The Business of Magazines

Fashion Mags Look For Rebound in 2010.

Fashion magazines’ full-year figures for ad pages aren’t as full-figured as in the past — but publishers hope their titles will begin adding back some weight as 2010 progresses.

Of the fashion magazines surveyed by WWD, most suffered jaw-clenching declines in paging in 2009, ranging from the midteens to nearly 50 percent. In all, the category lost about a quarter of its pages this year, with those heavily weighted toward luxury seeing the largest losses.

In 2009, publishers faced unprecedented challenges — the Dow cratered at 6,500, same-store sales across retailers tanked, the auto industry shrank like a raisin and banks tightened their belts on issuing credit to consumers. In addition, brands looked more to online advertising, with some major companies cutting their print spending to instead market themselves through their Facebook and Twitter accounts or Web sites. As a result, spending fell 1.7 percent across all media through the third quarter, according to media research firm TNS Media Intelligence.

Publishers woke up to a new reality. “When nothing is broken, we stick to our current ways and standards,” said Robin Steinberg, MediaVest’s senior vice president, director of print investment and activation. “This forced publishers to evolve their approach, processes and mind-set faster than ever before. Are we there yet? No. Do I believe there’s room for more flexibility and creating different models and standards? Yes — but we’re moving in the right direction and the right conversations are being had.”

Of the lessons learned from 2009, Vogue senior vice president and publishing director Tom Florio argued holding true to brand identity helped Vogue maintain share. “I learned how important it is to lead the market in terms of editorial standpoint, versus heavily discount and use our editors to sell ad pages. What we saw happen this year, which we haven’t seen in a while, is the discounts were approaching 70 percent. Some of the deals that were being done were just crazy,” said Florio in a swipe at the competition’s wheeling and dealing.

Vogue lost a third of its paging this year, or about 900 pages overall, despite the buzz surrounding the brand through the documentary “The September Issue” and the Sept. 10 event Fashion’s Night Out, which Vogue editor in chief Anna Wintour helped create. “Smart, powerful women still care about the way they present themselves to the world. That was our message, and we led with that instead of giving away edit credits and pages. We needed to change the mind of women to make it fun to shop again,” said Florio.


With brands clutching tightly to their marketing dollars, some publishers deployed combat-worthy strategies to maintain business, be it through incentives, marketing programs or in-store promotions.

Other titles diversified their advertising mix to help boost pages outside of core categories — such as personal care products, food, automotive or pharmaceutical — to counterbalance the loss of business from the luxury and fashion sectors. “Just because business has been here for 10 years doesn’t mean that it will be here tomorrow,” said Bill Wackermann, Glamour’s senior vice president and publishing director. “It’s a whole new ball game, a whole reboot of how we do business.”

Of the few that saw positive gains, People Stylewatch grew pages 23 percent to 624, but the title is relatively new, having begun publishing on a monthly basis in 2007. And while More added 11 more pages in 2009 than last year, at 918, that’s still 30 percent fewer than the 1,300 the magazine carried in 2007. More vice president and publisher Brenda Saget Darling found that “marketers are starting to have a different conversation. They can’t focus on the aspirational customer but they are looking for readers and consumers who have money to spend.” More’s fortysomething professional readership was an attractive target for new advertisers such as Cadillac, Mercedes-Benz, Ralph Lauren, Coach and Giorgio Armani Fragrance, Darling added.

Moving into 2010, publishers are breathing somewhat easier as the economy shows faint signs of life. Publishers point to beauty, automotive and food categories as sectors that are holding steady. Some December issues are already showing increases, among them Marie Claire, In Style, Cosmopolitan, Glamour and Women’s Health.

Lucky’s Gina Sanders said the first quarter is looking positive for the magazine, with January being the second-largest issue in its history for that month. Allure’s January issue will be up five pages over last year’s, with 45, and In Style’s Connie Anne Phillips said 2010 “is encouraging” and that she’s already seeing a bump in business in the January issue. Hearst Magazines executive vice president, chief marketing officer and publishing director Michael Clinton focused the company’s 2009 sales meeting on resiliency and flexibility as the company goes into 2010 with seven of its magazines in January posting ad page gains. And Florio said even if Vogue’s revenues are flat in 2010, “our profits will be up substantially, almost double, on the same revenues of 2009,” helped in part by having a more cost-efficient operating structure after Condé Nast dictated all the company’s titles cut their operating budgets.

