Noemie Lenoir | Page 125 | the Fashion Spot
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Noemie Lenoir

:o ^She looks like across between a creature from the 70's movie "Omega Man" and Tamara Dobson.

Interesting post script!
 
webshots4.jpg

webshots
 
she's just so staggeringly beautiful. sooooo sultry and sexy!! would be such a dream for her to be a VS Angel.
 
Noemie looks so classy in the black dress. She could have played the lead in the classic movie, "Moon River".

Post 2484- Nomie looks magnificent. She is :heart:

Post 2486 - Her curly hair and that soft looking skin tone is amazing.
 

Noemie Lenoir (Pregnant) - at a movie premiere (Nov 2004)
celebutopia
 
wagrankings

Noemie Lenoir is Claude Makelele’s wife.

She married the Chelsea midfielder in the spring of 2004, and their first child was born in 2005.

Noemie is a French model and actress. You may recognize her from her big screen work in Rush Hour 3 and After the Sunset. I’m kidding, of course. Nobody saw either of those movies.

It’s more likely that you’ll recognize Noemie for her modeling work. Her portfolio includes high profile shots for L’Oreal, NEXT, Ralph Lauren, Sports Illustrated, Victoria’s Secret and Gap.

Noemie is currently the face of Mark and Spencer’s lingerie line.
 
soccerblogs

Name Noemie Lenoir Nationality French WAG of... The original holding midfielder, Claude Makelele. The couple have one child together, a son named Kelyan, born on 2 February 2005. If the rumours that Claude is hung like an XXL donkey are true, then she must be one happy lady. Fame ranking 6/10 Noemie is a classic supermodel-turned-actress.
 
machochip


We Give Thanks For The WAG's


We love checking out some WAG’s (Wives And Girlfriends of British soccer players) whenever we get the chance. And since their associated with soccer, usually hot and steamy, then we figure you want to know them too. Victoria Secret decided to employ some of them to showcase their new line of lingerie gear. They even convinced WAG extraordinaire Posh Spice to get her ol’ chums (Spice Girls) together and sing some tunes for adoring fans. Noemie Lenoir, wife of Chelsea FC midfielder Claude Makalele (how the hell did he get this chick!) was showcased in some peacock inspired threads and, um, she’s totally our favorite. But we wonder, how do you get out of an outfit like that when passion sets in? Meh. If your girl is out shopping today, then spend a few more moments checking out the rest of the pics.
 
jezebel.com

"While tech heads on Friday lined up at the Apple store to buy the latest iPhone, fashionistas evidently hurried to newsstands across New York City to get their hands on the July Italian Vogue featuring all black models," reports WWD. A Condé Nast spokeswoman says the company increased newsstand distribution of the special issue by 40 percent in the U.S. Friday night (on my way to the commenter meetup), I walked by the newsstand on Avenue A, where I'd called and stopped in about a dozen times in search of Vogue Italia, and I jokingly shook my fist, damning the store for not having the issue. That's when I saw it in the window. I bought three copies. Flipping through the much-hyped issue is interesting: After the pull-out cover featuring four striking close ups (Liya Kebede, Sessilee Lopez, Jourdan Dunn and Naomi Campbell), the next thirteen pages of ads — for Valentino, Prada, Gucci, Dolce & Gabbana and Dior — all feature white faces.

I don't read Italian, but some of the headlines and captions have English words. One of the first stories on the "People" page is about Michelle Obama. The next piece is about Spike Lee's film, Miracle At St. Anna, which focuses on four black soldiers trapped behind enemy lines in WWII. There's also a picture of Naomi Campbell and Nelson Mandela with information about the Nelson Mandela Children's Fund, and in the caption, the words "benefit girl." A few pages after that: A short piece about Essence magazine, followed by one about Ebony. It's kind of funny how between the pages of editorial content with black faces, the ads continue to have white faces. In any case, I had to scan the page about Ebony because Lena Horne on the March 1946 cover looks amazing.


And so we come to the feature well. The first photo spread is the "Modern Luxe" story by Steven Meisel. Alek Wek, Alva Chinn, Sessilee Lopez, Ubah, Kiara Kabakubu, Noemie Lenoir, Vernoica Webb, Arlenis Sosa, Liya Kebede, Karen Alexander, Iman, Yasmin Warsame, Jourdan Dunn, Gail O'Neill and Chanel Iman appear.
 
compact blog

Europe’s top arbiter of editorial high fashion, gave an enthusiastic endorsement to the African decendant community in its latest issue, (a market that represents between $631 and $688 Billion in Retail spending power, as reported earlier this year), yet are still largely unrepresented in advertising, editorials, runway shows, and most of all, the covers of historically caucasian based magazines. Liya Kebede, along with “Yves St Laurent Girl” Naomi Campbell, Jourdan Dunn and Sessile Lopez, are the cover girls for four different versions of Vogue’s Black issue.
 
indigo blue

The European standard of beauty has become so much an axiom that black beauty is nearly “lost in translation” for good. I see people searching for black models and black beauty constantly on search engines and the likes and coming up short with a few they can count on one hand. That could change.

Of course, black women are beautiful on or off a magazine, on or off a catwalk, whatever and wherever. I think the problem is relying too much on main stream to get ourselves out there when we can BE main-stream.

Why is it that almost every time I see a beautiful spread in a magazine featuring a model, it’s in white mainstream media?—-Do blacks not have the same ability? Of course they do, that was a rhetorical question. It’s well known that most of the people who bought the Italian EnVogue magazine were black, and it sold well. Blacks support blacks’ period—especially in incipient business ventures. If things are done right and professionally with class etc….support will double, and maybe even come in unlikely places, because it will not be about the fact that they are black owned but that their work wreaks quality.
 

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