Yohji Yamamoto

I can hardly see any Yohji touch in this new Y-3 Sport collection, even though I understand this is performance clothing and there is a rightful market for that, what's the point at doing this under the Yohji umbrella when the results show very little of his aesthetics? This could just as well be any other elevated Adidas to me.
 
I can hardly see any Yohji touch in this new Y-3 Sport collection, even though I understand this is performance clothing and there is a rightful market for that, what's the point at doing this under the Yohji umbrella when the results show very little of his aesthetics? This could just as well be any other elevated Adidas to me.

i had a similar feeling until i saw the pieces in person...
they are simply amazing...
the fabrications and the details are stunning and the very thing that makes them yohji is their elegance and their sex appeal...

the merino sweaters i posted are the highlights, imo...
but there are some amazing bottoms as well...
never seen anything quite like it...

:heart:
 
also- there is a grey/silver thread woven into the stripe on the back of the womens t-nk ...
it is reflective/glows in the dark...for safety...
so subtle...and so good...

*i have a knitted ring with similar properties, so i was especially taken with this detail...
^_^...
 
Dressed head to toe in black you'd be forgiven for mistaking Yohji Yamamoto for a rock star, rather than a fashion designer. We meet at his Shinagawa-ku studio, a large industrial building next to the Keihin Canal in eastern Tokyo. Yohji smokes cigarettes and sips Japanese tea as we talk. His Japanese Akita, Lin, lies protectively at his feet: "She is the last girlfriend in my life," he jokes. Outside young men and women gather to smoke in the spring sunshine, while the warm buzz of creativity from Yohji's studio hums through the open windows.

Wearing a black suit and t-shirt, his distinguished grey hair tucked beneath a fedora, Yohji has a powerful presence. Now in his 70s, a calm mindfulness precedes his every move, inspiring the press to frequently refer to him as "sage" or "master". "Please, please, never 'master'," Yohji exclaims. "If you think you are master of something, you are finished. I am always fighting somebody, fighting power, money, a sense of mediocrity, common sense..."

This spring Yohji Yamamoto and adidas joined forces to launch Y-3 SPORT, Y-3's first fully dedicated sportswear collection. Sleek, black and ergonomic, it's everything modern sportswear should be. There are no loud colour palettes or confrontational logos; this is serious apparel for serious athletes, in a stylish colour palette of black and charcoal grey. "Whenever I walk in big cities like Paris, New York, Beijing or Shanghai, I notice people wearing very ugly sports outfits," Yohji says of the collection's inspiration. "They are wasting clothing, using cheap new fabrics and mixing colour terribly. It is very painful for me to see. I need dynamite! My desire for Y-3 SPORT is to make sportswear elegant and chic."

Y-3 enriches my creative life. I put every emotion and sensation I have into the clothes, so please feel them.

Yohji worked with Y-3's Senior Design Director Lawrence Midwood to bring his vision to life. "Yohji came down to the third floor design studio and said 'It's time to move, Y-3 needs to move,'" Lawrence recalls. "We had worked on small sports projects before, for the likes of Real Madrid, and often talked about how Y-3 could one day do real sportswear. But it was these words from Yohji that really gave the collection it's reason to be."

The capsule collection that ensued is a groundbreaking feat of modern engineering and design. Garments are softer, lighter and more durable than ever before. Seamless designs with bonded constructions enable greater freedom of movement, while advanced breathable technology across running tights, jackets, gilets, t-shirts, jerseys and tanks allow the fabrics to breathe on the body like a second skin. Perfect for intense workouts. "We were absolutely adamant that our customer wouldn't be compromised on style, whatever sport they may do," Lawrence says. As for the shoes… Hyped trainers are a mainstay of the Y-3 brand and for Y-3 SPORT this is set to continue. More like spacewear than sportswear, the limited edition Approach Primeknit hi-top trainers feature tiny energy capsules that unleash bundles of energy every time your foot hits the ground. While the Primeknit sockliner enables you to hug the road or track while protecting your feet like never before.

Protection is key to Yohji's aesthetic as a designer. He often describes the clothes he designs as "armour" - frequently black, sometimes difficult, but always beautiful - they offer security in our often challenging and unpredictable world. Yohji's deep-rooted and sincere desire to safe guard and cocoon those he dresses burns inside of him from childhood. "This has been my resume from the very beginning of my career," he says, taking a sip of Japanese tea. "I am a son of a Second World War widow. 35 years ago - in the city, in the town - women dressed as though they were wearing very attractive outfits for men, and not for themselves. I felt this was not right. They should be more independent. And I still feel the same now."

