016. Two O'Clock Courage, 1945, by Anthony Mann. USA.001. The Suspect, 1944, by Robert Siodmak. USA.
002. Flamingo Road, 1949, by Michael Curtiz. USA.
003. Murder, My Sweet, 1944, by Edward Dmytryk. USA.
004. Decoy, 1946, by Jack Bernhard. USA.
005. My Name Is Julia Ross, 1945, by Joseph H. Lewis. USA.
006. The Woman in the Window, 1944, by Fritz Lang. USA.
007. High Sierra, 1941, by Raoul Walsh. USA.
008. Johnny Eager, 1941, by Mervyn LeRoy. USA.
009. The Hitch-Hiker, 1953, by Ida Lupino. USA.
010. The Shanghai Gesture, 1941, by Josef von Sternberg. USA.
011. Ministry of Fear, 1944, by Fritz Lang. USA.
012. I Wake Up Screaming, 1941, by H. Bruce Humberstone. USA.
013. D.O.A., 1950, by Rudolph Maté. USA.
014. They Drive by Night, 1940, by Raoul Walsh. USA.
015. Scarlet Street, 1945, by Fritz Lang. USA.
017. Experiment Perilous, 1944, by Jacques Tourneur. USA.
018. The Strange Affair of Uncle Harry, 1945, Robert Siodmak. USA.
019. Detour, 1945, by Edgar G. Ulman. USA.
020. Journey into Fear, 1943, by Norman Foster. USA.
. But seriously, this was a excellent movie. Amazing plot, solid characters & the moral dilemmas & choice these characters went through, I don't think I would have the strength to face
. Just as in the story, you don't know who you are or what you're capable of until catastrophe hits
.. I highly recommend
heart:
) and it wasn't like a miniseries it could count possibly. But I'm not sure...it feels like one of those grey areas. What do you guys think?


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