The Business of Magazines | Page 143 | the Fashion Spot

The Business of Magazines

With the 'loss' of VI as we knew it, it's as if Meisel has been set adrift, and who knows whether he's heading into the sunset, or slowly gathering speed for a curious sort of re-emergence on the scene.
 
Emmanuelle Alt and the Vogue Paris team welcome Aleksandra Woroniecka, who is set to join the team as Fashion Director in February. Aleksandra has previously worked for Italian Vogue, l’Uomo Vogue and has been Fashion Director for M le Monde since its inception.
*instagram/vogueparis
 
According to VP website, Suzanne Koller is leaving Condé Nast!...
 
We've heard of some major changes with fashion magazines over the past couple of months but Suzanne Koller leaving Vogue Paris is by far the best I've heard. Fingers crossed this means the end of mundane Glen Luchford stories. Yes! :clap:
 
I am officially in mourning! :shock:
I'm sorry Vogue28, but Suzanne never had ONE bad cover, did she? Admit it! :lol:
How can it be that the work of 3 stylists in one magazine looks nearly identical in every issue, with only that of the EIC standing out? It should've been one of the Alt clones (Célia or Anastasia) to go, not her.

And now she's leaving CN, so probably not even any hope of Vogue Germany.
 
Suzanne never had ONE bad cover, did she? Admit it! :lol:

Hmm, Kendall's ?! :lol:
I'm not the biggest Koller's fan but I think she has a great eye and it will be interesting to see where she'll go next. A. Woroniecka has done some amazing stories for M Le Monde, she will be a great addition to the VP team.
 
I am officially in mourning! :shock:
I'm sorry Vogue28, but Suzanne never had ONE bad cover, did she? Admit it! :lol:
How can it be that the work of 3 stylists in one magazine looks nearly identical in every issue, with only that of the EIC standing out? It should've been one of the Alt clones (Célia or Anastasia) to go, not her.

And now she's leaving CN, so probably not even any hope of Vogue Germany.

I always like her style and fashion stories. Maybe she will be back at Self Service? I will still be happy about that.

I agree that what Vogue Paris needs now is someone who has a different style from Alt. Now it's too one-dimensional.
 
Picked up this on Twitter:

Emmanuelle Alt has named freelance stylist Aleksandra Woroniecka to the post of Vogue Paris fashion director, effective immediately.
 
So they are exchanging positions, Suzanne Koller is now fashion director at M Le Monde.
 
Suzanne Koller Left Vogue Paris

Suzanne Koller left Vogue Paris and now is the Fashion director of M Le Monde magazine.

Aleksandra Woroniecka,former M Le Monde magazine fashion director is now replacing Koller.

Sources:
http://en.vogue.fr/fashion/fashion-...a-named-fashion-director-at-vogue-paris/49988

http://wwd.com/business-news/media/m-le-monde-magazine-new-fashion-director-suzanne-koller-10774683/

PD: is weird they trade positions right? any additional info? if someone is subscribed to WWD to post the complete news would be great.
 
Suzanne Koller left Vogue Paris and now is the Fashion director of M Le Monde magazine.

Aleksandra Woroniecka,former M Le Monde magazine fashion director is now replacing Koller.

Sources:
http://en.vogue.fr/fashion/fashion-...a-named-fashion-director-at-vogue-paris/49988

http://wwd.com/business-news/media/m-le-monde-magazine-new-fashion-director-suzanne-koller-10774683/

PD: is weird they trade positions right? any additional info? if someone is subscribed to WWD to post the complete news would be great.

Well the fashion industry in Paris is really small. VP doesn't sell that much and they just decided to put the blame on Suzanne as she was the fashion director. They just managed to have Aleksandra who is such a great fashion director at M le monde. This supplement is a huge success and the editorials are always very interesting for the fashion and photography fans but also for the advertisers.

M le monde decided to let her go because this is a huge opportunity for her ( and for anyone who would have this opportunity ) and it was easier for VP because they proposed Suzanne.

So far this is what i heard from the office ... Suzanne is more used to independent magazine as she had a big role on Self Service. VP is a cash machine, very corporate so it was hard for her to really adapt herself . M le monde, being a supplement, will allow her to explore more her creativity and being less pressured by advertisers.
 
Suzanne is more used to independent magazine as she had a big role on Self Service. VP is a cash machine, very corporate so it was hard for her to really adapt herself . M le monde, being a supplement, will allow her to explore more her creativity and being less pressured by advertisers.

