The Business of Magazines

September Is Becoming Just Another Month for Fashion Magazines - Folio:

Given that we are no longer able to track and accurately report on ad buys in print, we decided in 2015 to monitor some of the top fashion magazines in the industry by weighing and measuring them to create a new, albeit less-scientific dataset, so we could get a better idea of how mass-consumer fashion magazines are performing year-over-year. Four years in and the narrative is not a surprising one: things aren’t looking all that good.

Since we began this project, we have seen Glamour and People Style Watch fold their print magazines. Porter cut its frequency back to two issues a year, which prompted us to remove it from the dataset. And we decided to also remove Allure altogether since it was less than half the size of the second smallest book.

But beyond that, we have seen significant shrinkage across the board over the past four years—including at Vogue, where its “thud factor” has decreased by more than 30% in that time. But the good news for Vogue is it’s still the clear leader of the pack, but nobody in the set is immune to the industry’s challenges and bucking the trend.

The “best” performers this year were those who remained relatively flat versus last year. Still, for InStyle and Marie Claire, remaining flat shouldn’t warrant any pride, considering they sit at the bottom of the stack, so to speak.

But rather than dive into these numbers too deeply, since we provide the graphs for you here, let’s quickly look at the five magazines themselves.

First of all, without nuance, four of the five magazines really want you to know this is their Fall fashion issue. The cover lines include “It’s Fashion, Baby” from InStyle; “The Fashion Issue” from Harper’s Bazaar; “The Power of Fashion” from Elle; and “It’s the September Issue!” from Vogue.

Cover lines are intended to create excitement to sell magazines, but such explicit appeals to sell fashion in a fashion magazine arguably diminishes the trendy, exclusive character that these books built their reputations on. But this is a minor critique compared to a more glaring concern on these covers.

Take a look at all five covers and you will see four of them all have something very familiar in common: a total lack of diversity (unless you count hair color). Last year we saw we saw considerably more diversity across the dataset. However, this year Alicia Keys is the only person of color to grace the cover of one of these magazines. This isn’t merely a social consciousness problem. Magazines desperately need to tap into younger, more diverse audiences if they want to grow and sustain their brand strength.

This is especially true in the social media era, where your magazine cover probably means more on Instagram than it does on the actual newsstand. It’s possible that Julianne Moore or Angelina Jolie will prove to have decent sell-through rates, but how will they help grow InStyle and Elle’s brand equity on digital platforms? It’s somewhat of a rhetorical question for now, but one that these magazines have to consider more carefully as the September issues continue to shrink and account for less and less annual revenue.

The point I’m trying to make here is that fashion magazines don’t seem to be trying to do anything differently, and are still resting on their laurels. The problem with that is our data suggest that what used to work clearly isn’t working anymore. None of us should expect a comeback story here. But what we should hope for is that these magazines start thinking about their publications and their audiences differently.

We will do this same report next year. We expect there will be more decline. So our question now is: how much longer will this report be relevant before the once-dominant September looks like every other issue a magazine publishes?

Methodology
Each magazine was weighed on two scales to confirm accuracy. Weights are then rounded to the nearest ounce. Additionally, each spine was measured in the middle of the book and rounded to the nearest millimeter. Because trim sizes and paper stock are not uniform, we measure both weight and spine thickness to offer a more fair comparison.
 
Yet luxury is stronger than ever. Reality is that print is dead and that has nothing to do with who is buying and where.
I agree with you, the last time I bought a fashion magazine was in 2013 (Vogue Italia's 25-year revolution) and I even got a 1-year subscription for US Vogue the following year but eventually didn't care for it anymore. Now everything I consume visually fashion wise comes from either Instagram or here.
 
Publishers are failing to market print magazines to those who would buy them, and are chasing after those who never will.

I would happily (still) buy lots of magazines, but most of them are so puerile that they aren't even worth a cheap subscription. It's nothing to do with the age of the people on the pages - rising models, musicians and movie stars are always going to be young - but it's the entire tone of the magazine.

If you look back at the magazines in the vintage forum, they were about women, they were made for women. Even if the models were 19-year-old girls, there was a sophistication, a focus on being an adult.

Now it feels like print magazines are aiming themselves at an ideal consumer with the purchasing power of a thirtysomething professional, but the mind of an eternal adolescent. Pick one.

If I stop buying Vogue, Elle etc every month, are they going to get five or ten people half my age to take my place? They'll be lucky to get one.
 
The shade of Alexandra Shulman in that video, never mentioning how it was a great coup for EDWARD to land HRH The Duchess of Sussex as British Vogue's guest-editor for September, completely skirting around Enninful's tenure all together - reminding everyone she landed HRH The Duchess of Cambridge for the magazine first.
 
^Haha, that is exacy what I expected from her, she has been petty since the day she left Vogue!
 
She was definitely fired. You don't quit your day job to write a book, she has already written books in her spare time. Whoever does their PR is terrible at it.

Actually editor’s are choosing to quit these days as a way to bow out gracefully. From Shulman at British Vogue to Graydon at VF or Roberta from Elle. Justine is a classy lady and kept it classy by insisting she was leaving to “write a book” like some of the others have also claimed. They are intelligent enough to see the writing on the wall. I for one appreciate the graceful way her exit is being handled.
 
Yet luxury is stronger than ever. Reality is that print is dead and that has nothing to do with who is buying and where.
Buying magazines unfortunately doesn’t have any type of experience attached to it. The word « experience » is now totally important in today’s market.
Luxury is stronger than ever. People are going to shops, restaurants, hotels, fancy places or can buy an expensive product, post about it on IG and feel like they are part of something special.

