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AAAAAAND he works for KERING. AKA the ginormous, multi billion conglomerate, where the likes of Blazy, De Sarno and Demna are, whether we like them or not, delivering from day 1 in one way of another... Kering HR are u ok bb?The worst collection of the season. Not coherent, not exciting, poorly executed and absolutely disgraceful in terms of quality of tailoring. He has an insanely strong team (because apparently they didn't get rid of everyone from the studio) and came up with this... thing?
This show definitely didn't deserve any ovation, let alone the standing one. And it's not even promising, I feel like it can only get worse with time. I'm still shocked how awful this show was.
ohhh? BV is slowing down? i didnt know!A mess that nobody asked for. They absolutely butchered the tailoring and the shoes. What an awful debut to start with. Kering definitely has a problem to solve. This and Gucci and bV seems to be slowing down
I am not certain but it seems like no one around me shops at BV any more and I can’t even remember what’s on the new collection.ohhh? BV is slowing down? i didnt know!
It’s not a bad thing TBH. I don’t think BV should have those rocket-type growth.ohhh? BV is slowing down? i didnt know!
Ya. I totally agree with you as I also believe that BV have a good vision, but on the contrary time Gucci have fantastic merchandisers ( during Sabato's tenure i mean).It’s not a bad thing TBH. I don’t think BV should have those rocket-type growth.
I actually think that BV (and YSL in a lesser degree) is the only house that has a long term vision with their creative director.
When you look at the financial report, it’s good. Maybe it’s a bit slow but they are not pouring products in the market like Gucci and YSL.
In theory inspo work Allen Jones - McQueen bought his art and worked with Whitaker&Malem, but the young designer does not have the knowledge to do such things, looks very cheap.Hope you turned it off before those plastic dress came out lol
VOGUE BUSINESS“I started by looking at the Birds collection,” McGirr told me a little over a week earlier in his London studio, referring to the spring 1995 Lee Alexander McQueen show that resonates most for him. “What I like about it is that it’s all very simple, but it’s slightly twisted. It’s a jacket with a more stacked shoulder, or the lapel goes up a little too high. It’s the idea of making beautiful tailoring and then running a tyre over it to make something new. Taking something and twisting it and crushing it and seeing what happens.”
and where on earth was this inspiration in the collection itself? this was more inspired by the overlook (fall 1999) than any other collection - but done awfully. he's full of sh*t.VOGUE BUSINESS
VOGUE BUSINESSAnd his response to the consternation his arrival stirred up seems aligned with his collaborative, getting-his-hands-dirty approach. “Obviously,” he says, “it’s very complex. But to be honest, I’m really happy and really proud that my announcement sparked this discussion about diversity. I’ve worked around the world, and I’ve always noticed that diversity breeds creativity. I think it’s really important to keep that conversation going.”