McQueen F/W 2026.27 Paris | Page 4 | the Fashion Spot

McQueen F/W 2026.27 Paris

"If you don't have any thing nice to say ......"

Challenge accepted:

The open-/cable-knit sweater in Look #12 is pretty cool. (Thank you Zorka for the HQs.)

But it deserved more of an ensemble, since her skirt almost looks like a bit of contrast trim hanging off the sweater.

Thinking on it for a moment more, the technique (assuming those are metal ringlets) reminds me of a Calvin Klein Spring 2016 runway sweater

Calvin Klein 2016 Spring knit silk & metal distressed runway sweater 2.webp
vogue
 
He is a really cute guy and I want to root for him, but this feels so diluted McQueen that there is almost nothing left of the original McQueen experience. The McQueen woman in 2026 should really be the It Girl right now, especially since so much of Lee’s sensibility is back in the zeitgeist.

You don’t need to go full Matières Fécales, we definitely don’t need that, but show us something edgy. This is just too cute for McQueen.

I love this dress, but it reeds more Dior than anything.
 
If they are trying to cut costs then why would they hire someone who would be so expensive? Not to mention his courtroom issues
They never cut cost by a “cheaper” creative director. Well, this guy is probably cheaper than Tisci, but thats why the company is just bleeding money, aint gaining any. So would
Be worth to get tisci in there asap.
 
giphy.gif
 
It's very pretty and romantic but I don't get McQueen from this. Love the hair and make up, again not McQueen but glad someone is doing glamour. The 3rd and 4th to last gowns deserve a showing at the Oscars
 
For whatever reason I watched this live and forgot to comment...it wants to be perversely pretty and feminine, cloying and Stepford Wives-esque but he clearly lacks the boldness and creativity to turn that theme into a reality and at best it looks like a middle-of-the-road London show from 2008, with awkard lengths, strange fabric choices, a lack of cohesion and a ton of scattered attempts at edginess that all fall flat. The set that looks like the interior of a provincial bridal shop from one of those boring TV shows for sad retirees is as bad as it is fitting to the collection.

A more competent stylist could have at least cleaned up the line-up so that each look doesn't give the impression of belonging to an entirely different collection to that of look preceding it and the one following right after.
 
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At this point wouldn't it be better to just stop trying to emulate Alexander McQueen and just reinvent the House for today? like a Balenciaga-Demna situation? No designer will ever be able to replicate the original anyway
McQueen is too fresh in collective memory to just reinvent it.
What could have been interesting would have been to keep someone from Burton’s team. Her number 2 and give him the reigns to build from what she left.

JWA was the golden boy, Bruno who came from his studio had a decent success at Lanvin and then everybody started to jump on the bandwagon without any real strategy.

They have to rebuild from scratch.
Changing the logo was such a mistake!
 
It's more like design for the baby mcqueen line.....
 
"As we walked along the flat-block marina
I was calm on the outside, but thinking all the time:"
So now it was to be Sean McGirr
Telling us to feel closterphobic and a paranoia of perfection
And nude chiffon curtains as his vapid fleshy gimmick
"but suddenly I vid'ed that thinking was for the gloopy ones
and that the omni ones used like, inspiration and what bog sends.
For now it was lovely music that came to my aid ..."
Stage three of "Everywhere at the End of Time" was dubbing along
over the top of the chiffon swishes.
And I vid'ed right at once what to do ...
Screenshot 2026-03-13 at 6.13.43 pm.webp
"The future isn't too broken after all I guess" -- McGirr
Oh ... Little did the lamb surmise
how see-thru baby-doll rompers would land
Nor did he foresee how cute skull Scene hoodies would stand,
on the all the wrong mod booted feet.

image / monologue -- From Stanley Kubrik's A Clockwork Orange.
 
The problem with McQueen is that it's the biggest poisoned chalice in fashion. Lee McQueen was a genius - it's an overused word, but if anyone was, it was him. There won't be another talent like that in my lifetime, and I'm only 30. Anyone who succeeded him was going to be a huge letdown in comparison, and Sarah Burton did admirably well, looking back now. McGirr is not good enough, but it's an impossible task to take on.

