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Portrait of a Lady
By Jeremy Kinser
Lady Gaga has just touched down in Los Angeles after a red-eye flight from New York City, following a meet-and-greet with fans at a Best Buy store—a crowded event that lasted until 2 a.m. The 25-year-old musician, who since the release of her debut studio album, The Fame, in 2008 has seen her celebrity rocket to stratospheric heights, is riding in a car on her way to rehearse for a performance she’ll give the next evening on American Idol.
Most entertainers with her schedule would be exhausted. Gaga feels euphoric. “I’m so, so happy,” she tells me. “I got to spend all night with the fans last night, and it was so much fun.” She sounds genuine. The inflection in her voice when she says the word “fans” is saturated with affection.
Gaga is a very busy lady, and consequently our interview has been postponed four times. Her wildly hyped, hugely anticipated album Born This Way was released the day before. First-week sales of the album have defied even the most optimistic estimates by her record label, and everyone from David Letterman to The Wall Street Journal wants a piece of her. I just want her to describe what she’s wearing.
An enormous part of Gaga’s appeal comes from her avant-garde fashion sense—from her surreal Alexander McQueen footwear to the facial spurs she sports in the Born This Way artwork. I tell her that I don’t want to sound like a pervert, but I want the details on today’s ensemble. Gaga laughs at this. “That’s OK, pervy is fine,” she says before describing her entire outfit down to her bra and panties (Calvin Klein), the dance tights, and the leather jacket with the new album artwork hand-drawn on the back. The jacket is a gift from one of the fans she met the previous night.
“My love for my gay fans is just pure, authentic love for them as supporters of me from the beginning, and me feeling connected to their struggles as someone who is a part of their fight,” she says.
The mutual love affair between Gaga and her intensely devoted — and largely gay — disciples has come into the conversation a second time within a few minutes. She has declared numerous times that, like many of her “little monsters,” she was bullied. In one instance, as a young girl in Manhattan, she was literally tossed into a trash can by classmates. It’s not just sympathy she feels, though. Her connection to her fans goes deeper, to the point of identification. She says she is one of them.
Though she’s recently ended an on-off relationship with musician Luc Carl, Gaga has discussed her attraction to other women in the past. As to whether she also considers herself an actual member of the LGBT community — “yes” is her response after a brief pause. Gaga draws the word out, perhaps steeling herself for the follow-up question, wondering if she’ll be forced to address the rumor that she has a penis. “The b letter,” Gaga answers, and lets out a giggle. She really is in good spirits today.
Is this declared affinity for LGBTs, the championing of equality, just pandering, so much lip service to an album-buying public, all in the service of promoting a new release? It would be easy to be skeptical of her enthusiasm, of her rainbow flag–waving. She’s been accused of not being gay enough to claim a letter in the acronym, and it’s been said that her activism for marriage equality, against the “don’t ask, don’t tell” policy, and for AIDS awareness (she once appeared on Good Morning America dressed as a condom) is as superficial as her outré fashion.
“To say that I would use the gay community to sell records is probably one of the most ridiculous statements anyone can make about me as a person,” Gaga states. The timbre of her voice changes, deepening with frustration. “I would say the top thing I think about every single day of my life, other than my fans, loving the music, and my family being healthy, is social justice and equality.” Her conviction is convincing.
Why do Gaga’s fans hang on her every move? Are they drawn to her nonconformity, hypnotized by the sheer force of her personality, or do they just really like the damn catchy songs she records?
“I don’t know exactly,” she says simply. For a woman so frequently called upon to explain her looks, her videos, her sensibilities, her response is surprisingly unselfconscious. But a flair for the dramatic takes over. Rather than answer, she tells a story about a 20-something gay serviceman she met at Best Buy last night. “He was afraid that he would be discharged and that he would be judged or found out. [He said] that the fight in America against ‘don’t ask, don’t tell’ and the fight for equality made him feel stronger and made him feel safe, and he gave me his service jacket.” Gaga is silent for a moment. “And we just held each other and cried. Anyone who says that I’m not genuine is not interested in overcoming this fight. That was such a pure and wonderful moment that we shared, and I remember thinking, There’s no album sale, no number 1, that could compete with this moment. That is what the **** it’s all about. What the **** it’s all about is if I can write one song that could change one person’s life.”