Whenever I walk in big cities like Paris, New York, Beijing or Shanghai, I notice people wearing very ugly sports outfits. I think I need dynamite! My desire for Y-3 SPORT is to make sportswear elegant and chic.

Born in Shinjuku, Tokyo in 1943, Yohji was only two years old when he lost his father to World War II. His mother, a seamstress, worked hard to raise her only son, and witnessing her steely determination and drive in many ways shaped Yohji's life. "I have always had fire in my belly," he says. "It's hard, but that weight forced me to never fall into mediocrity."

Yohji briefly studied to become a lawyer, before deciding to follow his heart and study fashion, launching his own name label in 1972. Y-3 came to life thirty years later, after the designer - worried that he was losing touch with his customer base - contacted adidas to see if he could borrow some trainers for his autumn/winter 2000 show. "Fashion had become so boring," Yohji recalls. "I felt I had come too far from the street. I couldn't find people wearing my clothes anymore and I felt so lonely. At the time, New York businessmen were starting to walk to work in their suits and sneakers. I found this strange mix incredibly charming, a fascinating hybrid that completely inspired me." The resulting collaboration - a first between a fashion designer and a global sportswear giant - perfectly tapped into the zeitgeist of the time and created something game-changingly modern. "We created something that did not exist before and completely projected the future," Yohji says, and Y-3 was born.

Despite 45 years in the fashion industry - and a plethora of awards, accolades, exhibitions and books to his name - Yohji Yamamoto does not like being called a fashion designer. "I hate fashion," he exclaims. "I hate the vocabulary of fashion, even the word 'fashion', it sounds like you have caught a cold - 'fash-un!' I am not a fashion designer, I am a simple cloth maker, a garment maker, nothing more." Yohji's anti-establishment approach to the industry, and the independent way in which he works has been integral to the longevity of his success. He has never followed trends, nor courted media attention or quick likes on social media. In an age obsessed with constantly chasing the new, he works with an honesty and integrity that is blissfully refreshing. "All these years I have been walking the sidewalk of main fashion," he explains, "the dark side of the road. I keep shouting 'anti-fashion', 'have a vision', 'be yourself', 'find your life'. I was shouting that then and I'm still shouting that now. The new generation does not have time to breathe. They should stop watching their screens. They think about the world through their computers, but they do not know."

All these years I have been walking the sidewalk of main fashion, the dark side of the road. I keep shouting 'anti-fashion!' 'have a vision!' 'be yourself!' 'find your life!'


In a world flooded with imagery, and other peoples' likes, dislikes and ideas, Yohji is more determined than ever to walk his own path and source his inspiration from within. "I never go anywhere for inspiration," he says. "I never go see a movie or to a museum. I do a dog walk every morning in Tokyo's cemetery garden, rain or snow, and exchange conversations with dead people. I sit down on somebody's grave and I smoke. Sometimes I feel very happy because the air is very refreshing, and there are many trees. It's my happiest moment. Other times I feel very isolated. Otherwise my ideas come while driving. I don't know why, but during movement the ideas flow…"

Like a master conductor, Yohji works with the Y-3 team in Tokyo and Herzogenaurach, Germany, to bring his ideas to life. "Fashion is very close to cinema," he says. "It's a group job. I'm a director, and I have very experienced assistants for fabric, for cutting, for sewing, for accessories... I'm surrounded by professionals. I simply speak about next season's image and then they start. They show me the new cutting, the new silhouette and I love it. I love the fitting moment. Only then do I feel true happiness."

Next season will see Y-3 SPORT go "even further into sport", with a focus on racing, fighting and of course, football. "I am thinking about sport on the ground," Yohji says, "how fast you can go, how fast you can run, how high you can jump?" Rigorous testing permitting, 2018/2019 should also see the launch of Virgin Galactic, Richard Branson's highly anticipated commercial spaceflight operation, for which Yohji, Lawrence and the Y-3 team had the huge honour of designing the accompanying space wear: a ground-breaking exploration into the limits of performance wear if ever there was one. So, if the opportunity were to arise, would Yohji himself like to travel into space? "No, no I wouldn't. Why? Because I couldn't smoke!" he quips.

