Lanvin S/S 06 Paris | Page 2 | the Fashion Spot

Lanvin S/S 06 Paris

OMG, looks great so far and that black robe thing on Gemma is divine!
 
Love the red coat on Bianca. The collection looks strong so far, but I need to see more. Great hair as well.
 
Love the necklines, and the use of red... my favorite collection thus far. :heart:
 
from the little i see here, i find this very exciting, thanks for all the pictures posted missDIOR :flower:
 
it works beautifully together, some of the pieces alone i have a quick reaction like oh that looks very ysl, prada, or roland mouret but overall i think the show looks very good.
 
A very predictable 'I love it' from me. Elbaz seems to have given Lanvin a very signature style...with the egg shaped skirts, the slight poofi-ness of everything and the simplicity. It's just lovely....
 
Lena said:
from the little i see here, i find this very exciting, thanks for all the pictures posted missDIOR :flower:

yes, i find it exciting as well, deep shades of plum on sheer fabrics..... how lovely is that!?

albert is getting better each season... not a huge fan,but this is going to be very marketable.... :flower:
 
Me loves it! Want to see more! Been looking forward to this all week :heart:
 
:heart::heart::heart: Not innovative or new, but gorgeous. He's the only one of the few big names, apart from Chloe, that has made beautiful, stylish but wearable clothes so far.
 
So disappointing. Other than the belt, this collection lacks a unifying theme. And it doesn't have an evening section! Some of the silk dresses are okay, though I am not a fan of the above-the-knee length of the mock halter, and the glittery minis at the end are such disgraces.
 
Review from style.com:

PARIS, October 9, 2005 – Who'd have guessed that Alber Elbaz, the man who bestowed soft decorative dressing on the world two years ago, would be the first to break away into a new, fiercely exciting minimalism? That was what he achieved for spring: a rigorous, couture-informed reengineering of clothes for women who spend more time striding out in the world than simpering at cocktail parties.

"Modernity is always in a rush," he said of his speedily zipped-up narrow skirts, shirts, and ties; kimono-derived dresses; and tapered pants, pulled in with wide patent or elastic belts. The subtleties (because minimalism can never again mean a matte black sheath) were in the looping drape of a back view, the folded bands pressed flat into the front of a dress, suggesting obis, and the textures: washed satin, gazar, and an extraordinary scarlet metal-thread material with the 3-D appearance of velvet, crunched into a luxurious Lanvin trench. Still, the place where Elbaz's brilliant flash of insight really starts is at the feet. He knows we know life always looks better viewed atop a fantastic pair of shoes. Lanvin's red, turquoise, emerald, and yellow patent platforms are killer-class accessories that up confidence and dramatically alter proportions. If Elbaz drew, as always, on his old-school training in couture methods for the clothes, it was auto components that inspired him to think, he said, of "designing shoes like varnished cars—like a Cadillac!" One of the best examples had a high conical heel, a thick platform, and two python straps, one white, one navy. It showed exactly how a designer as influential as Elbaz can make the decisive difference between what went on six months ago and what's right now. Genius.

– Sarah Mower
 
00010m.jpg
00020m.jpg

00030m.jpg
00040m.jpg

00070m.jpg
00080m.jpg

[style.com]
 

Users who are viewing this thread

New Posts

Forum Statistics

Threads
215,354
Messages
15,298,516
Members
89,321
Latest member
jekabolt
Back
Top