Such comparisons are against soft numbers in 2008 as the recession started to take hold across print. But Sanders argued the gains are a sign advertising dollars are percolating. “In black-and-white terms, is the faucet on or off? It’s on,” she said. “It might be a trickle, but it’s on.”
111309_ad_pages.jpg

WWD.COM

www.wwd.com/media-news/fashion-mags-look-for-rebound-in-2010-2370047#/article/media-news/fashion-mags-look-for-rebound-in-2010-2370047?page=1
 
^Yes, that's the price of selling out to WalMart in 2005 or what was it? I really don't think many of the brands appreciated the association...

Not saying that's the sole reason, of course, but it was one of the rather extreme measures that have been used to increase profits over the last few years. The tide had to turn...
 
According to this communiqué issued by Condé Nast, the June/July, August, September and October 2009 issues of Vogue Paris were the Best Selling Issues Ever


nmpp.fr

No wonder. The June/July issue had some strikingly good editorials--my French is terrible but I spent hours with it and yapped about it to so many friends that some of them bought it who often don't.

I am glad a lot of people liked that one. (and the others)
 
You can see that the Conde Nast publications lost the most ad pages by far :ninja:

No kidding. "W" has been crushed--the people on the sales side must be getting killed out there. The book looks like no one wants to buy space at any price. The article makes the point in a backhanded way that these are compared to the 2008 numbers which were "soft"--i.e. horrible.

While the Conde Nast flack says that 2010 will be profitable even with flat ad sales due to the cuts in titles and the layoffs in the remaining titles that is just whistling past the graveyard.

Scary stuff.
 
source | wwd.com

GREEN WITH ENVY?: The Marie Claire Group said it plans to launch a new weekly fashion title, Envy, slated to hit French newsstands early next year and targeting women in their thirties. Competition is heating up among French fashion weeklies, following the September launch of Mondadori’s Grazia as a competitor to the Lagardere-owned title Elle. Details about Envy, including the cover price, have yet to be disclosed. Grazia already cut its cover price of 1.50 euros to 1 euro, while Elle went from selling at 2.50 euros down to 1.80 euros. Marie Claire’s new title comes during gloomy economic times for magazines battling to court advertisers and garner new readers.
 
source | wwd.com

CHANGES IN JAPAN: Kazuhiro Saito, president of Condé Nast Publications Japan, will resign from his post at the end of this year, marking a significant management shift for the company that publishes Vogue Nippon, GQ Japan and the biannual Vogue Hommes Japan. The company said Jun Kitada, vice president and publisher of Vogue Nippon and GQ Japan, will succeed Saito as of Jan. 1.

Saito, a charismatic figure with a loyal staff following, joined Condé Nast in 2001 after working as the editor and publisher of Japan’s Brutus and Casa Brutus magazines. During most of his tenure, he also acted as editor in chief of both Vogue Nippon and GQ before delegating those roles to others last year. Earlier this year, Condé Nast International decided not to proceed with the planned launch of Glamour Japan amid poor market conditions.

Jonathan Newhouse, chairman of Condé Nast International, praised Saito: “More than anything else, Mr. Saito has been a wonderful ambassador for the company and our magazines in Japan and around the world,” he said.

Saito said he’s always considered himself to be more of an editor than a manager, and Condé Nast wanted to bring in a figure with a more formal managerial background. He said his strong personal ties to his employees made it particularly difficult for him to lay off about 25 percent of the company’s staff, or about 25 people, since the start of the global economic crisis last year. Saito said he’s taking a break for now and mulling his job prospects. “I do editing and not management,” he concluded.

Kitada joined Condé Nast Japan in 1998, the year it was established, was named ad director of Vogue in 2001 and given responsibility for Vogue three years later. He assumed his current role last year.
 
Karl Launches Chanel Magazine, Barneys to Get a Blog

Collaboration at work.Photo: Patrick McMullan

Fashion editors and bloggers, fear for your jobs. Oh, we kid, kind of! Fashion stores and labels are taking it upon themselves to launch their own magazines and blogs. Shops like H&M and Forever 21 got into this game a while back (Forever 21's was at least announced some time ago — the glossy is due out this Friday). But now the higher-end lines are producing content: Chanel and Purple's Olivier Zahm have paired up to put out 31 Rue Cambon, the inaugural issue of the in-house Chanel magazine (named after the first Chanel boutique). Zahm posted the news on PurpleDiary along with shots of the issue, which he art-directed and designed for Karl. We can only hope the mag has glorious shots of His Hotness Baptiste Giabiconi in various stages of undress.




