and_style/property/article5732911.ece

Jane_487121a.jpg


I don’t remember the 1960s as exciting. Maybe I was too conventional. I just wanted a baby – and I had her, my daughter Kate. Her father was the James Bond composer John Barry. I remember Newsweek wrote about “John Barry and his E-type Jaguar, and his E-type wife”. I was only 19, and that is what I had become. It’s not flattering, but true.
When he left me in 1968, I went back to live with my parents. But maybe his leaving me was a good thing. It made me wake up – grow up – and I had to find the money to look after my baby. I went to Paris to do a test for the French film Slogan and got the part. It was 1968. On the set was Serge Gainsbourg, and the rest is history.
Serge and I lived in Paris for a year, at the hotel on the Rue des Beaux-Arts where Oscar Wilde died, before moving into a small house on Rue de Verneuil, a tranquil street of 17th-century buildings between the Boulevard St-Germain and the Seine. We released our duet Je t’aime ... moi non plus in the same year, 1969. Paris was divine at that time. It was full of Russian nightclubs and jazz clubs – Serge knew them all, and they knew him. It was like being a teenager again.
Straight after Slogan, I did the film La Piscine, with Alain Delon and Romy Schneider. Serge would follow me on location with the pram and the nappies in his chic rented Cadillac. My parents – my mama, Judy Campbell, the actress and friend of Noël Coward, and my father, a former spy and naval commander awarded the Légion d’honneur – came down for the film and also fell in love with Serge. All was bliss.
The style of the house was his. Any change, even the moving of an object, worried him. I did change the windows, though. I taunted Serge about them being coloured glass and, piqued, he had new ones made of hand-chiselled glass. Hisesthétiquewas everything, like the black felt walls. I bought him tons of presents, everything from bronze rats to wall hangings from a wonderful antiques shop on the Seine. It was an ordered disorder, and very difficult to live in, but he would cry out: “My head is in such a mess, I must have order before my eyes.” And so it was.
The children [Jane and Serge had a daughter, Charlotte, in 1971] shared a bedroom, if you could call it that, with the au pair, who was hidden behind a screen. The bathroom was arranged like a still life. A pink sponge made Serge unhappy. All personal things that were notesthétiquehad to be put away.
As a result, I bought a small cottage in Normandy for about £15,000. It was a place to go wild in, one where Serge wasn’t allowed to tell me what I could or couldn’t do. It was for me and the children, every holiday, every summer. Poor Serge used to go there, but he hated the countryside and would nervously look at his watch to see if the bar at the hotel in Cabourg was open for a Marcel Proust cocktail. Meanwhile, the children could get out on bikes and have fun until nighttime, just to balance life at Serge’s house, where we weren’t allowed to touch anything.
After Serge and my father passed away – both died in the same week in 1991 – I bought another house by the sea, this time in Brittany. It is even wilder, with wrecks and bunkers along the beaches, and it is somewhere the children [she had a third daughter, Lou, with the film director Jacques Doillon] could be free. Nothing sophisticated, no chic friends, just fun. Leaving the cottage, uprooting the dog, Nana, and, most of all, saying goodbye to my sweet friends the Toutfait family in Normandy was awful.
I lived in Serge’s house in Paris for 13 years, and still live in the Saint-Germain area, behind a church. I love putting in old parquet floors and going to salvage yards outside Paris for Victorian radiators, baths and old washstands. There are bookcases from a Victorian chemist they were bashing down. I also have a passion for Turkish carpets. There are links to the past, too. I’ve had the same wall tissu for 35 years and when I move, I can just put it all up again. I keep everything: sculptures by my sister Linda, playing cards, old stuffed hedgehogs and rabbits.
My children laugh – the objects used to drive them mad – but I’m happy to have a hundred photos and their handiwork around; the noodle necklaces and pottery animals, and Kate’s first calendar, made from a camembert cheese box and a matchbox painted red, 40 years ago, when we were on Rue de Verneuil. + Jane Birkin’s latest album, Enfants d’Hiver, is out now. She is in concert at the Barbican, London EC2, on Saturday; janebirkin-lesite.com
 
^ If anyone should ever play Jane I think it should be Lou too. She's got her father's chin, that's it, everything else is completely Jane lol
 
I love this woman :heart:. She is my standard of beauty.

I don't think I realized until I saw Jane's pictures and some old episodes of the Avengers with Diana Rigg, how much my taste in women comes from the later sixties and the Swing London style! I mean- tall and slender with the fringe and long shiny hair, mini skirts and endless legs- So feminine and sexy, but in a cute way, not the current trashy sort of way... And all these years later- it still looks great!! ^_^
 
^such an amazing photograph, glittery!, good job at keeping this thread, I must say, you keep digging out all these wonderful, unseen pictures!. :heart:
 
They had a good interview with Jane Birkin about 2 weeks ago on the national radio network here in Canada, there is a podcast available.

It was on the CBC radio 1 "Q" program for Wednesday, February 18, 2009. (sorry can't get the bold text appearance to go away!)
http://www.cbc.ca/q/pastepisodes.html

direct link to the mp3 file (24 megs):
http://podcast.cbc.ca/mp3/qpodcast_20090218_12207.mp3

The Q program is 52 minutes long and the Jane Birkin segment starts at 16 minutes and runs for 19 minutes.

An iTunes podcast is available too (free probably).

______________
She looks a lot like her daughter Lou Doillon.

There seem to be many interesting connections to Jane Birkin and her people, it's like she is part of some creative network extending across Europe for the last 50 years.
 
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I love the pic of her with John, I've never seen one of them actually together
 
This woman was and still is beautiful! I love her, her teeth, her signature fringe, so cute and so 60s :heart: like someone said, I like esp. how she is totally not vulgar, something that's missing a lot nowadays
 
those pictures are so wonderful, she's such a pretty woman
 
I love how in those group shots all the other girls are smiling and Jane's vogueing lol
 

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