Versace F/W 03 - was one of the most beautiful collections Donatella has yet to produce. It was dark, gothic, erotic and moody and the corseted dresses in that olive green chiffon were beyond gorgeous, almost poetic.
Yves St Laurent S/S 04 - another dark, moody collection that oozed art deco via seventies glam. The big Diana Ross hair, the exaggeratedly smokey eyes, provacative necklines and the loose silhouettes were the epitome of sexual glamour when I first saw the show. The zebra runway just added to that. Flawless.
Chloe S/S 2001 - The horse prints were so chic, and the fruit prints on the swimsuits were so vulgar. Overall, this was a humorous collection that could have been kitschy but instead was chic and sexy. This collection was everywhere that spring, and everyone was knocking off the horse prints.
Dior S/S 2002 - Wearable? No. Dazzling? Yes. From the chinese dancers and performers on stage to the miles of fabric swaddling Galliano's mysterious character-models, this was an incredible display of showmanship. Color, proportion, presentation, was at it's peak for Dior in these days and this was my personal favorite of his shows.
Galliano S/S 2003 - When I first saw collection, I was scared. Literally, the models frightened me with their large oriental hats and monochrome paint jobs. Looking back, it was one of Galliano's more brilliant creations of character and mood. Models were unrecognizable and it was all about the clothes and the makeup.
Gucci S/S 2000 - Not the most technically astounding Gucci collection, but what it had in simplicity was made up for in pure sex. The snake prints, jeweled dresses, assymetric necklines and colored tights were so 70's yet so modern and brought Gucci into the new millenium with a message of dark, brash sexuality while still pushing out wearable and covetable clothes. The ad campaign was great as well.
Gucci S/S 2004 - While not as universally beloved as his earlier collections, I found this to be Ford at his best with detail and luxury. The shoes were a hit, and IMO the best he had ever sent out. The track pants with python jacket ensemble was a wonderful reflection of the high-low dressing that was beginning to swell amongst women. The finale of colored dresses with maribou feather jackets was beautiful and almost touching. This was perhaps the Gucci woman at her most feminine, though she looked like a wet dream.
Alexander McQueen F/W 2001 - A madcap psycho circus of merry-go rounds and children's music alongisde S&M clothes and and the evilest of clown make-up make this a rebellious, but succesful show. McQueen had a very dark imagination, twisted at time, and it was a pleasure to witness it in action.