Drusilla_
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^exactly, it's a matter of perception and like you said, Lacroix/Gigli/Ghesquiere always had that reputation for workmanship and being that bit elevated over other labels, and it was reflected in the prices (I would also put Alaïa in their company), plus there's been a renewed appreciation of even more commercial things like the Balenciaga City bag. Similarly, there's some stuff that earns that high price on the secondhand market because it was genuinely something that heralded an era shift/peak e.g. Tom Ford Gucci. But among the hottest labels on the secondhand market for the last 2-3 years/right now is Roberto Cavalli, a brand that 00s TFS thought of as being Eurotrash. Granted, the fabrics used on the label from that era can be flattering, but I'm still boggled by the prices some of that stuff is going for, same with stuff like Blumarine and Diesel (which really are the result of the trend cycle coming back around to their peak y2k style and new creative directors who are savvy enough to catch it and exploit it, rather than any of the older stuff actually being particularly well-thought-of back then). If someone had told me that some label from that era was going to be the new in-demand thing in the vintage world, I would not have predicted that it would be Cavalli of all labels! (Tom Ford, yes. Galliano, hell yes, McQueen, well his stuff has always been in demand on the secondhand circuit because he's another of the demi-couturiers of that generation and his clothes were always known to be exquisite and well cut...but Cavalli? Maybe I'm just too closed minded!)
I mean, I do see your point about Alber/Theyskens/Marc's 00s work being just that smidge too under the radar to really blow up among the tiktok generation but the latter especially surprises me because Marc by Marc Jacobs was SO popular back then! Hell even 00s Prada is still quite reasonably priced, and it was possibly the most influential label of the decade, in terms of moving the needle on trends and being the weathervane for where other designers would go, and also being the most in demand among consumers. A/W 2004, 2006, 2007 and S/S 2008 are still collections I would basically kill to have a piece of, particularly any of the ombre skirts/coats from 2007. Some of the obvious museum pieces are always high prices, like the lipstick print skirts and any of the James Jean prints, and I know Prada has fallen off a bit in the later 2010s, but I'm still surprised.
Balenciaga was a super buzzy brand under Demna and that was reflected in secondhand prices for everything from sneakers to the recent logo sh*t - if the scandal really has taken it out of the brand, I can see those prices cooling off a bit too, at least until their next move to get past it.
I mean, I do see your point about Alber/Theyskens/Marc's 00s work being just that smidge too under the radar to really blow up among the tiktok generation but the latter especially surprises me because Marc by Marc Jacobs was SO popular back then! Hell even 00s Prada is still quite reasonably priced, and it was possibly the most influential label of the decade, in terms of moving the needle on trends and being the weathervane for where other designers would go, and also being the most in demand among consumers. A/W 2004, 2006, 2007 and S/S 2008 are still collections I would basically kill to have a piece of, particularly any of the ombre skirts/coats from 2007. Some of the obvious museum pieces are always high prices, like the lipstick print skirts and any of the James Jean prints, and I know Prada has fallen off a bit in the later 2010s, but I'm still surprised.
Balenciaga was a super buzzy brand under Demna and that was reflected in secondhand prices for everything from sneakers to the recent logo sh*t - if the scandal really has taken it out of the brand, I can see those prices cooling off a bit too, at least until their next move to get past it.