“Born This Way,” the single she released in February, plainly desires to be that kind of song. It’s a pulsating dance track with a message meant to empower the lonely, the disaffected, the discriminated against. No less than Elton John predicted it would surpass “I Will Survive” as the great gay anthem. The song immediately shot to the top of the charts, where it remained for six weeks, making it the first number 1 with a shout-out to transgender people. The single also received a fair amount of criticism. It was maligned in some quarters for borrowing too heavily from Madonna, and in other quarters for the lyric “Don’t be a drag / Just be a queen,” which some said alienated gay people who don’t do drag or consider themselves queens.
The first signs of another b word — backlash — began to surface. To have become this powerful so quickly, Gaga has surely insulated herself with an invisible armor. Her friend Mario Lavandeira (a.k.a. blogger Perez Hilton) says the criticism still gets to her, but she still chooses to face it. “She likes to be two steps ahead of everyone else,” he says. “The only way to do that is to be plugged in and aware of what everyone else is doing and what people are thinking and what they’re responding to.” Makeup artist Billy Brasfield, a member of Gaga’s glam squad, says she reads everything written about her, no matter how mean-spirited. He suggests that this ultimately serves to strengthen Gaga’s resolve to succeed for her fans, to show them that if she can, so can they. “By facing your haters, you educate yourself about what people are saying,” Billy B says. “You take what you can learn from it, and **** the rest of it.”
While it would be impossible for any record to live up to the hyperbole and sheer anticipation that attended Born This Way — Gaga herself described it as “the greatest album of the decade” — reviews were mostly respectable, and sales were spectacular. The album is loud, huge, meticulously produced, an eclectic auditory assault. The lyrics are filled with metaphors, messages about acceptance and empowerment, and there’s an abundance of references to religious figures as well as dead presidents and their mistresses. Yet, for such a progressive artist, the sound is surprisingly retro — equally rooted in mid-’80s Bruce Springsteen and late-’80s techno. Like its creator, it’s all over the place.
“I would say that’s precisely what Born This Way is all about. It’s not about just being born in one moment; it’s about being reborn over and over again until you find and become that unique and special person inside of you that is the most brave and the most sure and the most ready to take on the world,” she says. “And I was born this way. And that’s who I am. Some people weren’t born to wear masks, but I was. I was born to wear masks and wigs and fashion. To express myself through my clothing and my performance art, and that’s who I am. And the song is meant to be liberating not only from an individual perspective but from a creative perspective.”
By Jeremy Kinser
Lady Gaga has just touched down in Los Angeles after a red-eye flight from New York City, following a meet-and-greet with fans at a Best Buy store—a crowded event that lasted until 2 a.m. The 25-year-old musician, who since the release of her debut studio album, The Fame, in 2008 has seen her celebrity rocket to stratospheric heights, is riding in a car on her way to rehearse for a performance she’ll give the next evening on American Idol.
Most entertainers with her schedule would be exhausted. Gaga feels euphoric. “I’m so, so happy,” she tells me. “I got to spend all night with the fans last night, and it was so much fun.” She sounds genuine. The inflection in her voice when she says the word “fans” is saturated with affection.
Gaga is a very busy lady, and consequently our interview has been postponed four times. Her wildly hyped, hugely anticipated album Born This Way was released the day before. First-week sales of the album have defied even the most optimistic estimates by her record label, and everyone from David Letterman to The Wall Street Journal wants a piece of her. I just want her to describe what she’s wearing.
An enormous part of Gaga’s appeal comes from her avant-garde fashion sense—from her surreal Alexander McQueen footwear to the facial spurs she sports in the Born This Way artwork. I tell her that I don’t want to sound like a pervert, but I want the details on today’s ensemble. Gaga laughs at this. “That’s OK, pervy is fine,” she says before describing her entire outfit down to her bra and panties (Calvin Klein), the dance tights, and the leather jacket with the new album artwork hand-drawn on the back. The jacket is a gift from one of the fans she met the previous night.
“My love for my gay fans is just pure, authentic love for them as supporters of me from the beginning, and me feeling connected to their struggles as someone who is a part of their fight,” she says.
The mutual love affair between Gaga and her intensely devoted — and largely gay — disciples has come into the conversation a second time within a few minutes. She has declared numerous times that, like many of her “little monsters,” she was bullied. In one instance, as a young girl in Manhattan, she was literally tossed into a trash can by classmates. It’s not just sympathy she feels, though. Her connection to her fans goes deeper, to the point of identification. She says she is one of them.