Read more: The Cut: New York Magazine's Fashion Blog http://nymag.com/daily/fashion/#ixzz0X3qDClNA
the cut blog

[ November 16 ] : office


31 rue cambon #1

This is the first issue of 31 Rue Cambon, the first Chanel magazine which I have art directed and designed for Karl Lagerfeld, to be distributed worldwide in all the Chanel stores. Text and photo by Olivier Zahm

purple diary
 
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Good lord those photos look fantastic! Where do I get this mag, in my local Chanel store?
 
oh my god, its a Chanel mook.

A Japanese concoction that's merged magazine with book, the
mook is usually a small-format, specialist title that will obsess over
a single subject, trend or person for at least 150 pages. Western
publishers haven't quite come to grips with the concept, but in Japan
all the main publishing players crank out all manner of mooks. My
favourite is a black-and-white lifestyle study of Japanese footballer
Hidetoshi Nakata. The book offers style tips, daily diet tips,
exercise regimes and cute things to say in Italian and is crammed with
shots of the most handsome player in football.
Financial Times

basically, they are catalogues that contain interesting information relating to the main topic so it doesnt SEEM like a huge advertisement. Many top brands ahev published mooks in Japan and they usually come with a free goodie like a tote bag (the marc jacobs tote bag from their mook is ALL OVER the streets- it means people shelled out to buy a MJ catalogue). YSL just released one, and it came with a black tote back with gold YSL embroidery and pink lining-- for the equivalent of about 14$

Honestly, mooks are a little demode personally..
 
source | wwd.com

STEINER EXITS: Danko Steiner, design director at Vogue, is leaving the magazine after four years to pursue photography. Following Steiner’s resignation, editor in chief Anna Wintour tapped Raúl Martinez, founder and chief creative officer of AR New York, a full-scale branding and advertising agency, as creative consultant to Vogue. Martinez will work with the magazine and vogue.com’s art, design and photography and offer input on Vogue’s overall image and brand.

Martinez began his career at Vogue before departing for AR in 1996. Most recently, AR has worked on ad campaigns for Banana Republic, Jimmy Choo and Brioni. “We have always kept in touch,” Martinez told WWD. “I will still have the agency and undoubtedly, the two can coexist. I can’t begin to explain how excited I am to be joining forces with Anna once again.” Martinez will join Vogue the week of Dec. 1 and his work will begin to appear in the pages of the magazine in the spring.
 
Spain to get its own edition of Harper's Bazaar, with the launch issue, March 2010, coming out in February (trendencias.com):

Estamos de parto. Y de enhorabuena. Porque una de las revistas con mayor prestigio y paladar a nivel internacional, Harper’s Bazaar, baluarte del gigante editorial Hearst, desembarca en España y ya se está gestando el primer número que verá la luz a finales de febrero de 2010. De la mano del grupo de revistas SpainMedia y su director, Andrés Rodriguez, el “Harper’s español” se perfila como una revista diferente, cero enfocada a lo puramente comercial, y hecha como se hacían las revistas antes de la era de la globalización y el marketing agresivo.

Publicada en 27 países y elegida mejor revista en Reino Unido el año pasado, su edición española buscará el justo equilibrio entre material producido por sus homólogas internacionales, y producto cien por cien propio. Esperemos que la balanza se incline hacia lo local. Porque para refritos ya tenemos otras tantas publicaciones…

Melania Pam, actual directora de moda de Esquire, y Paloma Leyra, ex-redactora jefe de Elle, harán las veces de directora y sub-directora.

Muchas suerte a su equipo, y estamos deseando llevarnos a casa el primer ejemplar.
 
Aye, because there's the Español version for Latin America. This must be the second incarnation of Spanish Bazaar, I have memories of it existing before, but have no scans at hand to remind myself that it ever did.

EDIT: Good old google... although maybe this is an old Latino edition, rather than the Euro edition (marredondo.com):
 

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Aye, because there's the Español version for Latin America. This must be the second incarnation of Spanish Bazaar, I have memories of it existing before, but have no scans at hand to remind myself that it ever did.

