The Business of Magazines

We all know there'd be nothing to read in it, but Edward-level covers and fashion pages would represent an improvement for Vanity Fair at this point.

And how much is there to read in Vanity Fair at the moment anyway? I'm several issues behind at this point, but the content is often a longer version of the same agenda-driven articles you get in abundance everywhere else, where no-one wants to be seen speaking out of turn.
 
PRISMA MEDIA LAUNCHES HARPER'S BAZAAR IN FRANCE

Prisma Media is delighted to have been chosen by Hearst Magazines International to launch the French version of Harper's BAZAAR, a legendary brand with over 150 years in the field of fashion and style. This license granted for several years will be deployed globally: magazine, website and social networks. Prisma Media aims to make Harper's BAZAAR the editorial benchmark for luxury and fashion on the French market for a wide audience passionate about creation.

The site and the first issue of the magazine will be launched in March 2023. The magazine will be published ten times a year. The editorial staff will be led by Matthias Gurtler as Editorial Director and Olivier Lalanne as Editor-in-Chief. “Harper's BAZAAR has been an iconic fashion brand for over 150 years. More than a magazine, we aim to develop in France a print/web/social and event media brand that will be able to set trends, offer a point of view on creations, creators and creators. A media brand that also partners with the fashion industry to develop talents and vocations. The team that we are going to set up with the editor-in-chief Olivier Lalanne will have in common expertise, a taste for elegance, culture and audacity”.

Matthias Gurtler, Editorial Director “Harper's BAZAAR is a legend. Throughout its long history, the magazine has been able to reflect, question, sublimate and enchant fashion to transcend it into a true cultural and artistic phenomenon. The views of the greatest photographers, artists, writers, stylists and talents of all kinds have crossed paths there. It is with great pleasure that I agreed to join the creation in France of this emblematic title. And it is with great enthusiasm that I aspire to inscribe it, with audacity and creativity, in an era particularly rich in changes and mutations”.

Olivier Lalanne, Editor-in-Chief About Prisma Media Leader of bi-media groups in France, Prisma Media is No. 1 in magazine press, online video and daily digital audience*. A leadership that ensures Prisma Media an optimal audience potential of more than 40 million

** people each month on its various media, i.e. 4 out of 5 French people. With a portfolio of reference brands, the group is present on the main segments for all audiences.

Driven by its mission to make the lives of French people more beautiful, Prisma Media is adopting an offensive strategy to develop its brands, its resources and new businesses in high-growth sectors with the ambition of always having ONE MEDIA IN ADVANCE . *source: Médiamétrie July 2021 **source: One Next global 2021 v3

Prisma Media lance Harper’s BAZAAR en France - Prisma Media
 
^Wonderful, wonderful news! A French edition of Harper's Bazaar is just what we need to give Vogue France a run for its money (which won't exactly be a difficult task for the team). Olivier Lalanne is an appropriate hire - I approve! So excited for this now.
 
^Wonderful, wonderful news! A French edition of Harper's Bazaar is just what we need to give Vogue France a run for its money (which won't exactly be a difficult task for the team). Olivier Lalanne is an appropriate hire - I approve! So excited for this now.
Who will be the fashion team?
I was hopping for Emmanuelle
 
I'm happy that Italy and France have their own Harper's Bazaar...i hope both editions reflects the big legacy of HB towards the future. There are a lot of talents free out there to get scouted for both editions. To be honest it's weird that both countries just now have their editions, i know it existed in the past but as the biggest markets in Europe it's hard to believe why it didn't happened before.

Btw i can't remember but who will be the team on the Italian edition?
 
I'm happy that Italy and France have their own Harper's Bazaar...i hope both editions reflects the big legacy of HB towards the future. There are a lot of talents free out there to get scouted for both editions. To be honest it's weird that both countries just now have their editions, i know it existed in the past but as the biggest markets in Europe it's hard to believe why it didn't happened before.

