I do not understand why they would choose such a talentless photographer (surely because of "diversity", being black/young/etc. This would have been perfect with Meisel. Or even better a naturalistic approach (after Peter Lindbergh 90s cover) with Annemarieke van Drimmelen, Zoe Ghertner, Lachlan Bailey, Jamie Hawkesworth, etc etc. This is AI generated, soulless and sad.
Of course you've answered your own question LOL
I get your frustration, but these are the fashion times we’re living in. And if I remove my bias(es), Rafael isn’t without talent; he’s just a much (much much) lesser talent. And he wasn’t always so. Looking at his early shoots for Vogue Brazil, there’s this chaotic, almost archaic, and still charming, passionate energy to how he captured the fashion moment. There
was potential. Unfortunately, because he became the ideal representation of “
Black, young, and gifted” — but not
really, because even Edward openly declared Rafael as
the Chosen One simply because he… loves Black people… (Can you imagine anyone else not just
not getting away with saying such thing, but being celebrated/promoted/anointed for saying “he/she loves Latin/Asian/ME people…??? It’s absurd. But these are the warped times we live in.) Just hilarious how in Rafael's short time to reach the top, instead of becoming a better and better photographer, he became worse and worse; sloppier and sloppier; messier and messier LMFAO As someone already mentioned, this sort of saturated, shiny plastic glam is what Luigi & Iango made a career out of ripping off Mert & Marcus for Vogue Japan— just without the sloppy/messy/cheapness that’s so blatantly, deliriously displayed here. You have to LOL at the utter insanity of Vogue publishing such amateur efforts: That “shot” of the group w/editors at the table is some seriously juvenile cut-and-paste slop.
But all of this matters not when Edward will spin it amongst his sheep as “
the first South American Black photographer to shoot an American Vogue September cover etc etc…” And all the sheep will bray along that this slop is revolutionary, historical, trailblazing blah blah blah without even caring/knowing/realizing how poorly it's shot …And may I add: I’m so sick of nostalgia and dragging out OG Supers only to turn them into mangled AI-generated avatars like it's still 1992 by such lessers. But again, I get it:
OMG, OG Supers….