Glad to see some here are giving this effort a chance.
I find it funny how some will quickly dismiss this effort has lacking "soul", when I find Galliano's last few years at his own label and Dior to be completely soulless.
I like a lot of some of the offerings here-- it's just too bad it has to be under the Galliano label so of course it won't receive any praises, definitely not from John's fans here. Those long, black outfits with the sharps pleats and glimpses of strategically placed bits of red-- looking like bloodstains peeping out from the slits are so wonderful and dramatic-- and haunting. And the fit is flattering and thoughtful; I can see these pieces, along with the ribbon/ruffle pieces slipping in and finding a home in the Yohji, CDG, Ann and A.F. Vandevorst wardrobe. There's a sense of the sombre, sullen and pensive in design that's never been part of the Galliano design-voacbulary that I find so new here. But, it does seem awkward for this mood to be under the Galliano label, I'll admit.
I think Bill's damned if he follows the Galliano-blueprint for being mechanical, and damned if he proposes something different, as he's doing here. The look on his face in that shot seems to acknowledge this.