nqth said:It is a new one. I think it will be released in April.
The notes:
Head: bitter orange, black pepper. lime and saffron.
Heart: thyme, sage and sea notes.
Base: oak moss, patchouli and musk.
Sounds quite promising (patchouli, bitter orange and saffron)
But sea notes (aka Acqua di Gio, Issey Miyake) ?:-P
[FONT=geneva,arial,sans-serif]Ensemble, autumn/winter 2001–2
Rei Kawakubo (Japanese, born 1942), for Comme des Garçons (French, founded 1969)
Black cotton velvet; red cotton velvet; pink rayon satin with black cotton tulle and synthetic lace
Gift of Comme des Garçons, 2004 (2004.188ab)
[FONT=geneva,arial,sans-serif]Part of the "Beyond Taboo" collection, this ensemble by Rei Kawakubo references a brassiere from the 1950s, the period of the bust's most highly eroticized focus. However, Kawakubo cites its least provocative form, the long-line, and she fashions her design in a cotton voided velvet fabric that situates it as outerwear. The long-line was originally intended to provide greater support for women with larger breasts, the ostensible period ideal. But the detailing was more orthopedic than sexy, and Kawakubo stresses this practicality in her version. When she transposes the brassiere to the rear, however, her critique of the sexist equivalence of the cleavage of breasts to that of the buttocks flirts dangerously with a reinvestment of the erotic to the garment.
Dress, spring/summer 1997
Rei Kawakubo (Japanese, born 1942), for Comme des Garçons (French, founded 1969)
Gray and white gingham checked nylon and elasticine blend
Gift of Barneys New York, 1998 (1998.516.1a,b)
[FONT=geneva,arial,sans-serif]Spurring controversy in the fashion press and consumer public, and inspiration among design peers, the bulbous gingham dresses of Rei Kawakubo's 1997 women's line literally challenged the form of fashion. While Kawakubo has clearly demonstrated an interest in challenging various social, sexual, and economic stereotypes with her garments, this dress confronted one of the oldest taboos of fashionable and wealthy society: the shapes of the feminine ideal. Said to have been exploring the boundaries of malleable form in movement with padded bumps at bust, rear, and midriff combined with a stretchy synthetic gingham, Kawakubo has never verbally confirmed a frustration with fashion's passion for fit, even emaciated models and mannequins.
The gingham, commissioned from the Orimono Kenkyu Sha Fabric Company and its designer, Hiroshi Matsushita, fit so tautly over the projectile padding that it denoted a second skin. This rather disturbing imagery prompted many to view the pieces as a twisted tribute to deformity or disfiguration. Kawakubo, who has been labeled melancholic for her early use of black, has declined comment on these criticisms and allegations. Much like Issey Miyake, she believes that a company should have its own theory and persona, separate and different from that of its patriarch or matriarch, and thereby unfailingly allows her work to speak for itself.
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mikka000 said:why do people think that Comme des Garcons is French? Rei lives in Aoyama, Tokyo and that's where the studio is too. It's really frustrating!
marylauda said:^To someone who doesn't know much about the label, I think that it would be an easy mistake to make, considering "comme des garcons" are French words.
"CdG presented a new label called ganryu in paris for the first time in two years"
WWD
seems like the start is on a small scale, but it's one designer line.