The Business of Magazines | Page 205 | the Fashion Spot

The Business of Magazines

Last week, I had a brief look at the website for Elle International, and there seems to be a specific online presence for Elle Côte d'Ivoire, if no print publication as of yet. I think the website has been on the go since March 2017.
 
Last week, I had a brief look at the website for Elle International, and there seems to be a specific online presence for Elle Côte d'Ivoire, if no print publication as of yet. I think the website has been on the go since March 2017.

How odd! Just checked it out now, on one of their Instagram posts it says they're only web-based.
 
Yes, it's online only. There was also an online edition of Nigerian Cosmopolitan, but I don't think it's running anymore.
 
Esquire UK is going down to six issues a year. Bigger format. Better stock. Price increase to £6. Im guessing they're going for advertisers over readers.
Dylan must be in his office as smug as can be.
 
I hope they'll focus more on the written content that speaks to more than just the London hipster.
Also, it baffles me how GQ can get all the exclusives with royals and politicians, exposés and whatnot, but they can't. Despite the fact that they are more highbrow than GQ. In the UK, that is.
 
Seventeen Magazine Cutting Print Down to ‘Special’ Issues

The 75-year-old title will no longer have a regular print schedule, as Hearst continues to change under its new magazines president.

By Kali Hays on November 13, 2018

Seventeen magazine is the latest legacy magazine to be pushed further out of print.

The roughly 75-year-old title is having its print frequency reduced come next year, WWD has learned, going from the current bimonthly schedule to at most a few issues a year.

While industry sources had it that the magazine was set to nix print altogether, a Hearst Magazines spokeswoman explained that the brand is moving forward with a “digital-first strategy” but that the magazine will continue to print “special stand-alone issues pegged to news events and key moments in readers’ lives.”

While this time of the year usually sees a lot of publishers finalizing media kits and schedules, the kit for Seventeen currently only has one issue based around prom set for next year.

“Seventeen is leading an authentic conversation with a growing audience — from social issues to important life advice, it is a resource and an ally for teens and young adults,” the spokeswoman added. “Continuing the digital-first strategy introduced in 2015, our focus will be on the brand’s two-plus million unique visitors and more than 12 million followers across social media.”

Outside of an established social media following, the brand is also growing its e-commerce business (affiliate links appear throughout much of its content and images are shoppable through Snapchat), revenue from which has more than doubled year-over-year. It’s unclear how many Hearst Magazines employees will lose their jobs, but editorial director Michele Promaulayko was let go from her position as editorial director of Seventeen and editor in chief of Cosmopolitan last month, when new magazines president Troy Young rolled out his first big wave of changes.

Those changes also saw the end of print for Redbook, one of the oldest women’s magazines and one that Hearst had owned for 35 years. The magazine’s last issue is a combined November/December holiday issue, it’s ninth of the year. It previously printed on a monthly basis. A reduction in frequency is common for print magazines, lifestyle in particular, at a number of publishers these days, as appetite for monthly content is sated by constant access to social media. In the U.K., Hearst also just reduced the print frequency of Esquire with plans to relaunch with a new format and launch a series of events, another expanding revenue stream for many publishers.

It was less than a year ago that Seventeen went down to six issues a year from 10 the previous year and monthly before that. Cutting print nearly altogether surely means that the ad revenue wasn’t enough to keep the title afloat, while e-commerce revenue is enough to underwrite a smaller digital operation.

The magazine was first published in 1944 by Walter Annenberg, who came to own through family The Philadelphia Inquirer and TV Guide. The magazine was sold in the late Eighties to News Corp., and quickly went through two more sales before landing at Hearst Magazines in 2003, already past its pre-Internet heyday, when a number of advertisers actually needed a magazine targeted at teens to target relevant products. Just over the last year, Seventeen has seen its total readership fall significantly, according to data from the MPA-Association of Magazine Media. Print and web readership is down 15 percent and 23 percent year-to-date, respectively, while video viewership, a major area of growth for other magazines, is down 42 percent. Meanwhile, mobile web is up a relatively slight 10 percent.

WWD.com
 
I wonder if it has anything to do with how little presence she has in the magazine. Edward works more like a fashion director/EIC which is the opposite to how it used to work with Lucinda, she had a lot more presence with Alexandra’s Vogue.
 
