tourbillions
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i will take ancora over this, he is 1 day late for london. the city this collection deserves
Live Streaming... The S/S 2026 Fashion Shows
In the end I prefer this leaks, false rumours, drama, chaos, madness and confusion because they keep me curious about the new Gucci.
Much better than flooding the red carpets of the earth with dubious gowns.
Of course he won't do hoodies, that is super passé.
Remember his very first mens collection for Balenciaga? The one that mixed 70s glam silhouettes with platforms and ecclesiastical touches.
He can do fitted and slick very well, if he wants to.
I think that will be the direction.
It’s almost a relief to me to see that people at Chanel remembered that they used to have a culture of secret and that it was what made him leaders in the industry.
Because part of the loss of aura since Karl died was also that insane level of communication…Which wasn’t needed for a private company.
Finally some sensible packaging.
Bye bye Ancora red.
This is unfortunately the type of r*tarded customer Gucci needs right now. The Demna cult is eating this up.Oh he really went back Tom Ford with the packaging.
When your first ever Gucci purchase turn out to be the most basic Jackie bag in all black leather with a « worn out » treatment, it tells me everything I need to know in terms of lack of personal style or identity.
He could have went for a RTW piece and didn’t need the validation of Demna to buy a Jackie.
Anyway…
Sorry, I'm not in the fashion industry, so I don't fully understand these kinds of things. Just curious.why does it matter so much where the designers make/sketch their designs...
Unless they still handstitch everything in the studio by themself, i'm sure production of their sketches all rely on the studio directors.
It matters because the archives and ateliers are in Italy, and they are where the designer learns both a) the history of the house & its techniques, and b) how to make best use of said techniques (etc). If you're trying to design from LA, you're missing the wealth of knowledge held by the house's artisans. Yes, designers like Karl Lagerfeld and John Galiano were brilliant, but their work at Chanel and Dior would've been impossible if they hadn't been in constant, in-person contact with the workers in the ateliers. Those are the people who can tell a creative director how to execute a design (or not)—what is possible in terms of tailoring, embroidery, leatherwork, etc. If you're trying to design from another country, you simply don't have access to that knowledge.why does it matter so much where the designers make/sketch their designs...
Unless they still handstitch everything in the studio by themself, i'm sure production of their sketches all rely on the studio directors.