"What are you going to do? Walk out of the office at 8 o’clock at night? No, of course not. So you stay there until midnight. That’s the life. So we created two design teams. Each group has a person in charge, and these people are fantastic. If Team A is working on cruise, then Team B is working on July couture. Then Team A will start working on the Fall ready-to-wear show. So each group does one couture show and one ready-to-wear show."
"How many people on a team?"
"Purely designers? About seven or eight."
After some direction from Raf, a team will begin gathering research — mood boards, books. He and Pieter will then choose things they feel are worth developing.
^If that's what you took out from the article then I suggest you read it again.
Nowhere in there he said he wants to "work only when he wants". He was criticising the pace in which designers are supposed to work nowadays. They don't have enough time to properly develop ideas, they need to pull together far too many collections in a very small amount of time. It's becoming overbearing, not just for him at that point, but for everyone else. And what's so bad about him wanting to actually, you know, live his life along the way? They're not slaves. And an essential part of being a designer, a creator is having time to have experiences, travel, see things that will eventually inspire them to come back and translate into their work. Perhaps he did had a bit of a naive idea of what's like to work for a brand like Dior, but I think any designer would also find it demanding and that the industry as whole is going a wrong direction. If he wanted, he COULD have stayed at Dior and continuing that kind of work pace for many years and accepted what it is, but he didn't. And i'm very glad he didn't, because he doesn't need to.
I readed it complete. Of course he is free to do anything he want. Maybe he wasa litle bit naive to think that in Dior he will have time for creativity, for ideas ect.
I'm sorry but... You do realize that fashion designers are creative people who NEED to find inspiration (thus need time) to enhance their creativity, right? If so, how is that "naive" from Raf?
Lanvin had been using 14 years Elbaz Talent and after put him out. He didn't give all this inteviews one after another.
the mess left by Galliano?! If anything, Raf's departure highlights what led to Galliano's demise in the first place.
I'm sorry but... You do realize that fashion designers are creative people who NEED to find inspiration (thus need time) to enhance their creativity, right? If so, how is that "naive" from Raf?
^If that's what you took out from the article then I suggest you read it again.
Perhaps he did had a bit of a naive idea of what's like to work for a brand like Dior, but I think any designer would also find it demanding and that the industry as whole is going a wrong direction. If he wanted, he COULD have stayed at Dior and continuing that kind of work pace for many years and accepted what it is, but he didn't. And i'm very glad he didn't, because he doesn't need to.
What "all these interviews"? He hasn't given a single one after the announcement. This one was done months before it. And also, he's not criticizing Dior the company. He's criticizing the industry. What he said can also be applied to Chanel, Givenchy, Gucci, etc. His departure from Dior has been very peaceful, nowhere near Nicolas' fallout with Balenciaga for example.
Raf Simons’ Dior Revolution
RAF SIMONS' focus in changing the face of Dior is to make it a brand that is "worn on the street". The move contrasts strongly to predecessor John Galliano's dramatic aesthetic - a style, the Belgian designer says, that Christian Dior himself would not have been happy with.
"Dior's ultimate obsession is that he wanted [the public] to wear it. I want them to wear it on the street," he told Alexandra Shulman in the January issue of Vogue. "If it doesn't relate to the outside, then it would be very theatrical for me."
Simons, who was named the fashion house's creative director in April this year, wants to develop "a code" for the brand - introducing distinctive signature qualities that people will instantly recognise. He names Chanel as an example of a brand that has desirable accessible signatures.
"The Chanel woman? I don't even need to see, I smell her from round the corner, but I don't recognise the Dior woman," he said. "I want to work on that fast. Chanel has the deux-pièces with the pockets, or the bouclé, but what is it for Dior nowadays? I can't say."
What is funny was reading all his fanboys this whole time defending collections done in three weeks with almost no research process and no nothing. Fashion is a flock of sheep.
Dior went into that direction... kind of. They started to use their couture as a starting point for their p-a-p so Raf could develop his ideas in a way. But actually they could design one big collection and divide it between Resort and Spring for example. Balmain has been using cruise pieses for the main shows too so there's a lot of different options.Who said that Prefall needs to be total opposite of FW and that every collection needs to be different?
I don't understand when he said that he didn't have time to process or develop his ideas...One idea started in prefall can be developped in the FW collection. A lot of designers are doing that...
I'm a bit tired of that Raf thing. As Lagerfeld said, if you're not for it, just don't do it.
It's obvious that this is a big issue in fashion right now but sorry if i'm wrong, he knew he signed with DIor...I mean, it's DIOR! Not GENNY, CALLAGHAN or GUY LAROCHE!
I really think that he is very talented and i will always love the clothes i have from the time he was at Jil and his accessories at Dior but i don't want to defend him anymore.
I just went to see the Dior ss2016 thread and it was almost funny to see myself explaining the obvious.
He wasn't the right fit for Dior period! I love the fact that he admitted in a way that he wasn't good for that. He allowed them to go to a much more modern direction so it's not a complete loss.
Every designer needs to have time to think and experiment but it's a matter of how to manage your time and inspirations.
Who said that Prefall needs to be total opposite of FW and that every collection needs to be different?
I don't understand when he said that he didn't have time to process or develop his ideas...One idea started in prefall can be developped in the FW collection. A lot of designers are doing that...
So i hope he will find a good house for him, i want him at Helmut Lang.