For Yohji, Y-3 is a personal inspiration he holds close to his heart. "It enriches my creative life," he says. "I put every emotion and sensation I have into the clothes. I put all my messages in there, so please feel them." Next year, Yohji will celebrate the 45th anniversary of his own name label. It is an incredible milestone for any designer, but one Yohji refuses to take too seriously. "I hate looking back," he says. "I only look forward. Otherwise I feel tired." So what are his greatest achievements as a designer? "I don't have the feeling of achievement," he concludes. "I know I became famous. But it is not my fault. It is their fault. I need to innovate. That rhythm, that momentum, that's what keeps me going. I'm never satisfied. The pursuit of better is my engine. I am always looking for a rival." Has he found one? "Not yet..." The gauntlet has been set.

i-d.vice
 
Last edited by a moderator:
from early spring of 1994

the "prehistoric etchings" were featured on the floors and walls of other YY shops too back then


my scans
 
minimal excerpt from yohji in conversation with one of the youngest editors at wwd japan

wwd: someone was referring to you as "man of humanity and exploring spirit". what do you think of yourself ?
yy: funny. luckily I got to be a fashion designer, otherwise I guess I might have been a criminal.

wwd: the most unforgettable collections ?
yy: SS1999, FW1994, and SS1995

wwd: what was your parental impression when limi got tattoos ?
yy: I'd be thankful if she was content with just tattoos

wwd: any ideal how the sales assistants at yohji yamamoto should be ?
yy: there was and still is, but it has never been realized. the original concept of aoyama flagship was " the shop imaginably the hardest to step into". ideally they would be smoking, aloof without saying even conventional phrases with which you'd expect them to speak to you; wouldn't guests be more free without hospitality ? since the door is already hard to open, once you opened it the game is decided, which is the way I like it.

wwd: of the lines already abolished, is there anything you are still regretful for ?
yy: "workshop", a workwear line


wwdjapan
 
Last edited by a moderator:
his work mutely collects and resisters the affective traces which make up the individual. the traces of time are, for yamamoto, traces of destruction, of aging, of decline and of use: traces of death, beautiful because they are ugly. what is important is not the eternal and uniform result of history, but the individualized sum of experiences which are collected in its course. it is the vast field of individual experiences that stands behind his multilayered look. for him, the ideal look is that of "the vagabonds, the gypsies, the travelers, those who carry their life on their back, everything that they possess, their memories, their treasures, their secrets. this is the perfect dress: one would never be able to create something like that." perfection and the supposed progress of history are, for yamamoto, only the inhuman forms of a flight from this kind of beauty. beauty lies in what is hidden: it is the secret of the contingent traces, of their collection and their appropriation.

from fashion zeitgeist (2005) by barbara vinken, chapter 8 yohji yamamoto: the secret sewn in ( also chapters for CdG, lang, margiela, etc if anyone is interested )

https://ja.scribd.com/document/2437...nds-and-Cycles-in-the-Fashion-System-2005-pdf



although the video was apparently part of the woolmark campaign (2016), what he is saying there is just what he has been saying for decades.

 
basically he says they are cool because they are not fashion. that fashion cannot compete with life. but that's why he can try to get close to them. as closer as possible or beyond fashion.
so in that sense his work is about negating fashion by means of fashion. fashion's self negation.


nationalgeographic
gqjapan
 
As I've gotten older I've been able to appreciate Yohji in a whole new way, and I'm able to afford his clothes (if I get them when I visit Japan).

He's truly one of the great designers of our day.
 
from yowgow (where the costume designer joined the stage )


so the costumes - yohji yamamoto

parco-play
isis
 
yes, sort of play, or dance performance play? but far from a musical.

from the flier
parco-play
 
^ wow.. I know you just intended to share some Yohji but you got me watching Min Tanaka's earlier stuff for a whole hour. Makes the earlier stage of my "Japanese dance" obsession (or just Akane Takada) seem like a Teletubbies marathon. :mellow:
 
when there is something (some object or yourself), it's impossible without place (or space) in which it is. so place is indivisibly important to min tanaka and his dance. place comes before any personal elements.


asahi
 

Users who are viewing this thread

New Posts

Forum Statistics

Threads
213,389
Messages
15,219,673
Members
87,263
Latest member
senbhira
Back
Top