Btw i can't remember but who will be the team on the Italian edition?
The Italian editor in chief is Daria Veledeeva, formerly the editor-in-chief of Harper's BAZAAR Russia. I think it’s the only name appointed, the first print edition is set to November
 
Who will be the fashion team?
I was hopping for Emmanuelle

Well... Olivier Lalanne and Emmanuelle Alt have worked together previously, so who knows?

My guess is that Alt is quite content styling select shows, advertising campaigns and various magazine covers after being editor of Vogue Paris (which is a tough act to follow). I would love nothing more, however, than for Alt to join the team or contribute in some capacity.

All I'm wanting at this current moment in time is for Harper's Bazaar France to blow Vogue France out the water!
 
Lalanne did a wonderful job at GQ and at his time at Vogue Hommes Anastasia was the fashion director, so I have high hopes
 
Very exciting news indeed! I have high hopes for this publication and I do hope they utilise the wonderful force of stylists, photographers and models they have at hand. Could we potentially witness the return of Carine's icons or is that too American for France? Oh, I'm so excited! This might just be the replacement we so desperately needed after losing Vogue Paris.
 
Someone have the complete article? i'm not subscribed...thanks
MILAN — Hearst has apparently found its recipe for Italian Harper’s Bazaar, naming an executive trifecta tasked with launching the print edition of the glossy title.

Daria Veledeeva, former editor in chief of Harper’s Bazaar Russia, was named to the top role at the Italian edition, which will hit newsstands in December, the first print issue since Italy’s Harper’s Bazaar was introduced in early 2020 as a digital-focused publication.

After Hearst severed ties last summer with its Russian partners Shkulev Media and Fashion Press and ceased operations in the country, Veledeeva was brought on board to jump-start print.
The editor will be flanked by executive creative director Marc Ascoli, the former creative director of AnOther magazineand the art director of Yohji Yamamoto. He now runs the Atelier32 studio focusing on ad campaigns, brand identity and artistic direction.

Fashion editor Sissy Vian is joining Italy’s Bazaar in the role of creative fashion director. She has had extensive experience at rival publishing house Condé Nast, having started her career at Vogue Italia and held the title of fashion editor at large at Vogue Japan for more than 20 years.

Adriana Di Lello was named executive deputy editor in chief helping Veledeeva to combine the global and local visions for the magazine.

Upon introducing Italy’s Harper’s Bazaar, Hearst teased that the print publication would be part of the equation in due time. Alan Prada, formerly at Vogue Italia, was appointed editor in chief and shared with WWD his plans to bring the flair of the glossy title to a digital-savvy audience.

Prada left the media company in February last year to join Giorgio Armani as the company’s deputy creative director of online and offline image, a new role. Massimo Russo was appointed to the editor’s role after Prada’s departure.
 
MILAN — Hearst has apparently found its recipe for Italian Harper’s Bazaar, naming an executive trifecta tasked with launching the print edition of the glossy title.

Daria Veledeeva, former editor in chief of Harper’s Bazaar Russia, was named to the top role at the Italian edition, which will hit newsstands in December, the first print issue since Italy’s Harper’s Bazaar was introduced in early 2020 as a digital-focused publication.

After Hearst severed ties last summer with its Russian partners Shkulev Media and Fashion Press and ceased operations in the country, Veledeeva was brought on board to jump-start print.
The editor will be flanked by executive creative director Marc Ascoli, the former creative director of AnOther magazineand the art director of Yohji Yamamoto. He now runs the Atelier32 studio focusing on ad campaigns, brand identity and artistic direction.

Fashion editor Sissy Vian is joining Italy’s Bazaar in the role of creative fashion director. She has had extensive experience at rival publishing house Condé Nast, having started her career at Vogue Italia and held the title of fashion editor at large at Vogue Japan for more than 20 years.

Adriana Di Lello was named executive deputy editor in chief helping Veledeeva to combine the global and local visions for the magazine.

