Why am I not surprised that the second this woman gets given a new project, Anna will throw her a cover like that?
This is proof that directors need to stop trying to shoot fashion imagery or just still imagery full stop. You can't capture the stylistic touches evident in film/motion in a still. That's why whenever W does this blasted project with the directors every year, the best results are always collaborations between the film directors and fashion photographers, who shoot the final pictures.
As for Meisel, well my heart still kind of skips a beat when I see his name these days but the level of his output is often very disappointing and unexciting. I've realised that I only rate his current work when he works with Mary Howard, who can at least throw some texture into even the simplest of his pictures with some props or backdrops. Shame that this Vuitton editorial pales in comparison to anything produced in their August issue, like Malick Bodian's Chanel edit that Lulu also starred in. Particularly since he hasn't worked with Grace since 2016 IIRC.