This theory I believe, wholeheartedly! Suzanne's tenure at VP was more about VP than her! She may have been pressured by 'you know who' to jump onto that 70's/80's bandwagon, which is nothing rare for her, but issue after issue?? Kt's stifling! I suppose I should be glad for her if it means more creative liberty.

Deep down I still hope that she'll one day take over from Christiane Arp when the time comes.
 
Well the fashion industry in Paris is really small. VP doesn't sell that much and they just decided to put the blame on Suzanne as she was the fashion director. They just managed to have Aleksandra who is such a great fashion director at M le monde. This supplement is a huge success and the editorials are always very interesting for the fashion and photography fans but also for the advertisers.

M le monde decided to let her go because this is a huge opportunity for her ( and for anyone who would have this opportunity ) and it was easier for VP because they proposed Suzanne.

So far this is what i heard from the office ... Suzanne is more used to independent magazine as she had a big role on Self Service. VP is a cash machine, very corporate so it was hard for her to really adapt herself . M le monde, being a supplement, will allow her to explore more her creativity and being less pressured by advertisers.

Thank you for the info GivenchyAddict!
appreciated....

Yeah i understand the situation....sometimes its better to be free than just to have a title at Vogue Paris....i bet she learned a lot of the corporate world...she doesn't seem to have a problem with ALT (the real responsible that VP doesn't sell actually) at least when is saw them at the shows in Paris.
 
Anna Wintour on Fashion, Politics and Vogue
By Ray A. Smith
February 9, 2017


With New York Fashion Week kicking off Thursday, Vogue magazine editor-in-chief Anna Wintour wants to talk about a pressing challenge.

How can Vogue make women get excited about fancy dresses and chic handbags at a time when they are paying so much attention to politics and the fashion industry is struggling with lackluster sales?

“Designers don’t live in a vacuum, they are not blind to what’s going on,” Ms. Wintour said in an interview in her office early this week. “They too will be inspired by what they see and that will come out in their work. The next few years are going to be incredibly creative. [Vogue’s] mission is to recognize that and support that and bring that to our audiences.”

Vogue’s March 2017 issue, celebrating its 125th anniversary, makes a statement about women.

Vogue is kicking off fashion week by releasing images of its March issue cover on Vogue.com and social media. The cover blares “Women Rule!” with headlines such as “The Beauty Revolution,” where “no norm is the new norm.” Seven models of different ethnicities and body shapes, including the full-figured Ashley Graham, flank the cover, to emphasize inclusion.

The issue kicks off the magazine’s 125th anniversary, which Vogue will acknowledge in each of the other nine issues to come in 2017, with features on different women, Ms. Wintour said. The March issue highlights pioneering female fashion designers including Miuccia Prada, Tory Burch and Maria Grazia Chiuri, Dior’s first female creative director in the house’s 69-year history, plus a diverse array of what it calls “the feistier members of the new generation of models.” It is the first time in Vogue’s history that the magazine features no socialites or celebrities, just women who work in the fashion industry. The goal is to celebrate 125 women by the end of the year.

The issue, which will arrive on newsstands in New York and Los Angeles on Valentine’s Day, and nationally the following week, intends to insert itself, and fashion, into a national conversation. “I think women have been on everybody’s mind after recent results,” Ms. Wintour said, referring to the 2016 presidential election. “It seemed to us that it was time to celebrate and be positive and optimistic and say, “look at all these incredibly talented people we have working not only in fashion but in every possible walk of life.”

The magazine business wrestles with declining print advertising and newsstand sales as readers increasingly access media via the web. Vogue is also facing competition from fashion blogs, some of which have become more influential resources for younger women. Vogue’s parent, Condé Nast, the magazine arm of closely held Advance Publications Inc., has cut staff and shuttered magazines. In recent months it has been putting more effort into digital as marketers move their ad spending from print to online, mobile and video. Vogue published its largest issue in 2012—a 916-page September fall fashion issue with 658 ad pages.

Ms. Wintour is the seventh editor of Vogue and its second-longest serving, behind Edna Woolman Chase, who ran the magazine from 1914 to 1951. In recent years she’s been a prominent Democratic fundraiser. Another passion of hers is tennis, and she can often be spotted in the stands at Opens. Ms. Wintour’s father edited London’s Evening Standard newspaper, and she cut her teeth at print magazines in England and New York before becoming Vogue’s editor in 1988.

Total paid and verified print circulation for Vogue magazine was about 1.2 million for the six months ended Dec. 31, 2016, according to the Alliance for Audited Media. That compares with 1.7 million for InStyle, 1.1 million for Elle, and 761,819 for Harper’s Bazaar during the same period. When adding video-watchers and other digital users to its print circulation, Vogue is number one, according to the Association of Magazine Media.

