When brands are not reaching billions of euros they can really focus on making clothes.
When brands have at their helm creative directors who have standards, they can focus on making quality clothes.
A lot of things can be said about Hedi in terms of design (And I’m the first one to criticize it), nothing can be said about his commitment to quality.
His approach to fashion is very noble because he is not a « geek designer » but you know that he will use the best denim, the best fabrics that will compliment his cut. That’s how you have timeless garments.
What I love the most about collecting clothes (I collect with the intent of wearing them first) is to see the evolution in a designer’s work or in techniques and things like that.
In Nicolas’s case, I think his relationship with the body has extremely evolved.
I think his work for Vuitton is a bit in the continuation of his last 4 seasons at Balenciaga. There’s a ease, a roundness in his clothes that was not present in most of his time at Balenciaga.
When I put one the blazers from FW2007 (I own two) or the blazer from the SS2006, they suddenly takes control of you! You stands differently, the armhole is very high, it changes the allure.
However, from 2011 to now, his clothes have a more everyday wear appeal. In a way you can forget about them.
It’s funny to think that at one point, Nicolas, alongside Pierre Hardy, was responsible for designing the most out of this world high sky heels in the world. When I look at the Maryjane from fw2006, I can’t believe that I used to wear them. Now the allure of the Ghesquiere woman has changed. She is mostly in flats and when she is on heels, it’s a walkable heel…They have an angry walk anyway on the runway. It wouldn’t have the same effect with high sky heels.
I have those clothes that I will pass on to my daughter or son. More than a testament of my taste (designers clothes or not), it also shows the evolution in fabrics, in finishings and things like that.
I have a 70’s camel hair cape that my mother made. It hasn’t moved on bit in 50 years. Amazing craftsmanship, made by hands. You wouldn’t find the same quality today unless if you are willing to pay Loro Piana prices. The same for the dresses she made for me up until I was 25. It’s totally worth it!