tigerrouge
don't look down
- Joined
- Feb 25, 2005
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Not something we ever talk about, but which is essential to the very existence of a magazine - I bought something today which listed the entire provenance of the paper it was made from, what type, what weight, where it came from...
Perhaps it's a bit tedious, but I think people these days do get slightly divorced from the technical printing aspects of creating a publication, because it's all done electronically, whereas in ye olden days, instead of sending it down the wire, you had to drive to the printers and deliver it. So you'd get to see the presses in action, the mechanics of your publication being created on a mass scale. For anyone who loves the magazine format, it's worth beholding their 'birth' by these mighty machines, if you get the chance to stand and watch.
Whenever you hold a magazine in your hands, the paper that's used is the outcome of all sorts of price negotiations, and the texture is achieved by expert consideration of the proportions of the 'ingredients'.UPM Star Gloss 80 gsm produced by UPM/KYMMENE from the Kaukas mill, Finland. It is elementally chlorine free and coated with kaolin from Brazil or America. The cover is printed on 115 gsm Royal Roto Gloss produced by Sappi Paper at their Nijmegen mill in Holland. It is elementally chlorine free, and coated with china clay produced in the UK.
Perhaps it's a bit tedious, but I think people these days do get slightly divorced from the technical printing aspects of creating a publication, because it's all done electronically, whereas in ye olden days, instead of sending it down the wire, you had to drive to the printers and deliver it. So you'd get to see the presses in action, the mechanics of your publication being created on a mass scale. For anyone who loves the magazine format, it's worth beholding their 'birth' by these mighty machines, if you get the chance to stand and watch.
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