Vogue was slower than some of its rivals to embrace the Web and social media but has been making up for lost time. It joined Snapchat last February and launched its mobile app last April. Vogue.com got a makeover in 2014. Vogue.com trails the sites of Elle, Harper’s Bazaar and InStyle in terms of monthly U.S. online audience numbers, according to comScore Inc.

“The vision was to capture the spirit of Vogue in digital form,” said Sally Singer, the magazine’s creative digital director. It is more “hour by hour, more oriented toward the user experience.” Vogue.com gained buzz for original videos, including a lively 73 Questions Q&A series with celebrities, a story and editorial on gun violence and its coverage of the Women’s March in January.

Vogue began as a weekly publication for high society New Yorkers on Dec. 17, 1892. It cost 10 cents and the first cover was an illustration. After going through periods of publishing biweekly then periodically monthly, the magazine went to 12 issues a year in January 1973, when Grace Mirabella was its editor. The magazine, which occupied a haloed space among fashion magazines, was known for its glamorous cover photos by renowned photographers, high-taste level and larger-than-life editors such as Diana Vreeland.

When Ms. Wintour took over, she shook things up by putting a model in bluejeans and a T-shirt decorated with a glittery cross on the cover of her first issue, November 1988. She further pushed the envelope by putting celebrities, rather than models on covers. In recent years, she has on occasion put more unconventional stars on the cover such as Lena Dunham and Kim Kardashian and Kanye West. Ms. Wintour’s clout and celebrity have continued to rise as she has become the most important figure in fashion, immediately identifiable by her signature bob hairstyle and Chanel sunglasses, which she kept on during the recent interview.

In 2013, Ms. Wintour took on the additional role of artistic director of Condé Nast. Ms. Wintour, 67, said she had no plans to give up her Vogue job to concentrate on the other.

In an era of fashion blogs and social media, Vogue’s print magazine is no longer a necessity to keep up on the latest fashions. Ms. Wintour’s response: “When there is so much information coming to all of us from so many different directions, in a way we can help them edit and be a filter and be their friend.”

Last year, Vogue made its first presidential endorsement, supporting Hillary Clinton. “Obviously we felt it was a moment in history for women,” Ms. Wintour said of herself and her editorial team. At times like that you need to take a leadership position…. To me, it was in support of women.” Ms. Wintour, a strong supporter of Barack Obama and Hillary Clinton, said she doesn’t think Vogue lost subscribers because of the endorsement.

Michelle Obama appeared on three Vogue covers. First Lady Melania Trump, once appeared on the cover of Vogue in 2005. “We have a tradition of always covering whoever is the first lady at Vogue and I can’t imagine that this time would be any different,” Ms. Wintour said.
source | wsj
 
If they didn't lose subscribers because of the endorsement, don't be so assuming that the same will happen with her on the cover
 
Whitney Vargas, executive editor of T Magazine who had been serving as interim EIC, has left the publication. No explanation was provided.
 
Whitney Vargas, executive editor of T Magazine who had been serving as interim EIC, has left the publication. No explanation was provided.

The WWD article says that Tonchi, Ariel Foxman and Jessica Diehl are apparently lined up to take over. I say no right now to Jessica Diehl (VF will suffer without her), no to Foxman (let him bide his time, he deserve something better) and YES to Tonchi! I actually wish he'd take it, but I doubt he would.

Then again, Lorraine Candy swopped British Elle for the Sunday Times supplement, so it may well be possible.
 
Emanuele Farneti, Vogue Italia Editor-in-Chief, is pleased to announce the appointment of Giovanni Bianco as Brand Creative Director of Vogue Italia.

Giovanni Bianco will be responsible for the graphic re-design and visual direction of Vogue Italia and will take care of supervising the execution of the fashion stories.

He will report directly to the Editor-in-Chief, Emanuele Farneti.

“We are glad to welcome Giovanni in the team of Vogue Italia. His internationally recognized talent and vision, based on solid Italian roots, will write the new chapter of the image of the magazine that has made the history of the world-wide publishing” comments Emanuele Farneti.

Giovanni will continue to run his internationally recognized integrated creative agency, GB65.
vogue.it
 

Users who are viewing this thread

  • New Posts

    Forum Statistics

    Threads
    215,328
    Messages
    15,296,895
    Members
    89,277
    Latest member
    ScarfLover
    Back
    Top