kiddokiddo
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Very true to Lee, with less severe tailoring...a softer, pagant approach. There are too many dreses IMO. It doesn't move me the way Lee could though
The Red Carpet Highlights of... The 77th Annual Cannes Film Festival 2024!
Ok, first of all Id like to give a BIG BRAVO to Sarah and her ovaries of STEEL!
I know someone said this before earlier in the thread but it's like... almost everything she does is a double edged sword.
Once she starts moving on to her own point of view, will everyone turn on her because it's "not McQueen enough" or will we all still be enthusiastic and support her? I know it all depends on what exactly she does but I'm still curious about it.
I think Sarah is smart not to take on the task of producing a theatrical show. She could try it and fail miserably and everyone would tear it to pieces. I'd rather her put all her effort into the clothes than the set/design. I think we'd appreciate the clothes more. She's not messing around imo.
I think you are taking this way out of context.
From what I've observed from fashion history, the most relevant female fashion designers such as Coco Chanel, Donna Karan, and now Pheobe Philo, what they all have in common is their understanding of women and their needs because they themselves are women.
From what they have given through their designs, they allowed women to be liberal from both the physical and the metaphysical form. These women designers, through clothing, gave women confidence to pursue their aspirations and not to conform with the stereotypes of what women should and shouldn't be. Allowed women to function in their daily lives as a mother, a wife, a woman in pursue of her hopes and dreams. All without loosing the true essence of being a woman.
Ultimately, a fashion designer's job in it's pure form is to provide clothes to people so that they can function in real life.
you said it...and i agree...
how to interpret mcqueen and make it relevant and practical is a far greater challenge than simply paying homage...
and from a practical standpoint...
i don't think sales were so great, even when lee was still around...
my real observation here has to do with the cut and fit of the pieces...
when you do drama on this level...
the execution is crucial...
and we all know that lee was a master tailor...
that is the crucial element that is missing here, imho...
the fit and proportions are not quite right in a number of these looks...
but it really makes one appreciate lee's genius all the more...
Plus, i know that any sentimental crap doesn't belong in fashion industry, which is a very tough place to be, but still, it doesn't feel so right to me that they decided to keep the Alexander McQueen house going even though Lee McQueen had stated that he wouldn't like the house to go on without him as a designer.
ΛΛ I don't think it's a big deal how to call him either.
I prefer to call him Lee when i'm referring to him as a designer so that the people i'm talking with know that i'm referring to the designer and not to the firm.
Anyway, Alexander or Lee, he still was a genius of fashion and will be missed dearly.
Question: Perhaps I'm missing something (I go to university, so I'm not a fashion professional), but aren't most all collections a major, major collaborative? I notice that so many people attribute McQueen's greatness 100% to Lee, but if Sarah was director of womenswear before Lee's death, then didn't she play a HUGE role in the collections we've seen under the man himself? I find myself hesitating in saying that she's just copying Lee's work, because I think there's a very high likelihood that a lot of what we've seen in the past has indeed been her work.