brandon J pierre
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I agree, the problem is when the criticism becomes observed. Because nothing will ever be the same again and when we continue to look back which we have the power to do in a way that we've never had the power to do before and we keep comparing people to different time, well how can we ever move on exactly. It's like Balenciaga when people say he's rolling over in his grave well of course he is but also if you were to reproduce those same garments and put them in the store right now at this moment they wouldn't make any money because times have changed and times have moved on they had three great designers at that house that did not last and some where really wonderful. But in today's world you must sell something if you're not selling you're not producing you're not designing correctly for the people that are in front of you right now! In this moment. I think my biggest problem with fashion right now is all of the amateur critics out there in the world who are actually not purchasing anything who are just talking heads they can get people fired. Also not remembering that fashion is an art form and you cannot step into an artist, particularly a dead artist mind. you have to move forward, but if you keep looking back you will never be happy. This statement applies to many of the big houses out there in the world. And any which way we will never see another Karl lagerfeld again. 36 years at the creative helm full creative director for that long is it extreme task to overtake and whoever steps in next must be given time. I think it's a shame that she was let go or walked out the way she did but I do think that Chanel needs a change but the criticism was sort of extreme. I'm more angry at Sarah's criticism because I think she really took the right step after the death of McQueen until she left she focus on the tailoring and moved from there. Was it theatrical and crazy the way McQueen was no because she's not McQueen and that's okay.I don't think the new fellow at McQueen is getting much love compared to Sarah Burton and it's not like Raf was immune to intense criticism either at Dior prior to MGC.
I don't think gay men expect women to come out looking like a Galliano couture show. Come on. I think it probably comes from their lack of understanding of how the fashion business works and is turning / how the dominant markets dictate what these fashion businesses cater to (i.e. logo merch pieces sell well in Asia and metropolitan cities and certain fits/lengths that do not complement the women body as well sell better in the Middle East). As I stated, the hate could be shifted more towards executives who are turning previously creative fashion houses into merch factories; do not let the clever marketing of "clothes for real women" fool you. I'm sure if the next creative director at Chanel or Dior churns out uninspired collections, they will get just as much criticism as VV and MGC (or in turn VV and MGC will get some post-tenure praise among the gays such as what has occurred for Sarah Burton).
Of course, there is the issue of sexism among gay men but...I think most gay men adore women because they adore beauty and value the power of femininity of women. You can't say men like Ghesquiere, Alaia, Elbaz, Karl, YSL, TF, Anthony V. do not adore women. And obviously their "gay vision" hit some cord because many "real" women did/do still love their creations (in both accesories and clothing propositions).
After my long winded responses on this thread, I still ask myself why exactly are we so concerned about protecting people, who make six to seven figures in their salaries, from criticism?