Buying magazines doesn’t offer that type of experience, yet. There’s nothing glamorous about a bookshop.

I wonder if one day, magazines will be sold in designers stores regularly or if CN will open for example an eye-catching, IG worthy bookshop for people to engage more with the act of buying magazines.
 
What on earth, Justine is stepping down!?!! This is such sad news. Yes, I've not been overly impressed with the last few issues, but one cannot deny the impact she left in fashion media. Yes, Miss Dalloway, that's what I said. Lol. If you flip through international editions of Harper's Bazaar you'll find different iterations of the romantic, whimsical visual style championed under her. At least she's not leaving the magazine in tatters. This September alone, Harper's had a record-breaking ad and page count.

Now the hunt for a replacement. Jo just took on the job at Financial Times, NO to Carine, and I hope to God they're not considering Trish Halpin!!! The ground is ripe for a new editor with a new vision.

Speaking of, that Marie Claire lasted as long as they have is a miracle in itself. They should've gone bust at the same time as InStyle.
 
So apparently Vogue/Meghan is accused of plagiarizing the cover of a 2016 Australian coffee book

https://www.dailymail.co.uk/news/article-7296215/amp/Vogue-issue-guest-edited-Meghan-Markle-looks-like-Australian-book-helped-produce.html

To Meghan/Vogue’s defense though, this is a reach. There were TONS of black and white collage photos that came before that Book. Sis acting like 2016 was the year of discovery for collage. Its a reach and sought mainly for publicity.

Although to the author’s defense, the black and white portraits plus “CHANGE” in the title seems a bit suspect.

P.S.: I know how the brits feel about the daily mail. So before counting this one off, the news has been reported by other sources as well.
 
Hahahaha @benn i think Trish Halpin is very much seen as the old school type of editor and won't be considered for Harpers.
I think if Marie Claire had hired a younger more dynamic editor about 8? years ago, then it could've been saved. They were just too late on so many things.
The design was awful and choice of cover stars very random.
I agree with whoever said it had no point of difference.

I am very excited to see who does get the Harpers job.

My theory is Jsutine left because of all the cost cutting and hubbing that's going on at hearst.
 
That's hilarious. The 2016 book cover is ugly ASF. From the cover design to concept to subjects, the book itself looks like a mindless collection of trending social media figures barfed onto a cover. Don't even get me started on their center-justified cover text or god forbid wannabe VOGUE typeface!

Embody and prioritize Western beauty ideals of svelte body shape (gotta look good in a bikini!), perfect oval face shape, sport perky highlights, wear pounds of make-up and you too can be a girl boss!

In contrast UK VOGUE had the sense to feature a wider range of minority personalities on their cover. As cheesy as the collage concept can look at least UK VOGUE varied the type of images within the squares utilizing a mixture of close-ups, full body, torso shots.

So yeah Markle did rip off the rip off of the rip off...........So what?
 
For all we know she left because the magazine is closing soon / going digital....

Hope to heavens its not the case.
 
I cannot imagine British Harper's Bazaar is doing so badly that it has to resort to digital (at least not before any of the other naff International editions), although I could be completely wrong. The magazine's sales figures always appear to be healthy (hence why we always getting returning cover subjects).

I do genuinely believe Justine is leaving the write the Miss Dior book and focus on other projects. Justine was an author prior to taking over the helm of Bazaar, so it's not like the choice to concentrate on the book is completely out of the ordinary for her. Why will Justine remain a contributor if she left on bad terms?

Personally, I am still set on Avril Mair or someone else from Hearst taking over from Justine - and the magazine not moving on much from what it is now. Someone mentioned Carine Roitfeld taking over, but I think that is unlikely with Roitfeld already between Paris and New York.
 
I personally think that Carine has her eyes on US Bazaar, not UK.
 
Bleeding shame that Justine had to leave considering she build a fair amount of bank during her tenure. And the idea that she may have been sacked is far-fetched at best. Anyway, keen to see the names who will be bandied about. Doubt Lucy would go back. You can't live in the past.

Don't really want to add weight to the Mail's gutter journalism, but consdering how involved Meghan was with the Aussie book, the idea isn't too ludicrous. She may not have purposely copied the layout and on the other hand they don't have copyright on that specific layout, but it makes sense that she may have been inspired by it. And as any normal person would do - brushed up the areas where they've failed.
 
I personally think that Carine has her eyes on US Bazaar, not UK.

Pure speculation, but she could pull off a Wintour and go to Bazaar UK before the US slot becomes available for her, if that's what she wants.
 
I don´t think Carine is after an EIC position, it's not a relevant position anymore I mean she already has CR Fashion Book and in the last issues she only do a couple of editorials. She is more focus on beeing a brand she mentioned in her NYT interview she is after a clothing and makeup line, also she has the creartive directon of the Karl Lagerfeld brand.
 
Vogue Paris Sales for 2019 (halfyear).

February - Erika Linder: 88.008
March - Rianne Van Rompaey: 95.291
April - Adut Akech, Andreea Diaconu and Raquel Zimmermann: 90.125
May - Rianne Van Rompaey: 100.449
June/July - Gisele Bündchen: 136.237

Source.
 
Thats exactly why we got 4 Rianne covers for September, and why Rianna is here to stay for VP. She sells. Top 2 out of the ordinary months.

But i must say, all in all, these are terrible for Vogue Paris. However, who would want to buy these year's flock of terrible covers??
 

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