The End Of The Supermodel
May. 8 2011 -
Kiri Blakeley
Last week, Forbes published its annual World’s Top Earning Models List.
Gisele Bundchen, as she has for each
year of list’s existence, vastly out-earned her competitors, this time with an estimated $45 million.
Four years ago, I headed up the first World’s Top Earning Models list. Before that, models appeared on the annual
Celebrity 100 list along with musicians, actors, actresses, directors and other Hollywood entertainers.
At the time, this made sense. Models who appeared on the celebrity list, like
Cindy Crawford,
Christy Turlington,
Christie Brinkley and
Claudia Schiffer, seemed part of Hollywood.
They starred in movies and music videos, they dated or married movie stars, they cut singles, they were regulars
on talk shows, they attracted screaming mobs at malls. Everyone knew their names and faces—just like movie stars.
But by
2007, the definition of a supermodel was already beginning to change, and I was having trouble justifying
putting some of the top earning models on what was supposed to be a list of Hollywood entertainers.
Heidi Klum
had a TV show, so fine.
Gisele Bundchen and
Kate Moss were incredibly famous, so fine. But
Adriana Lima?
Alessandra Ambrosio?
Carolyn Murphy? What did they do besides model? Who, besides those who followed
the fashion world closely, even knew who they were?
Thus was born The World’s Top Earning Models list. On this list a model could be, well, just a model. Here, there
was room for Estee Lauder face
Hilary Rhoda, Lancome face
Daria Werbowy and Calvin Klein muse
Natalia
Vodianova. These girls didn’t do movies. They hardly ever appeared on TV, except for their own fashion ads. And,
except for the most fanatical modeling fans, no one had a clue what guys they were dating. Yet these ladies were
all at the top of their game and making millions. They needed a list of their own, and they got it.
Looking at the most recent models list, it’s clear to me that successful models are now even more removed from
Hollywood. Most of them are not household names—certainly, not in the way that
Tyra Banks,
Elle MacPherson or
Cindy Crawford were in their heyday (and still are).
As beautiful as the new girls are, the names
Candice Swanepoel or
Lara Stone just do not spark the same excitement
that the supermodel trio of
Linda Evangelista,
Christy Turlington and
Naomi Campbell did in the early 1990s.
But a decade ago, cosmetic contracts began going to actresses, who figured out that starring in a lipstick ad wouldn’t
necessarily stop them from winning an Oscar (hello,
Halle Berry). And today, pretty women who get well paid and attract
legions of fans for not much more than being pretty aren’t called supermodels—they’re called the
Kardashians.
The supermodel era, as it was defined two decades ago, is dead.
In its place, however, there’s a more interesting model—one that has more in common with Wall Street than Hollywood.
These days, even the newest models have branched out into licensing deals that encompass everything from clothing
and jewelry to fragrances, furniture and food. In fact, a year after The World’s Top Earning Models list debuted, I headed
up
The Most Entrepreneurial Supermodels list, which Forbes still runs.
Today, models may not have their own TV shows, starring roles in movies, or even movie star husbands—but they have
something better. They have the template for a multi-dimensional, multiple-platform career. Not to mention that the
supermodels of yesterday are as busy as ever. Many of them—such as
Kathy Ireland,
Tyra Banks and
Heidi Klum—
now head up multi-million dollar or even billion dollar corporations.
So the question isn’t “Will the era of the supermodel ever return?” but “How long before we see a few of these
supermodels on The World’s Billionaires list?” I predict not too long.