Noemie Lenoir

Angeli
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Looks like Noemie is having a time in that party pic. Good for her.

I like the Mark and Spencer ad. I would have liked to see her in a brunette wig, but I know the one she has on stands out.
 
Thank you Scriptgirl she looks gorgeous like usual.
Are the Mark and spencer ones new?
I like your avatar you're really into the xmas spirit:lol:
 
NL Images
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yes, the MarksandSpencer banner is new. Thank you for noticing my Avi. I am going to have Xmas themed avis till Xmas day and then I will have New Year's avis for New Year's Eve and New Year's.
 
Love the tropical looking hair and make-up. Yet her expression is very predator like. I don't know if I want to see her in a colorful outfit or see her in animal prints. Either way, you can't go wrong.

Yes, scriptgirl is very festive with her avatars!
 
credit Daily Aztec
Rush Hour 3'
- In the third installment, Jackie Chan and Chris Tucker travel to the City of Lights. Chan's Inspector Lee and Tucker's Detective James Carter depart from Los Angeles to Paris to embark upon a Chinese trio only to encounter an unwelcome response. Lee and Carter receive a vicious warning from a French cop (Roman Polanski) and anti-American opinions from a cab driver (Yvan Attal) who ironically becomes an essential and comical ally. When not battling their way out of rooms full of martial arts gangsters and deranged killers (Sun Ming Ming), Lee and Carter trace a trail to an attractive woman (Noemie Lenoir) who holds a crucial clue on her person. Lee also holds private gatherings with a United Nations authority (Max Von Sydow), but his individual struggles with a criminal genius (Hiroyuki Sanada) are what make up the movie's plot. The aging Chan still has a lot left in the stunt tank and Tucker reanimates his fearless character's motor mouth craftiness and constant romancing. The film's greatest thrills stem from various intense fight scenes, especially a climactic conflict on the Eiffel Tower.
 
Taipei Times
Third time's not the charm

'Rush Hour 3' offends, disgusts and bores. Despite that, it will still do well where it counts - in the box office
By MANOHLA DARGIS
NY times news service, New York
Friday, Oct 05, 2007, Page 16


From left: Chris Tucker, Jackie Chan and Yvan Attal are up to worse-than-usual gimmicks in Rush Hour 3. 
PHOTO: COURTESY OF WARNER BROTHERS
Rush Hour 3, the junky, clunky, grimly unfunny follow-up to the marginally better Rush Hour 2, and the significantly finer Rush Hour, isn't the worst movie of the summer. But it's an enervating bummer nonetheless, largely because it shows so little respect for its two likable stars and its audience. Once again Jackie Chan (成龍) and Chris Tucker, playing seriously unlikely detectives, bumble and slog through muddled setups, graceless action, crude jokes and even cruder stereotypes, sacrificing themselves on the altar of the director Brett Ratner's vulgar success.

The arc of Ratner's career can be summed up entirely with numbers, namely the US$247,538,093 that Rush Hour raked into theaters worldwide; the US$328,883,178 that Rush Hour 2, made across the globe; and the mind-boggling (especially if you saw the movie) US$453,796,824 earned, again worldwide, by X Men: The Last Stand. These figures, from Variety, don't include DVD revenue, cable sales and the like, but you get the big tautological picture: Ratner has a gift for making products that companies can sell to the public, which is why he makes products. Even so, given the anonymity of these products, the credit "A Brett Ratner Film" seems largely ceremonial.

FILM NOTES
RUSH HOUR 3
DIRECTED BY: Brett Ratner

STARRING: Chris Tucker (Carter), Jackie Chan (Lee), Hiroyuki Sanada (Kenji), Youki Kudoh (Jasmine), Max von Sydow (Reynard), Yvan Attal (George), Noemie Lenoir (Genevieve), Jingchu Zhang (Soo Yung), Roman Polanski (Revi)

RUNNING TIME: 90 MINUTES

TAIWAN RELEASE: TODAY

There's nothing new about any of this, yet it does bear repeating every so often, even in a movie review. Like a lot of big-ticket productions Rush Hour 3 flooded into US theater in August (gobbling up more than 3,700 of the nation's approximately 38,000 screens) and, because of its ubiquity and its brawny advertising muscle, pulled in a sizable chunk of change. Bad reviews won't make a lick of difference to its box office, though franchise fatigue might. Chan's and Tucker's star power has waned in the six years since Rush Hour 2.

Part of the reason I've strayed from discussing Rush Hour 3 is that there's not much to say about the actual movie. It's a generically crummy action flick. It's ugly. It's noisy. It's stupid. And unlike, say, Transformers, which sells militarism alongside children's toys, it doesn't raise hackles, much less blood pressure. Thus, as an object, Rush Hour 3 offers precious little of interest, although it does take a special kind of talent to make Paris, where some of the story takes place, look this uninviting. There, rather depressingly, Roman Polanski shows up wearing a mustache and a smirk to harass Chan's and Tucker's characters, who are globetrotting after some villains. Max von Sydow also pops up for a few scenes, a reminder that Ingmar Bergman really is dead.

Chan and Tucker don't get to wiggle off the hook entirely. But people have to make a living, even movie stars, and there are limited opportunities for an aging Hong Kong martial-arts giant and an eccentrically talented black comic actor. Given how much pleasure both have provided over the years, especially Chan, here's hoping they were paid by the truckload.
This story has been viewed 534 times.
 
credit 2space
French actress Noemie Lenoir arrives for the 44th Golden Horse Awards, Saturday, Dec. 8, 2007, in Taipei, Taiwan. Lenoir is a guest at this year’s Golden Horse Awards, one of the Chinese-language film industry’s biggest annual events
 

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