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so two years of development is pretty normal?
i always wondered why very young girls (jac, for example) have been able to start so young, when there are all these beautiful girls her age that could easily do what she did. why do the agencies hold them back? is it better to start later?
so two years of development is pretty normal?
i always wondered why very young girls (jac, for example) have been able to start so young, when there are all these beautiful girls her age that could easily do what she did. why do the agencies hold them back? is it better to start later?
so two years of development is pretty normal?
i always wondered why very young girls (jac, for example) have been able to start so young, when there are all these beautiful girls her age that could easily do what she did. why do the agencies hold them back? is it better to start later?
my question would be, how decisive is the agency for a girl's career ?
i mean among the good ones, say next, supreme, frod + nymm, is there an actual 'difference' between them ? they all have their 'stars' so doesnt it rather depend on the model herself ?
it would be interesting to know which models (if any) sent pictures out the old-fashioned way and were rejected by the majority of the ny agencies, and then one took them on and they became a huge hit.
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In various ways, your career has been about marketing as a model and as a businesswoman. Has your approach to marketing evolved over the years?
It evolved in the beginning. I'm the only model I know of who refused to do cigarettes, even though I was a user. Virginia Slims wanted me to be their first model because I was a big deal, and I refused to do it.
How come?
I'm a user, but I'm not a pusher. Those are two different things. And it was very easy to see that this was aimed at young girls. I might as well be a kingpin in Mexico. The biggest drug- lords in the world were the tobacco people.
One of the scariest things was the first Vogue collection I had. This was the mid- to late '60s, and I got to go to Paris for the first time with [photographer Irving] Penn to do the collections for Vogue. They asked me to do a leopard-skin coat. And I remember my heart going up and down to my feet, and I realized I couldn't possibly put that on. Even if I hadn't already been to Africa two times I knew what a leopard was and how rare they were. I said to [editor] Polly [Mellen], "I can't do this." And she sort of puffed up.
First Polly told Penn. And I'm cowering back there. Actually I was starting to get some of my stuff together, because I figured I was going to be on my way back to New York. Because you don't say no to them, especially when it's your first collection and you're a little beginning model. And Penn said, "That makes sense. I won't shoot no matter who you put it on."
So anything I wouldn't do myself or use myself as a model, even when I was a little young model, I wouldn't do.
The only thing I've done that I wasn't proud of doing was Slim Fast. But I did lose 10 pounds with it. I had gotten up to 140, which is huge for someone who spent all their life at 116. But you can only do it as a crash diet.
At any rate, it's definitely out of hand. I often think it's like open season on the American public at all times. Shoot the U.S. consumer any way you can. . . . I think the world's on fire. I haven't slept in 10 years.
I wanted to ask you about posing for Big. How did that come about?
You mean why did I do nudes? I had never really done it. All your career you get asked by Playboy and by this and that, so I never did any of that stuff. I had young sisters, and I didn't think it was good for them in school to have a nude sister. I didn't want people looking at me going down the street and making me more of a mark than I already was.
But then by the time I was 61, I thought it would be good then because I was in good shape, and I wanted to show them what a 61-year-old looked like. Without fake this and sucked out that. All you have to do is just take care of yourself.
What kind of response did you get?
My goddaughters liked it. I guess I got a good response. Big was a strange magazine. It must be sold in Europe. It only comes out four times a year, and the whole issue will be on one subject. Like Brancusi or San Francisco.
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