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It's the very same in all the Ferragamo shops, absolutely no efforts whatsoever to promote MD creations, and when there are, there are way overpriced anyway...Ferragamo’s shop in London (Bond Street) is a joke: they haven’t changed interior since way before Davis, their window dressing is basically replacing one bag for a pair of shoes every month or so, no actual MD collections but rather watered down merch and people inside are so f*cking rude and unwelcoming. Retail and merch department is actively sabotaging the artistic vision and heads should roll.
It's the very same in all the Ferragamo shops, absolutely no efforts whatsoever to promote MD creations, and when there are, there are way overpriced anyway...
And in Venice (Italy), they have imho the best location, the nicest building of the street and the largest windows ... Hermès's building looks miserable in comparison ...In London it’s suicidal strategy bc literally next door you’ve got MaxMara which is so neat, clean and pleasant as experience. I feel like Davis doesn’t have a room to actually do a job bc if I were him and saw that mess in one of the most important (and profitable) streets on Earth, I’d be pissed.
I agree wholeheartly, one might wonder if it's total incompetence or passive sabotage from a faction of the family/management. By hearsay, it's the Dallas soap-opera in this family.I really find the lack of commitement to Davis' Ferragamo to be a shame, because Davis is arguably the strongest designer of his generation. They constantly change their stylists and photography, they're slow to update the stores to the new branding, the window displays are lackluster, collection deliveries are consistently 1-2 months late. The products are strong, but the vision has no backbone and the management is messy.
flat and soulless is exactly how I feel. it's better than Paul Andrew's Ferragamo (low bar). but it also feels a touch dated? this whole "urban, adult, intellectual woman" thing, I think it would've done better if he did it in like 2016 or 2017, around the time Loewe and Daniel Lee were doing it.Nonetheless Davis for me is limited in his design expression so far, this is not to be put on blame via mismanagement , its incohert and not distinctive enough his vision and designs of product output so far ...him changing stylist every show is not management it comes from him and is reflective of each ad campaign that seems to be another idea of a brand for Ferragamo,same for his influences seem to go from ng balenciaga to TF to Celine by phoebe and anything in between.
The result is flat and soulless even, you would expect from such a young person more daring and experimentation and be less of a fan of his fashion hero´s influences in the final work visible.
His collections do have that warmth, sensuality and humour that most of his peers' work lack. It's flawed, but very refreshing.i wonder when ferragamo will finaly back him up full-heartedly? It seems they are trying to chase the whole rebranding/recoloring hype and forgetting that their talent is doing that in his own way with his clothes. They are too focused on the big picture than marketing the clothes he has made. Although not perfect, his collections has been quite fresh and very sexy. No gen-z codes in sight.
I don't think they are too focused on rebranding/recoloring, or even the big picture. It seems they aren't focused at all. It's an organization thing, we can see the departments have never worked together, on the same timeline and on the same project before. "Silk" is doing their thing, mens and womens shoes too, RTW another one, and the window display has planned another theme. And all of them are incoherent with the others.i wonder when ferragamo will finaly back him up full-heartedly? It seems they are trying to chase the whole rebranding/recoloring hype and forgetting that their talent is doing that in his own way with his clothes. They are too focused on the big picture than marketing the clothes he has made. Although not perfect, his collections has been quite fresh and very sexy. No gen-z codes in sight.