I've been very vocal over Venetia's appointment, but I must say over the past year she's proved me wrong when it came to her styling. I think she's definitely evolved and delivered some great edits for Edward's Vogue. In fact, I would go so far as to say her departure will be a loss for Edward. She's the reason why British Vogue could boast with luxury travel edits to exotic locations in quiet months because she's both the photographer and stylist of her stories. As we all know by now, most magazines nowadays fixate mainly on studio or localised shoots and it's got nothing to do with vision, and everything to do with budgets. So it's safe to assume she took a knock with her rates to fall in line with her budget.

But in her role as FD, I don't see her footprint. It's all Edward. The choice in models, photographers, celebrities. Also, Venetia's been a freelancer for a long time. And speaking from experience, there is nothing like the feeling of being overstepped or smothered that will make a freelancer ditch her/his permanent gig in a split second. Because they know they can survive on their own instead of playing someone else's monkey. So I actually believe her departure was voluntary.
 
Venetia has left UK Vogue.

The best news I've read in this thread for months!

Never been overly impressed with Venetia Scott's work (wasn't too chuffed over the news she was even appointed) and I cannot remember a single fashion story she photographed/styled in the last twelve months, expect the one she just done with Vittoria Ceretti by Alasdair McLellan.

Yeah... bye.
 
Good! She can come to M le Monde. I think her aesthetic can totally be right for the title...

I totally agree with GivenchyAddict! Edward is not a leader because a leader is actually not afraid to share.
As Benn98 said, it's all Edward! What's the point of having a blockbuster worthy cast if you're not willing to share the spotlight.
He is doing all the covers and working with the biggest photographer of the issue.

I can totally understand Venetia. If you aren't actually the added value you thought you were, you better leave.
 
Call me when the art director of theirs is the one who’s finally leaving. Until then, these are all irrelevant (and quite bittersweet).
 
Good! She can come to M le Monde. I think her aesthetic can totally be right for the title...

I totally agree with GivenchyAddict! Edward is not a leader because a leader is actually not afraid to share.
As Benn98 said, it's all Edward! What's the point of having a blockbuster worthy cast if you're not willing to share the spotlight.
He is doing all the covers and working with the biggest photographer of the issue.

I can totally understand Venetia. If you aren't actually the added value you thought you were, you better leave.

I'm telling you, the newspaper supplements is where it's at nowadays. Even a backward publication like Frankfurter Allegemeine impressed me with their fashion content. I'm all for restraint, some people need it, but it's great to see the results of creative freedom at these editions.

But I think she will go back to working for Dazed and Another. And maybe even W.

And if Poppy is leaving as well then this reeks of an aesthetic overhaul. In a way I'm irked because Poppy and Venetia really tried to align their gritty styling with his new order. I'll least give them that. Just look at Venetia's latest edit with Jean shot on a ski resort. Definitely a far cry from her budget backpacker Brit girl vacationing in the Mediterranean. Kate Phelan however is still being Kate Phelan. I don't see any improvement other than the ethnicity of her models.

Really want to see who will replace them.....
 
^Totally agreed with you. I am a big supporter of newspaper supplements since years now and I only read supplements. T magazine editions like China, Singapore, Spain or M le Monde are way more interesting in terms of creativity and fashion than the big fashion publications we all know.

My problem with Edward is that he wants it all: to be in power as EIC, to be an influencer as the one putting inclusivity in the fashion industry, to be the fashion director. He really does not know how to be in the shadow and he just simply not realise that his position requires him to be in the shadow and to pull the strings strategically.
 
^Totally agreed with you. I am a big supporter of newspaper supplements since years now and I only read supplements. T magazine editions like China, Singapore, Spain or M le Monde are way more interesting in terms of creativity and fashion than the big fashion publications we all know.

My problem with Edward is that he wants it all: to be in power as EIC, to be an influencer as the one putting inclusivity in the fashion industry, to be the fashion director. He really does not know how to be in the shadow and he just simply not realise that his position requires him to be in the shadow and to pull the strings strategically.
They are so great. I actually wonder if it's because they are not trying to please millenials, to appeal to the masses...
I think that Newspapers supplements are actually the kind of magazines that a real "educated" high fashion customer (i mean someone who cares and know about high fashion) or lover can actually read. They don't have to try hard or to be pretentious because they are affiliated to a very serious newspaper.

Edward wants to be Anna Wintour...Or his boss believe he could be like her and push him hard to be that.
The only difference is that she earned her position and work in the shadows (even in the most reckless) way to be what she is today. He is going way too fast.

And it's not with a digital Zayn cover that he is going to be one of those figures. Being a personality is not enough. Look at Talley...
 

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