^^^ I take it because unlike the Prada collections that usually take a few weeks to sink in, this one is instantly likable because of its straightforward prettiness.
Really digging the Visage snippets in the soundtrack. That, along with the retro-80s video vibe of the set design, gives the overall presentation of a very 50s-palette, but by way of the 80s.
There's not much new here in terms of pushing the Prada aesthetic, and I think she's done much much much better in previous collections evoking that particular era's silhouette. I do love the huge draping fur cuffs that resemble a fur stole casually just about to fall of the wearer's arm-- just a beautiful but slightly awkward touch that makes Prada-- Prada (but not on the gingham pieces-- gingham is gross). But most of the looks are more smart styling and spot-on casting-- particularly Maria Carla and Stemm, those two are naturals with the regal but bad girl high brow-arch attitude. And she's blasted previous collections with much more fur than this-- and much better, I might add, so I don't get why the sudden objections all of a sudden by some. Muiccia's never been a anti-fur designer and this is Milan.
I like the last part of the collection; all the fuller-length leather coats and skirts, the slather of sequins and jet-beads, the rich and natural shades of furs that instantly conjure up old Hollywood goddesses Kim Novak, Grace Kelly, Natalie Wood and some girls looking like a wet 'n wild Veronica Lake. The only missing prop to seal the whole femme fatale deal is the cigarette dangling from those crimson lips-- cliche, yes... but why not? The set's already got that "midnight-hour in the ghetto chain-link fence and rearview-window projection", another cliche won't hurt it... ; all the trademarks of a cheesy 80s music video paying tribute to the 50s.
It's a nice enough collection that's quintessentially Prada-- and smoldering sexy Prada at that, but she's done so much better.