well as i just mentioned.. most of the commentators here are under the pilati spell.. they've jumped on any occasion to bash hedi since he was appointed and made news of the name change... nothing he will ever do will make them happy... even worst they believe YSL started with Pilati... they seem unaware YSL started something revolutionary called "Saint Laurent: Rive Gauche" the first RTW label by a designer which had strong pop art sensibilities and focused on rebellious youth and clothed the new young "it girls" when aging divas were still the mass focus... sexuality, androginity, independence, decadence.. that was the lifestyle.. may i remind some of you that catherine deneuve was revealed in belle du jour.. where she plays a young housewife that decides to become a prostitute... and since a picture says more then words, here is on of betty (yves lifelong muse whom he called his "twin sister") have a look at SS13 and tell me you don't see the connection:
I find this post highly offensive and borderline ridiculous. Yes, I agree, personally, I am still under a Pilati spell because what he did was a million times more relevant than this and more respectful to "Yves Saint Laurent's" legacy. We are all aware YSL was the first haute couture designer to do pret a porter. We are aware that he put women in pant suits and tuxedos, was anti-bourgeoisie at the start of his career and hence decided to look to the lower class to get inspiration. We are also aware of his love for pop-culture and the arts (Mondrian and Piccaso dresses come to mind).And yes, he caused so much controversy in the 70's by showing a collection inspired by prostitutes and underground and putting sheer tops on the catwalk. Difference is, he showed it with elegance and class and that's why he is regarded with revolutionising fashion in his heydays. As the popular saying goes, Chanel gave women freedom, YSL empowered them. When you look at these clothes, do you honestly see these women (girls) being empowered?
At the same time, many of these things that inspired Saint Laurent in the 60s and 70s, all the youth movements, are part of mainstream fashion now. Back then, it was almost a taboo for a woman to be in pants. Now, things are different. I have no problem with getting inspiration from anywhere. Be it grunge or from the moon, however, when you get inspired by something, that is not an automatic cue for you to copy and be literal. What Hedi presented was a disaster and that is a fact. At least from a critical point of view. There was no design. It was all styled vintage looks that anyone can get at Camden Market. From the duffle coats to the trench coats and baby doll dresses, all were too literal and basic that I doubt there were any sketches to start with.
So yes, it is really annoying to see YSL's legacy being tarnished like this. Pilati was not perfect but he was able to create a dialogue with YSL's codes. He always made the clothes elegant albeit sometimes they seemed strange. His designs were always intellectual enough to entice me at least, someone who is an engineer and should have no business with fashion. YSL famously said back during Tom Ford's era "in 13 minutes on the runway, you have destroyed 40 years of my career". I don't expect him, if he were still alive, to be fully pleased by what anyone does with his name (lets face it, towards the end of his career, he became irrelevant because he was stuck in the past; this is were is see Mr Saint Laurent and Hedi Slimane being similar) but by just looking at Tom Ford's YSL, especially towards the end of his time there, you can definitely see that respect. Do you think he will spew any amount of praise towards this? I say no, he will definitely have been very upset by this.
At the end of the day, I am still hooked with Pilati's work because it was a better representation of the house's codes for the 21st century. At the same time, I am still hooked with what Nicolas Ghesquiere did at Balenciaga but Alexander Wang put up an incredible show and now I am a fan (I am still not a fan of his label though). So when many of these so called, Pilati lovers, come here and be part of a band wagon, it's not just hate for Hedi that drives it, but utter disappointment at the current state of the house and what it is pretentiously trying to represent now.