^^^ LOL Stumpy but making the effort, flexible— and possesses a neck…More than can be said about a certain Super...
Even to this day, with how mid Carine has been exerting for a decade now, I’m stunned at how low she manages to go. Maybe she just doesn’t give a fcuk anymore because the advertising money is that good, but how she puts her name on all this when her Vogue Paris still reigns as a premium standard for all to witness, is embarrassing or arrogant-- likely both. I guess since she aimed and succeeded in achieving the highest if highs, she’s aiming for the lowest of lows nowadays. And she’s succeeding LMFAO
Every single story looks like a budget student project copying better work that came before it: cheap; inexperienced; lacking organization; resembling lighting test shots; and every story only has one, maybe two frames worthy of print.
I kid you not, Joan’s painfully unflattering and dated shoot looks exactly like the shoot that was typical fodder on ModelMayhem back in 2008. Her stumpiness aside, the only story with the slightest potential is the Addison shoot. But that’s only because it vaguely resembles Steven Klein’s and Madonna’s superior days with their shoot for W Magazine “Madonna Unbound”. Had this been precise, possessed a hint of narrative and storytelling, stronger direction for sharper compositions, it would have been a solid story of a performer backstage. As it is, it’s so low-effort in compiling a bunch of light test shots and calling it a story. And 2003-Madonna would be insulted by that "Like Madonna" 101 low-effort. Current-day Madonna, however...