Though she’s recently ended an on-off relationship with musician Luc Carl, Gaga has discussed her attraction to other women in the past. As to whether she also considers herself an actual member of the LGBT community — “yes” is her response after a brief pause. Gaga draws the word out, perhaps steeling herself for the follow-up question, wondering if she’ll be forced to address the rumor that she has a penis. “The b letter,” Gaga answers, and lets out a giggle. She really is in good spirits today.
Is this declared affinity for LGBTs, the championing of equality, just pandering, so much lip service to an album-buying public, all in the service of promoting a new release? It would be easy to be skeptical of her enthusiasm, of her rainbow flag–waving. She’s been accused of not being gay enough to claim a letter in the acronym, and it’s been said that her activism for marriage equality, against the “don’t ask, don’t tell” policy, and for AIDS awareness (she once appeared on Good Morning America dressed as a condom) is as superficial as her outré fashion.
“To say that I would use the gay community to sell records is probably one of the most ridiculous statements anyone can make about me as a person,” Gaga states. The timbre of her voice changes, deepening with frustration. “I would say the top thing I think about every single day of my life, other than my fans, loving the music, and my family being healthy, is social justice and equality.” Her conviction is convincing.
Why do Gaga’s fans hang on her every move? Are they drawn to her nonconformity, hypnotized by the sheer force of her personality, or do they just really like the damn catchy songs she records?
“I don’t know exactly,” she says simply. For a woman so frequently called upon to explain her looks, her videos, her sensibilities, her response is surprisingly unselfconscious. But a flair for the dramatic takes over. Rather than answer, she tells a story about a 20-something gay serviceman she met at Best Buy last night. “He was afraid that he would be discharged and that he would be judged or found out. [He said] that the fight in America against ‘don’t ask, don’t tell’ and the fight for equality made him feel stronger and made him feel safe, and he gave me his service jacket.” Gaga is silent for a moment. “And we just held each other and cried. Anyone who says that I’m not genuine is not interested in overcoming this fight. That was such a pure and wonderful moment that we shared, and I remember thinking, There’s no album sale, no number 1, that could compete with this moment. That is what the **** it’s all about. What the **** it’s all about is if I can write one song that could change one person’s life.”
“Born This Way,” the single she released in February, plainly desires to be that kind of song. It’s a pulsating dance track with a message meant to empower the lonely, the disaffected, the discriminated against. No less than Elton John predicted it would surpass “I Will Survive” as the great gay anthem. The song immediately shot to the top of the charts, where it remained for six weeks, making it the first number 1 with a shout-out to transgender people. The single also received a fair amount of criticism. It was maligned in some quarters for borrowing too heavily from Madonna, and in other quarters for the lyric “Don’t be a drag / Just be a queen,” which some said alienated gay people who don’t do drag or consider themselves queens.
The first signs of another b word — backlash — began to surface. To have become this powerful so quickly, Gaga has surely insulated herself with an invisible armor. Her friend Mario Lavandeira (a.k.a. blogger Perez Hilton) says the criticism still gets to her, but she still chooses to face it. “She likes to be two steps ahead of everyone else,” he says. “The only way to do that is to be plugged in and aware of what everyone else is doing and what people are thinking and what they’re responding to.” Makeup artist Billy Brasfield, a member of Gaga’s glam squad, says she reads everything written about her, no matter how mean-spirited. He suggests that this ultimately serves to strengthen Gaga’s resolve to succeed for her fans, to show them that if she can, so can they. “By facing your haters, you educate yourself about what people are saying,” Billy B says. “You take what you can learn from it, and **** the rest of it.”
While it would be impossible for any record to live up to the hyperbole and sheer anticipation that attended Born This Way — Gaga herself described it as “the greatest album of the decade” — reviews were mostly respectable, and sales were spectacular. The album is loud, huge, meticulously produced, an eclectic auditory assault. The lyrics are filled with metaphors, messages about acceptance and empowerment, and there’s an abundance of references to religious figures as well as dead presidents and their mistresses. Yet, for such a progressive artist, the sound is surprisingly retro — equally rooted in mid-’80s Bruce Springsteen and late-’80s techno. Like its creator, it’s all over the place.
“I would say that’s precisely what Born This Way is all about. It’s not about just being born in one moment; it’s about being reborn over and over again until you find and become that unique and special person inside of you that is the most brave and the most sure and the most ready to take on the world,” she says. “And I was born this way. And that’s who I am. Some people weren’t born to wear masks, but I was. I was born to wear masks and wigs and fashion. To express myself through my clothing and my performance art, and that’s who I am. And the song is meant to be liberating not only from an individual perspective but from a creative perspective.”
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