Watch Live & Comment... The 2025 Golden Globe Awards!
Originally posted by Lena@Oct 10 2004, 08:02 PM
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Originally posted by faust@Oct 11 2004, 10:35 AM
I don't want to rain on Elbaz's parade, but I'm really not keen on any of this, save the yellow coat. It's very uninspiring and very "influenced" (don't want to say copied), but I see so much Issey Miyake and Dries here, I don't know...
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Lanvin: Alber Elbaz on Message Again
Mon Oct 11, 1:34 PM ET by Godfrey Deeny
Fashion Wire Daily October 11,2004- PARIS - Politicians like to be on messages. Designers to do, and no designer presented a more focused statement of his aesthetic this season than Alber Elbaz at Lanvin.
The runways of Paris have been crammed with echoes of this summer’s Olympic games in Athens, with every second collection containing goddess dresses and Grecian shifts. Elbaz, however, made the classic silhouette his own with a phenomenally exact collection, where the cutting was as precise as the Flamenco guitar solo that heralded the start of the show.
“I could only draw large shapes,” Elbaz told a crowd of fans backstage, pointing to his recently broken wrist, to self-deprecatingly explain the subtly looser silhouette.
For day, he had some wonderful flared faille coats, like the stunner that model Eugenia Volodina wore in the show’s third passage. Most fabrics looked washed out or aged, providing just the right patina for Elbaz’s take on modern fashion.
Some fashion retailers have expressed concern that the bell-shaped dresses and bubble skirts seen on runways this season won’t be an easy sell at retail for real women. Forget that worry about this Lanvin collection, where Elbaz’s great technique of loosening the line, heightening the waistline and using feathery Fortuny-like pleated fabrics made for a beautifully light silhouette.
No wonder he got the biggest cheer of any designer this weekend in Paris.