You also can't just close the brand and be done with it, like you could, idk, Blumarine. McQueen is part of the fabric of British cultural life in a way no other British brand except Vivienne Westwood has really become (maybe Burberry at a push). Lee's legacy has inspired a generation of young designers, and I believe the label still gives out occasional bursaries/sponsorships too. It would be a disaster for British fashion if it shuttered, and would permanently end McGirr's career overnight, which would be undeserved as he does have some talent.

I feel the next CD should be British or have a strong connection to Britain. Lee McQueen was heavily influenced by British history and socioculture, and would turn those inspirations into amazing designs, and it's a key part of the label's identity today. But then, who do you choose? Riccardo Tisci's name has come up, but he has been described by respected critics as relying on 'British cultural cliches', which while harsh, has a grain of truth to it. The last thing McQueen needs is to start sending down sexed-up busbies and Union Jack dresses.

The big stumbling block is that every possible candidate is on the wrong trajectory at the wrong time. Jonny Johansson would have been an intriguing choice 7 or 8 years ago, but Acne Studios is on the decline and he isn't that much better than McGirr right now. Daniel Lee has turned a corner at Burberry and looks like he will remain there long-term. Christopher Kane is in the doldrums. Dilara Findikoglu would be a PR disaster after recent allegations of mistreating staff, and doesn't seem quite ready anyway. There's just nobody suitable out there. Perhaps they could go for someone completely leftfield who would bring a brand new aesthetic while retaining Lee's rebellious spirit, such as Jawara Alleyne, but it would be a hard sell with the customers.

The sad fact of the matter is that McQueen will have to keep limping along, hoping for the odd hit bag or scarf (which, in fairness, I do think McGirr is capable of delivering), until the right person shows up. And who knows how long that could take?
 
The problem with McQueen is that it's the biggest poisoned chalice in fashion. Lee McQueen was a genius - it's an overused word, but if anyone was, it was him. There won't be another talent like that in my lifetime, and I'm only 30. Anyone who succeeded him was going to be a huge letdown in comparison, and Sarah Burton did admirably well, looking back now. McGirr is not good enough, but it's an impossible task to take on.

You also can't just close the brand and be done with it, like you could, idk, Blumarine. McQueen is part of the fabric of British cultural life in a way no other British brand except Vivienne Westwood has really become (maybe Burberry at a push). Lee's legacy has inspired a generation of young designers, and I believe the label still gives out occasional bursaries/sponsorships too. It would be a disaster for British fashion if it shuttered, and would permanently end McGirr's career overnight, which would be undeserved as he does have some talent.

I feel the next CD should be British or have a strong connection to Britain. Lee McQueen was heavily influenced by British history and socioculture, and would turn those inspirations into amazing designs, and it's a key part of the label's identity today. But then, who do you choose? Riccardo Tisci's name has come up, but he has been described by respected critics as relying on 'British cultural cliches', which while harsh, has a grain of truth to it. The last thing McQueen needs is to start sending down sexed-up busbies and Union Jack dresses.

The big stumbling block is that every possible candidate is on the wrong trajectory at the wrong time. Jonny Johansson would have been an intriguing choice 7 or 8 years ago, but Acne Studios is on the decline and he isn't that much better than McGirr right now. Daniel Lee has turned a corner at Burberry and looks like he will remain there long-term. Christopher Kane is in the doldrums. Dilara Findikoglu would be a PR disaster after recent allegations of mistreating staff, and doesn't seem quite ready anyway. There's just nobody suitable out there. Perhaps they could go for someone completely leftfield who would bring a brand new aesthetic while retaining Lee's rebellious spirit, such as Jawara Alleyne, but it would be a hard sell with the customers.

The sad fact of the matter is that McQueen will have to keep limping along, hoping for the odd hit bag or scarf (which, in fairness, I do think McGirr is capable of delivering), until the right person shows up. And who knows how long that could take?
(This was meant to be a direct reply to Lola).
 
The problem with McQueen is that it's the biggest poisoned chalice in fashion. Lee McQueen was a genius - it's an overused word, but if anyone was, it was him. There won't be another talent like that in my lifetime, and I'm only 30. Anyone who succeeded him was going to be a huge letdown in comparison, and Sarah Burton did admirably well, looking back now. McGirr is not good enough, but it's an impossible task to take on.

