US Vogue September 2025 : Emma Stone by Jamie Hawkesworth | Page 10 | the Fashion Spot

US Vogue September 2025 : Emma Stone by Jamie Hawkesworth

Here Comes the Brides!
Photo Tierney Gearon
Editor Tabitha Simmons
Text Chloe Malle, Leah Faye Cooper
Subjects Lauren Sanchez Bezos, Huma Abedin Soros
Hair Rick Henry, Keli Hoff
Makeup Laura Ann Mele, Kirin Bhatty


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Style Points
Photo Theo Wenner
Editor Harry Lambert
Text Corey Seymour
Subject Lorenzo Musetti
Grooming Laurence Walker


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A House in Paris
Photo François Halard
Editor Tabitha Simmons
Text Chloe Schama
Subject Tory Burch
Hair Michael Johnson
Makeup Berta Camal


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Heavy Going
Photo Steven Klein
Editor Patti Wilson
Text/Subject Alexis Okeowo
Models Paloma Elesser, Kenny Yu
Hair Akki
Makeup Kabuki


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Top Down
Photo Steven Klein
Editor Patti Wilson
Text Megan Nolan
Models Deliah Belle, Amelia Gray
Hair Aki
Makeup Kabuki


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A Sense of Occasion
Photo Dan Jackson
Editor Law Roach
Models Teyana Taylor, Samara Weaving, Ilfenesh Hadera, Sunita Mani, Jodie Turner-Smith
Hair Sondrea Demry-Sanders
Makeup Susie Sobol


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Home Games
Photo Toby Coulson
Editor Tallulah Harlech
Models Miranda Brooks, Violette & Poppy Grey
Hair Yumi Nakada-Dingle
Makeup Marie Bruce


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This is the complete Drew Vickers' story from Vogue's site: it's such a shame that US and UK decided to exclude Bibi Breslin from their printed issues respectively! (The same goes for all other international issues except Vogue España.) Also, Awar Odhiang in that off-white McQueen looks spectacular, I'm really struggling to understand in which effing world Devyn Garcia (in tacky Miu Miu) & four buts are more compelling than it!

THE PLACES THEY'LL GO
Photography:
Drew Vickers
Styling: Malina Joseph Gilchrist
Hair: Karim Belghiran
Make-up: Lynsey Alexander
Models: Ella McCutcheon, Jiahui Zhang, Angelina Kendall, Caroline Trentini, Awar Odhiang, Libby Taverner, Devyn Garcia, Karolina Spakowski, Rosalieke Fuchs, Felipe Vasquez, Paloma Elsesser, Sora Choi & Bibi Breslin


vogue.com
 
This is the complete Drew Vickers' story from Vogue's site: it's such a shame that US and UK decided to exclude Bibi Breslin from their printed issues respectively! (The same goes for all other international issues except Vogue España.) Also, Awar Odhiang in that off-white McQueen looks spectacular, I'm really struggling to understand in which effing world Devyn Garcia (in tacky Miu Miu) & four buts are more compelling than it!

THE PLACES THEY'LL GO
Photography:
Drew Vickers
Styling: Malina Joseph Gilchrist
Hair: Karim Belghiran
Make-up: Lynsey Alexander
Models: Ella McCutcheon, Jiahui Zhang, Angelina Kendall, Caroline Trentini, Awar Odhiang, Libby Taverner, Devyn Garcia, Karolina Spakowski, Rosalieke Fuchs, Felipe Vasquez, Paloma Elsesser, Sora Choi & Bibi Breslin


vogue.com
I agree about Awar's and Bibi's exclusion (in the white dress) in US Vogue especially. I would have excluded that shot of Paloma in the burgundy dress looking upwards for sure.
 
This is the complete Drew Vickers' story from Vogue's site: it's such a shame that US and UK decided to exclude Bibi Breslin from their printed issues respectively! (The same goes for all other international issues except Vogue España.) Also, Awar Odhiang in that off-white McQueen looks spectacular, I'm really struggling to understand in which effing world Devyn Garcia (in tacky Miu Miu) & four buts are more compelling than it!

THE PLACES THEY'LL GO
Photography:
Drew Vickers
Styling: Malina Joseph Gilchrist
Hair: Karim Belghiran
Make-up: Lynsey Alexander
Models: Ella McCutcheon, Jiahui Zhang, Angelina Kendall, Caroline Trentini, Awar Odhiang, Libby Taverner, Devyn Garcia, Karolina Spakowski, Rosalieke Fuchs, Felipe Vasquez, Paloma Elsesser, Sora Choi & Bibi Breslin


vogue.com
I'ts a shame, those 4 pictures are better than some of the others but I think it was for the continuity.
 
As You Like It, is the only decent shoot in this entire issue and that’s not saying much. The cover, while I’m happy to see more cover lines is flat I find. They should have added something else like a necklace underneath the jacket or something from Louis Vuitton to give us something else. The rest of the cover story is tired. It’s like everyone has given up.
 
These two pictures are the best thing they produced in ages. Very VP. Look these are from a different editorial.
Maybe because they look different and don't quite fit in with the rest of the photographs is the reason why they got rejected.
 
So, in the end, there was no great outcry over US Vogue using artificial backdrops in a fashion editorial, yet they were roasted for running a Guess advert with AI artistry that they only printed rather than produced themselves.
 
So, in the end, there was no great outcry over US Vogue using artificial backdrops in a fashion editorial, yet they were roasted for running a Guess advert with AI artistry that they only printed rather than produced themselves.
Yes, I am not sure if any of this makes sense to be honest*

*Not your post but people's reaction to the ad vs. editorial.
 
The same thing as Drew Vickers' story, the printed issuses of US Vogue & UK Vogue (but not Vogue España!) decided to exclude Celina Ralph from Carlin Jacobs' story, but US Vogue has published it on its site:

AS YOU LIKE IT
Photography: Carlin Jacobs
Styling: Imruh Asha
Hair: Laurent Philippon
Make-up: Aaron De Mey
Models/Celebrities: Guillaume Diop, Adut Akech, Lina Zhang, Alex Consani, Kyosuke Akiyoshi, Amar Akway, Yseult, VTSS (Martyna Maja), Thiravigah Thiraviarajah, Thiravisha Thiraviarajah, Robbie Jr & Celina Ralph


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I picked up a copy of this issue at Lisbon airport and read it on my flight home and I really enjoyed it! I always liked the cover, but I find it especially lovely in print. It has a gentle optimism to it that I feel drawn to.

Similarly, the rest of the issue comes alive much more on the printed page, as is usually always the case.

Back in the day when we first saw issues through scans that members painstakingly produced and uploaded, and which sometimes took days to appear, I would’ve killed to have HQ images of shoots right away. Now that that time has long since come I find it actually spoils things.

It’s easy to feel like you’ve seen everything when the whole issue is online immediately, but I’m almost always pleasantly surprised by how differently I feel about US Vogue the times I actually buy a physical copy. Certainly it’s nowhere near the standard we used to get, but it is definitely better experienced on the page and in the order they intended.

Had there been an additional fashion editorial with some classic US Vogue storytelling it would’ve really elevated everything else. As it is, the fashion stories are mostly just pleasant. Overall, the issue has a quiet, easy quality to it. It’s definitely not the blockbuster “September Issue” we used to know, but I found it an enjoyable read and I like having it out on my coffee table now that I’m home.
 

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