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I find it, overall, to be an interesting cover and interestingness is sometimes more important than beauty or stunningness. I like the optical illusion going on in the font-I also really like the way she is standing and the chair as well. When you dissect the cover, there are a few things about it that are not so impressive but I think in its totality its sleek and elegant. I like the simple line in the composition, created by the chair.
We have seen such eds from Mile Aldridge for like how long? Also Vincent Peter's ed looks like out-takes from one of his previous eds in Vogue Italia. Sure these photographers have their unique styles, but sometimes it's just getting repetitive and lazy.
I like Karen's ed but somehow it reminds me of last September's main ed with Carolyn Murphy. Maybe because of the hair and make-up style?
My copy has been sitting around for about a week (still shrink-wrapped), so today I eventually remembered about it and thought I would see if Meisel's story looked any better in the flesh - and turns out it does. The editorial looks very well rehearsed. I love how the chairs compliment the clothes and marvelous styling from Marie-Amélie Sauvé. You can tell there was some serious planning and researching before the shoot. This is probably the only shoot where I've thought Julia Nobis looks at home too.
Vogue Italia #756 Photographer: Steven Meisel Stylist: Marie-Amélie Sauvé Set Design: Mary Howard Production: PRODn at Art + Commerce Model: Amanda Murphy Make-Up: Pat McGrath Hair: Guido Manicure: Jin Soon Choi
Next Level Photographer: Steven Meisel Stylist: Marie-Amélie Sauvé Set Design: Mary Howard Production: PRODn at Art + Commerce Models: Alana Bunte, Amanda Murphy, Chiharu Okunugi, Georgia Hilmer & Julia Nobis Make-Up: Pat McGrath Hair: Guido Manicure: Jin Soon Choi
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