Everyone in that Sorrenti editorial besides Christy looks like an afterthought with these single portraits that we've also already seen on respective covers. I understand the 'Women of Hope' narrative, but it's not impactful when you give one (although supermodel) woman eight pages and the rest is just a forgettable blur at the end. It's a pretty weak 'redesign' issue, but given the certain circumstances and the lack of quality content in magazines overall, it's not that bad.
Christy's cover grew on me since I last saw it (although I wish it was slightly more zoomed in) and she's certainly the highlight of this issue for me. The rest is pretty forgettable, but I guess it's decent effort (again, considering that a certain Vogue put concrete and stacks of hay on their covers).