Upon introducing Italy’s Harper’s Bazaar, Hearst teased that the print publication would be part of the equation in due time. Alan Prada, formerly at Vogue Italia, was appointed editor in chief and shared with WWD his plans to bring the flair of the glossy title to a digital-savvy audience.

Prada left the media company in February last year to join Giorgio Armani as the company’s deputy creative director of online and offline image, a new role. Massimo Russo was appointed to the editor’s role after Prada’s departure.

Thank you @caioherrero funny that Daria Veledeeva disappeared from IG...maybe she will rebrand herself with the first issue...
 
We all know there'd be nothing to read in it, but Edward-level covers and fashion pages would represent an improvement for Vanity Fair at this point.

And how much is there to read in Vanity Fair at the moment anyway? I'm several issues behind at this point, but the content is often a longer version of the same agenda-driven articles you get in abundance everywhere else, where no-one wants to be seen speaking out of turn.
This is a very good point! Radhika Jones' version of VF is basically unreadable. Apparently advertisers agree, as the issues now are so small it can barely be bound into a magazine.
 
Another Enninful/AW article, from a connected media writer

The Treaty of Paris

Highlights:

-some inside CN think that AW's camp leaked the info in the Daily Beast piece "to paint Enninful as envious and covetous lest he decide, as some fear, that he may take his talents elsewhere"
-"insider" speculation about Vogue successors: Eva Chen, Sally Singer, Virginia Smith, Mark Holgate, Chioma Nnadi, if not Enninful
-CN CEO Roger Lynch, AW, and Enninful met at PFW today to "talk business" and "hash out grievances...(which) appears to have calmed the waters"
 
I refuse to believe that there is a world where Anna Wintour, Editor-in-Chief of Vogue since 1988, Artistic Director/Global Chief Content Officer/Global Editorial Director of Condé Nast, is out there pressed at Edward. These puff pieces make it seem like there's a feud between a power-hungry "potential successor" and a power-hungry incumbent rambling to keep her post. We all know her head is no longer in Vogue (it obviously shows). Rumors were even circling that Anna was vying to be an Ambassador under Hillary.

Also the way people think Edward is the successor just because he's at UK Vogue just shows Anna's impact. Diana and Grace became EICs without being the UK editor. Heck, even Anna went to House & Garden first before US Vogue. It really is anyone's game.

Lol at "lest he decide, as some fear, that he may take his talents elsewhere." Talents? More like friends. And besides, there's no loyalty in the real world. When opportunity calls, people answer.

A final word, people seem to constantly forget the person who I think is the real contender for the job -- Amy Astley. Loyalty, though not guaranteed, is often times rewarded.
 
I refuse to believe that there is a world where Anna Wintour, Editor-in-Chief of Vogue since 1988, Artistic Director/Global Chief Content Officer/Global Editorial Director of Condé Nast, is out there pressed at Edward. These puff pieces make it seem like there's a feud between a power-hungry "potential successor" and a power-hungry incumbent rambling to keep her post. We all know her head is no longer in Vogue (it obviously shows). Rumors were even circling that Anna was vying to be an Ambassador under Hillary.

Also the way people think Edward is the successor just because he's at UK Vogue just shows Anna's impact. Diana and Grace became EICs without being the UK editor. Heck, even Anna went to House & Garden first before US Vogue. It really is anyone's game.

Lol at "lest he decide, as some fear, that he may take his talents elsewhere." Talents? More like friends. And besides, there's no loyalty in the real world. When opportunity calls, people answer.

A final word, people seem to constantly forget the person who I think is the real contender for the job -- Amy Astley. Loyalty, though not guaranteed, is often times rewarded.
I also used to think it was going to be Astley, although it was interesting reading the Anna biography (by Amy O'dell), which seemed to infer that the relationship between them was quite frosty towards the end of her time at Teen Vogue (just before she was given the EIC job at AD). In any case, my gut tells me it will be Chioma. I don't think something as mammoth as US Vogue could go to a man, even if he ticks other boxes.
 

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