I guess Collier seems to be the perfect vessel for Marie-Amelie to continue to push her robotic aesthetic. There is nothing in these images that speaks of Collier's voice as a photographer, and I can only assume the M-A-S is finally happy to have a photographer so willing to follow her direction so precisely. Which is such a shame because Collier was a wonderful photographer when she still had her own point of view. But the more job she books the less that uniquely "collier" aesthetic is allowed to shine through.