Share with us... Your Best & Worst Collections of S/S 2025
I liked all the Guests-Couture collections so far but I think this is beyond because it’s more than an exercise de style.^^^ These are such lesser fashion days, that's why.
Sadly, these are the types that only know Gaultier with the tattoo-prints and corsetry. And unfortunately, what is deemed as high style these days of the SM/influencer era, look no further than the recent story “The Story Of A Great Outfit” in American Bazaar. The accompanying scrapbook pics of the most desperately-seeking-attention clowns all vying to outdo Bruno/Zoolander/Edina Monsoon is hilariously tragic of what is admired as “style” nowadays: Literal clownwear with all the thought and sophistication of what a 5yo would wrangle together. Glenn has talent, but he’s by far the weakest of all the collaborators.
You know, the Couture clientele are of a certain height/build/age, not to mention from a more reserved, conservative environment. It’s understandable that they would gravitate towards a certain aesthetic. And a talent like Haider— much like Gaultier (and Galliano, McQueen, Theyskens) understand this more than any lesser, and are able to conjure the classic alongside the modern into something exquisite. That’s the true test if Couture— not anything goes. And Haider being teh classic side of Gaultier— while Olivier Rousteing was the more pop side, represented the duality of Gaultier extremely well. I’ll gladly take the conservative clientele anytime, anyday, anywhere.
Find Haider a House NOWWWWW, fully funded, give him the budget he needs cause this was pure excellence!! haven't been this excited for HC in a while
i would fully support this; matthew williams is quite honestly driving the maison into the ground. the house needs someone with a laser precise, clearly-articulated vision who can revive the couture. some of the ensembles in this collection took me straight back to mcqueen's years at the house - it was like a nostalgic glimpse into fashion's past.I can definitely see him take over Givenchy.
Is it really the pictures though? just tried this on a third device and still went like.. hell no. But I've admittedly never been a JPG or Haider fan so..They should hire a good photographer and shoot a proper lookbook because photos posted in this thread are just hideous. The lighting couldn't be any more unflattering. It's doing disservice to a great collection.
To be honest after going through the pictures multiple times I don't find this collection to be that great. It feels very low budget. The choice of fabrics is rather questionable.Is it really the pictures though? just tried this on a third device and still went like.. hell no. But I've admittedly never been a JPG or Haider fan so..
^ that's just so embarrassing I kind of feel bad and wish you had never posted that . So so literal. Why do people still do that in this time and age?! there's a thing called the internet and people with memory. At least go rip off the work of someone from some random fashion school in Vladivostok, everyone knows Jurgi (I hope!).
Well this definitely adds a sour note to the collection. Even worse because Persoons' is far better in terms of sensuality, feels more genuine and not as calculated.
^^^ These are such lesser fashion days, that's why.
Sadly, these are the types that only know Gaultier with the tattoo-prints and corsetry. And unfortunately, what is deemed as high style these days of the SM/influencer era, look no further than the recent story “The Story Of A Great Outfit” in American Bazaar. The accompanying scrapbook pics of the most desperately-seeking-attention clowns all vying to outdo Bruno/Zoolander/Edina Monsoon is hilariously tragic of what is admired as “style” nowadays: Literal clownwear with all the thought and sophistication of what a 5yo would wrangle together. Glenn has talent, but he’s by far the weakest of all the collaborators.
You know, the Couture clientele are of a certain height/build/age, not to mention from a more reserved, conservative environment. It’s understandable that they would gravitate towards a certain aesthetic. And a talent like Haider— much like Gaultier (and Galliano, McQueen, Theyskens) understand this more than any lesser, and are able to conjure the classic alongside the modern into something exquisite. That’s the true test if Couture— not anything goes. And Haider being the classic side of Gaultier— while Olivier Rousteing was the more pop side, represented the duality of Gaultier extremely well. I’ll gladly take the conservative clientele anytime, anyday, anywhere.