iluvjeisa said:
This girl is one of those rare examples of too perfect. Flawless body, incredible face, seems intelligent, a great singer and a talented actress. Yet, I get the feeling that the lights are on but there's noone at home. Maybe she's too young and protected?
I hope she'll take on some more challenging role in the future - I liked her a lot in "The Day After Tomorrow"..
From her interviews she seems VERY intelligent.
At the age of 7 she began singing in the
Metropolitan Opera, alongside Placido Doming and Luciano Pavoratti. She performed in over 20 operas in 5 languages, and appeared in Franco Zeferelli's film production of "
Carmen" before leaving the Met at 12.
She finished high school at the age of 15, and she currently attends
Columbia University, so she can't be too dumb.This is from Interview magazine in 2003:"I don't normally tell people," whispers actress Emmy Rossum, "but I like to study philosophy." It's an interest that the 17-year-old, who first gained notice in Songcatcher (2001), has little difficulty connecting to her craft: "It's like Descartes' theory of a ball of wax. You can change its form from solid to liquid, but it's still the same ball of wax. With acting, you're the same person in a different form. You can only be what you know, and you only truly know yourself." In addition to Philosophy, she also studies English and Art History." An only child born and raised in Manhattan (her father’s a businessman and her mother is a photographer), she’s more polished than a baby grand and so accomplished it’s ridiculous. When she’s not singing or making crème brûlée with the torch she got for Christmas (“The broiler didn’t work that well,” she says), Rossum takes courses at Columbia University. It was during a French class that she found out she had landed roles in both The Day After Tomorrow and Mystic River, in which she played Sean Penn’s doomed daughter. “I think when everyone heard the shrieking in the hallway,” she says, “they got the clue that it was good news.”
She's also done some very complicated roles.
-In the "
Phantom of the Opera" her character started out as a naive, manipulated girl, and develps into someone who is able to make a decision that affects the lives of everyone around her. She has major isssues (she was orphaned at a young age and her father told her that when he's in heaven he'll send her an angel of music. She wants to believe this so badly that, when the Phantom comes along she gives him all her trust, believing that he is her father's angel- this leaves her wide open for manipulation and head games). Emmy does a great job of playing someone who is grieving, confused, lonely, in love, and afraid. Here's what she told Variety about the role:"The reason I wanted to do ‘Phantom,' beside the fact that Andrew's music is so beautiful, is that the character is so different from me. I mean, I'm a pretty happy, sociable person, and this is a girl who's very tortured emotionally and very lonely. And though I'm pretty rational, she's very spiritual, and I think I'm pretty loved and she's very alone at the cusp of womanhood without a mentor. Christine is a role that comes out of my own personal history growing up as a young person at the opera, and also from my heart. Even though we are very, very different, I am also similar to her in some ways"
-In "
Mystic River" her role was small but crucial. She played Sean Penn's loving (but duplicitous) daughter, who's plans to elope result in her murder. The role is very different from a "good girl" role- we see her getting drunk, dancing on tabletops, etc.
-In "
Nola" she plays an girl who runs away from her druggie mother and abusive stepfather, to find her father in NYC. She's by no means a naive girl in the big city-she's more savvy and cynical than most New Yorkers, and she's not willing to trust anyone. She gets involved with some eccentric characters (a woman who runs an unconvention escort service, a newspaper columnist with a secret, and a law student who never wants to be a lawyer) and becomes the crux of a subplot about legalized prostitution and the object of sexual blackmail.
-In "
Passionada" she plays a rebelious daughter of a widow who has sworn never to remarry. Her mother is in such perpetual mourning that she doesn't see her daughters needs. At night Emmy's character dresses as an adult, haunts casinos, and picks up a professsional gambler with a crush on her mother, and makes a deal with him: if she helps him get her mom, he'll have to teach her to count cards. Despite the dubious morality of her characters actions, she basically has a good heart and wants her mother to be happy. It hurts her that her mom isn't open to happiness.
-In "
Songcatcher" she played an appilacian orphan, who meets a professor visiting her sister. The professor has discovered a wealth of Irish folk ballads in the recion, and embarks on a project to collect recordings of them. Emmy's character enchants to professor wih her singing, but the professor comes to realize that what she though was appriciation for a lost musical form, may be exploiting the people of the region (who are also fighting to keep their land)
"
The Day After Tomorrow" was entertaining IMO, but it is by no means a great showcase for her talent, or her most difficult role. I'd reccomend any of the above films. She also did several other indie films, including a BBC film called "
Happy Now" in which she played two roles (it's supposed to be very good, but very hard to find). She was nominated for in Independant spirit award at the age of 13 for "Songcatcher" (the film also won Outstanding Ensemble Performance" at Sundance) and she has won two Young Artist Awards, A Critics Choice Award, A Broadcast Film Critics Award, A Saturn Award, and she's been nomiated for a Golden Globe. Not bad for 18. There is DEFINATELY something going on upstairs, IMO.