You also can't just close the brand and be done with it, like you could, idk, Blumarine. McQueen is part of the fabric of British cultural life in a way no other British brand except Vivienne Westwood has really become (maybe Burberry at a push). Lee's legacy has inspired a generation of young designers, and I believe the label still gives out occasional bursaries/sponsorships too. It would be a disaster for British fashion if it shuttered, and would permanently end McGirr's career overnight, which would be undeserved as he does have some talent.

I feel the next CD should be British or have a strong connection to Britain. Lee McQueen was heavily influenced by British history and socioculture, and would turn those inspirations into amazing designs, and it's a key part of the label's identity today. But then, who do you choose? Riccardo Tisci's name has come up, but he has been described by respected critics as relying on 'British cultural cliches', which while harsh, has a grain of truth to it. The last thing McQueen needs is to start sending down sexed-up busbies and Union Jack dresses.

The big stumbling block is that every possible candidate is on the wrong trajectory at the wrong time. Jonny Johansson would have been an intriguing choice 7 or 8 years ago, but Acne Studios is on the decline and he isn't that much better than McGirr right now. Daniel Lee has turned a corner at Burberry and looks like he will remain there long-term. Christopher Kane is in the doldrums. Dilara Findikoglu would be a PR disaster after recent allegations of mistreating staff, and doesn't seem quite ready anyway. There's just nobody suitable out there. Perhaps they could go for someone completely leftfield who would bring a brand new aesthetic while retaining Lee's rebellious spirit, such as Jawara Alleyne, but it would be a hard sell with the customers.

The sad fact of the matter is that McQueen will have to keep limping along, hoping for the odd hit bag or scarf (which, in fairness, I do think McGirr is capable of delivering), until the right person shows up. And who knows how long that could take?

I sometimes wonder if McQueen would actually benefit from a non-traditional creative director ala Pharrell at Vuitton. Like a visual artist in the vein of Tracey Emin or Nan Goldin who could authentically capture Lee McQueen's raw, tortured POV rather than doing a watered-down version of it.

The publicity from it alone would save them a chunk of their marketing budget, and hopefully you could pair them with the right design / merchandising team to translate an actually interesting creative vision into sellable items.
 
I sometimes wonder if McQueen would actually benefit from a non-traditional creative director ala Pharrell at Vuitton. Like a visual artist in the vein of Tracey Emin or Nan Goldin who could authentically capture Lee McQueen's raw, tortured POV rather than doing a watered-down version of it.

The publicity from it alone would save them a chunk of their marketing budget, and hopefully you could pair them with the right design / merchandising team to translate an actually interesting creative vision into sellable items.
I do think that it needs more than one person at the helm. Lee McQueen was not only a unique creative driving force, but apparently a workaholic who barely ate or slept at times. That's not sustainable or normal for anyone else.

Funnily enough, I think Duran Lantink's new collection for Gaultier is exactly where McQueen should be going. AI, robotics and body modification are, like it or not, pretty much the only truly boundary-pushing things in fashion at the moment, and McQueen would have had a lot to say about them. It's difficult, though, because people think of the brand as 'shocking', 'controversial', etc, but forget that it's also always been very conservative and traditional in a lot of ways. So then you get shock jocks like Matières Fécales linked, when what it needs is a steady hand until the right person comes along. Burton was that steady hand, but I can't fault her for leaving.
 
I sometimes wonder if McQueen would actually benefit from a non-traditional creative director ala Pharrell at Vuitton. Like a visual artist in the vein of Tracey Emin or Nan Goldin who could authentically capture Lee McQueen's raw, tortured POV rather than doing a watered-down version of it.

The publicity from it alone would save them a chunk of their marketing budget, and hopefully you could pair them with the right design / merchandising team to translate an actually interesting creative vision into sellable items.
You're making a very convincing argument for Alleyne, who has had commissions from Tate Britain in the past, working alongside visual artists, and is apparently Rihanna's favourite designer, which the tabloids would love.
 
Upon checking instagram i came across some of the people burton worked with in mcqueen. 2 of them are Robert curry and simon ungless. Seeing their works just bring back the feelings i got from mcqueen and burton's mcqueen. Wonder why they are not considered
 

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