DosViolines
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source: nytimes.com
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Who Is America's Next Top Model, Really?
Greg Kessler
From left, Snejana Onopka, Lisa Cant, Gemma Ward, Jessica Stam, Julia Stegner, Caroline Winberg, Daria Werbowy and Hana Soukupova.
By GUY TREBAY
Published: November 6, 2005
THE only authentic mystery behind who will come out on top each season on the UPN hit "America's Next Top Model" may be how Americans can be willingly gulled into thinking that the result of this deliciously kooky weekly confection is a cliffhanger. Each Wednesday a challenge is posed: Is Nik too shy or Kim too butch or Nicole too passive-aggressive or Lisa too quirky (and sloshed) to make it in the cutthroat world of high fashion modeling? Why, it is a puzzle to test the mettle of Malibu Barbie!
Firstview
Hilary Rhoda, a newcomer from Maryland, turned heads in Paris.
The truth at the core of this least-real reality series, now in its fifth season and with nearly five million viewers from the coveted demographic of women age 18 to 34, is that the winner is never Nik or Kim or Nicole or Lisa. It is Tyra Banks, the show's host and producer, a Victoria's Secret beauty with a snap queen's attitude and the entrepreneurial chops of Donald Trump.
"I see girls sitting on the No. 4 train to Brooklyn saying, 'Omigod, I have to get home because the Tyra show is on,' " said Wayne Sterling, the editor of Models.com, a slick Web site that obsessively rates model status. "The show has become their spectrum, a Midwest, middle-of-the-road simulation of what the business is like."
What is not apparent to legions of modeling hopefuls, either on the show or out in TV land, is something that modeling business insiders like Nian Fish, creative director of the fashion production house KCD, tend to laugh about. In an industry that is indeed fairly cutthroat, the women who appear on "America's Next Top Model" would have a tough time wedging a flip-flop in the door of most agencies.
There are a few good, simple reasons why the competitors on "America's Next Top Model" will not become America's next top model, insiders say. For starters they are generally too old to succeed in a field where much of the talent, like the current teenage Australian star Gemma Ward, is recruited out of middle school, explained Cathy Gould, the director of Elite models. And even though, by ordinary standards, the bodies of cast members on the reality show are unobjectionable, they are too plump to succeed in a business where eating disorders are no hindrance to success. In an ironic way, though, the most serious strike against the women may be, like their beauty itself, an unalterable accident of birth. They are American. "You just can't sell an American model right now because editors completely don't appreciate them," explained James Scully, a casting agent responsible for discovering many of the quirky, provocative sexpots who helped mold the image of Gucci during the stellar Tom Ford years. "Americans are just not in."
By American, Mr. Scully meant someone with looks that match traditional American stereotypes. That means clear-skinned women with small, even features and strapping bodies; blondes like Christie Brinkley, Kim Alexis or Lauren Hutton, to name three whose faces dominated magazine covers in the 1970's and 80's; patrician-looking brunettes like Lisa Taylor and Dayle Haddon; or women like Beverly Johnson, whose uncomplicated good looks set a commercial standard for black models once considered hard to employ except as "exotic" types.
Five years ago, answering the question of who, in fact, is America's top model would have been easy: she was a Brazilian. The platoon of pillow-lipped and long-limbed beauties led by Gisele Bündchen appeared so abruptly on the scene that it seemed as though Brazil was some unknown planet suddenly discovered by astronomers combing the cosmic beauty-sphere.
The Brazilians quickly came to dominate the worlds of high-paying runway work, along with magazine advertising and editorial assignments that compose the trifecta of a successful career. A top model who wins in all three areas - special bonus awarded for landing a contract as the face of a cosmetics line - can sometimes earn many millions annually, of which roughly 15 percent is kicked back to her agency. Although fashion gives the illusion of being a global business, New York remains the hub for all the largest modeling and advertising agencies and also mass circulation magazines. And it is still the center of image creation, editorial clout and behind-the-scenes wheeling and dealing. Inevitably, whoever is destined to become the Next Big Thing will have to make it here.
When the Brazilians' moment in the sun faded, those women were supplanted by Belgians, a raft of wan types with odd all-vowel names, Memling foreheads and what Ms. Fish of KCD described as "strong walks." Elise Crombez, for instance, still a reliable presence on the catwalks after several years, often took to the runway with the clipped efficiency of a dental technician late to assist ona root canal.