Yes eek, i totally confused the two! Thanks for the heads up Tigerrouge.:heart: Hopefully they doe their own content, and covers, although i doubt it.

EDIT:

Here i found one cover from last year, another proof that it exists. :lol:

cov019.jpg

pavelhavlicek.com
 
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Yes there is a Latin America version, (they have a blog ) very thin always and with original content mostly (*I think* cause I haven't flipped through any in some months) this month cover is a reprint of Uma's UK cover.

The content isn't anything very exciting, but a while ago I saw a great pic scanned by MP in the stylist version of the same look thread featuring a Yohji outfit, I guess it's been downhill since then.

I hace to add that they sometimes feature local designers which isn't the case of Vogue that practically is a bunch of articles translated and 3 social pages of the polo games or store openings and no local content whatsoever.
 
source | wwd.com

I-D GOES LIVE: I-D’s next editorial shoot is set to take place in front of a live audience. For the magazine’s spring issue, which celebrates i-D’s 30th anniversary, photographer Nick Knight will shoot a series of fashion figures who have been featured in the magazine since its launch. The shoot is part of the photographer’s ongoing “SHOWstudio — Fashion Revolution” exhibition at London’s Somerset House, and will be held from today through Dec. 20, when the show closes. Subjects, including Kate Moss, Naomi Campbell and Alexander McQueen, will pose for Knight and visitors to the exhibition will be able to peek at them through a two-way mirror. In addition, the shoot will be streamed live on Knight’s Web site, showstudio.com. The 30th anniversary project, called “100 Portraits,” echoes images that Knight shot to celebrate i-D’s fifth anniversary in 1985, when he photographed such figures as Leigh Bowery, Michael Clark and Morrissey
 
source | wwd.com

PAINTING BY NUMBERS: Sir Paul Smith has given his seal of approval to 8A, a new, biannual fashion, art, and beauty magazine that hits his stores today. Imperfect beauty is the theme of the glossy title’s first edition, which features Tanya Ling’s paintings of fall looks from Lanvin, Yves Saint Laurent and Chanel; an interview with the gallerist Maureen Paley, and contributions from designers including Matthew Williamson, Osman Yousefzada and Nash Masood. “We wanted to create a more collectible publication and bring art back into our industry,” said Ann Shore, a fashion designer who co-edits the title with Attracta Courtney, a makeup artist and beauty editor. Printed on thick stock, the title costs 30 pounds, or $49, and has been printed in a limited edition of 500. The magazine, which carries no advertising, will be available from Paul Smith stores in London, New York, Milan, Paris, Antwerp and Tokyo, and will be sold on newsstands starting Dec. 13.
 
source | wwd.com


VINTAGE POINT: While it had the life span of a mayfly compared with Vogue and Vanity Fair, Flair magazine is still influencing design snobs and collectors almost 60 years later. One of those collectors, Ivy Baer Sherman, has just launched a new title inspired by Flair called Vintage. In 2003, Sherman was working as director of publications for the Friends Seminary, a private school in New York, when she happened to see a retrospective of Flair founder Fleur Cowles’ work at the Pratt Institute. She quickly became a fan of the title and its distinctive die-cut pages. In conceptualizing Vintage magazine, however, “the goal wasn’t to replicate [Flair]. I was inspired by Flair rather than really wanting to reproduce it,” she explained.

With a print run of only 1,500 and a cover price of $20, the biannual Vintage is something of a limited edition. It will be sold at specialty bookstores, including Rizzoli. The premier issue is hand-bound and features quirky design elements: A story about record jackets by former Village Voice columnist Gary Giddins is presented in cutouts that resemble a 45 rpm record, and a piece on bygone hairstyles has a flip book-like construction. “I worked with a printer who probably rolled his eyes [at] me,” says Sherman of her unusual demands. Articles on wedge heels, Barbie and Forties recipe cards round out the retro package, and the next issue will include an essay on “Mad Men.” Sherman, whose title is self-financed for now, said she believes “there’s still room for print.…People still like to sit down with something, and I think this [magazine] proves that.” That said, Vintage also will have an online component, set to launch in a few weeks.
 
Wow,it's great to see some good news!Those all look exciting.
 

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