GCc said:or is it me or is kate moss already dressing like this
Kate Moss went through a Edie Sedgewick phase way before this new trend, in 2001 IRRC. She even cut her hair like her.
GCc said:or is it me or is kate moss already dressing like this
kent said:I really like beatnik, but it hasn't been more than a couple of months since i started wearing it.. But i still do not want it to become mainstream because now i think beatnik is "my true style"
I do have a question though:
What is the difference between mod and beatnik?
Vintage_Addict said:beatniks were artists. and like most styles it was then adopted by fashion people. like the article on edie sedgewick in vogue which talked about the "youthquakers". beatniks were known for their cafe goings and poetry readings and striped shirts and slimness and drug taking and drinking. there was a french influence too- the berets and that general look... they included people like burroughs, kerouac, paul bowles etc. who didn't necessarily wear the look but they were part of the movement. and it was an intellectual movement. and a damn fine one.
mods i think (please correct me anyone if i am wrong with this stuff) originated more in the fashion world? and were more the opposite of hippies. beatniks and hippies sort of blended into eachother because beatniks came out of the 50s! they didn't start in the 60s. so the beatniks were the generation that led into the hippies. but they sort of became the same thing. and were all know as long-hairs too.
ok so mods were more plastic. and glam. and fashiony. mod is always an abbreviation for "modern" i think. so they were the anti-thesis of hippies but were also a backlash against 50s suburban nixon bullsh*t. and mod seems to have had an italian influence. you know the scooter thing and the italians did sci-fi style in the 60s especially well.
sorry for my rough and messy summary but that is the best i can do right now.
Forget the folk look - back the Beatnik beat
(Filed: 09/09/2005)
The black-and-white look was pioneered in the Sixties, but, as Clare Coulson explains, its utterly ageless chic is still as appealing as ever
It's surprising that the folk trend took off so successfully this summer. All those delicate broderie anglaise camisoles, tiered floor-length skirts and hippy accoutrements are not the easiest, nor the most flattering, clothes to wear.
Mod mania: Beatnik style is back in fashion
This autumn's Beatnik style couldn't be in greater contrast: clean, severe and pared down, it provides the about-turn we desperately need. Monochrome is also a much more palatable alternative to the heavy, all-black looks that dominated so many autumn collections.
John Galliano kicked off the Beatnik trend with his summer couture collection for Christian Dior, and pursued the theme with his ready-to-wear, inspired by Warhol's muse, Edie Sedgwick. He calmed his usual frenetic, jumbled aesthetic using the starkly modern silhouettes of the Sixties.
There were black and white striped mohair sweater-dresses, black wool cropped jackets and chic pea coats, all worn with knee-high black boots, black caps, sunglasses and poker-straight hair.
Karl Lagerfeld has also picked up on the palette-cleansing effects of black and white, with Sixties-inspired wool shifts (with a luxurious Chanel spin, of course) and androgynous monochromatic looks, such as a stiff, white, masculine shirt and oversized black blazer worn with a black mini-skirt and over-the-knee boots. Stella McCartney, meanwhile, cut dogtooth check into neat Mod coats and dresses.
When this look is broken down, there are plenty of very wearable elements. A striped top or sweater (Petit Bateau has the best) and a pair of skinny drainpipes (or, less scarily, black cigarette pants) is an ageless pairing that looks good on pretty much anyone - think of Jean Seberg sporting this gamine guise in À bout de souffle.
A Beatnik-style cap, with a slick of black eyeliner and mascara, is also surprisingly ageless. The Mod sweater-dresses, designed to be worn simply over tights, look just as good with very fitted jeans.
Black ballet slippers are also a very gamine Mod accessory - Kurt Geiger's new range of patent slippers comes in brilliant bold colours, as well as black and white, and they look glossier and more modern than the regular leather versions.
The good thing about this trend is that you don't need to trot around town looking like a latter-day Edie Sedgwick, dripping in kohl and peering out from under a big black cap.
The key element to take from the Mod revival is the brilliant combination of black and white, which can often be the chicest mix of colours - or rather non-colours. A crisp, white shirt with a pair of well-cut black trousers is simple, classic and utterly ageless. In fashion, that is a precious rarity.
Fashion beatnik outfit
Designed by Yves Saint Laurent for Dior, Paris, Autumn/Winter 1963-64
Saint Laurent was fascinated by the beatnik culture of Left Bank intellectuals. Associated with the Existentialists of the 1940s and 1950s, they typically wore polo necks, slacks and leather jackets in moody black. Saint Laurent's first collection for Dior in 1960 featured similar outfits. He called it 'the first important definition of my style'.
This jacket and balaclava are made of black cire. Underneath is a studded suede tunic. Saint Laurent selected this outfit from his private museum in Paris to lend to the Streetstyle Exhibition, held at the V&A in 1994.
Beatnik
In the winter collections many designers looked to the 1960’s fashion era for inspiration. There was much diversity in this theme, from the hybrid military Sergeant Pepper looks we have already seen, to the sharply tailored voluminous designs, re born from the 60’s archives of [visionary] designers like Balenciaga and Courreges. The 60’s beat look was also prominent in shows from Hermes and Burberry to Paul Smith and Miu Miu. Many designers went on to site 1960’s fashion icons like Jean Shrimpton and Edie Sedgewick as inspiration.
At Miu Miu the beat look was dark and sophisticated. Think of sixties Parisian left bank students who wrote poetry and smoked Gitanes, and you’ll get a feel for this girlish, gamine look. Baggy jumpers were reined in with patent belts and knee length skirts were slim.
In contrast to winter’s full knee skirts, expect slimmer more pencil or tulip like shapes to be popular – worn (as above) with jumpers and belts or with minimal belted wool capes -this will be a big part of the 1960’s fashion look.
For extra Parisian flavour knitted berets topped the look. Note also the black patent shoes- these are big accessories for autumn.
Miuccia Prada may have looked to Paris for her 1960’s fashion style, but surely there’s no better place to revive the swinging 60’s than in London and Burberrys Christopher Bailey showed the world that indeed the Brits do it best. Post performance he sited London and Marianne Faithfull as inspirational pointers for an irresistible but solidly commercial collection that will export the Best of British classics to the world.
Printed fluid skirts and military brass buttoned jackets mingled with skinny scarves and 8 piece caps. There were also beautiful Ossie Clarke style dresses, tweed and plaid trousers, tank tops, winter shorts and velvet blazers. All gently modernised classics.
At Dior in Paris, the vibe was sixties mod. This had its best moments in his monochrome stripy mohair jumper dresses. These were labelled Sedgewick stripes by the press who are referring to Edie Sedgewick: Andy Warhol’s muse, who due to a recent film in the making about her life, has been popularly revived as an icon.
Again 8 piece caps were a styling cue for this story and flat boots and fish -nets made this look more ‘rock’.
At home grown Stella McCartney, there were many references to early 1960’s fashion couture. In particular the carefully constructed balloon sleeves and bubble skirts that paid homage to sixties designer Cristobel Balenciaga.
Again the message was monochromatic. This two-tone, hounds-tooth bubble coat with bracelet sleeves was beautifully cut and illustrates the simplistic restrained mood of many designers this season.
DosViolines said:This is off-topic, but whenever i hear beatnik i always seem to think of the simpsons episode where Bart gets a fake id which he uses to see an r-rated movie with his friends. They end up seeing "Naked Lunch", the movie based on the William S. Burroughs novel of the same name. When they leave the theater, Nelson walks up to the marquee and says: I can think of at least two things wrong with that title. It always cracks me up.