Backstage, Prada was more low key than the collection she just sent out – dressed in a demure navy skirt and jacket, with lapis lazuli earrings. She referenced "German influences and the avant garde" and particularly Werner Fassbinder's films, like 1972's The Bitter Tears of Petra von Kant and 1981's Lola, that starred a young Sukowa. "I watched his films years ago," she said. "It was time to do what was in my mind for so long." She also elaborated on the importance of the shearling – a contrast from the mink that dominated last season. "It was about high and low," she said. "Poor fur was the only decoration. I wanted to get a kind of humanity."