Live Streaming... The S/S 2026 Fashion Shows
I didnt even remember thatAnok already has an editorial with the same team out on the January '23 issue of Vogue UK. I wonder if the cover story of Vogue España will just be a reprint of that...
I've said before, there's now a certain look that's developed around 2020s Vogue imagery - a sort of bland, non-dimensional look, usually captured in a studio, and even when different colours are used, there's something very same-y about how those colours are used, in terms of the contrast between them. It's probably the product of the human eye, but in terms of effect, it has all the artistry of a robotic formula being followed on a colour wheel. OVER AND OVER AGAIN.
Block colour against some other block colour, lots of empty space, shabby or unremarkable backdrop, applaud and purchase!
I'm aware there are constraints - of all sorts - that can force people into using a studio, but look at all the decades of past work that shows a studio shoot can be the stuff of dreams.
Just to follow-up on this matter, judging by these other pics of the Vogue Spain cover story, it was shot on the same set by the same team of the "Daydream believer" editorial that appears on Vogue UK, some shots are even the same. While "smaller" Vogue's recycling Vogue UK/US editorials is nothing new, having an issue of Vogue UK "spoil" the cover story of another Vogue seems to lower even more the standards of creative direction/management of these magazines...Looking back through my library's digital copy, the Anok Yai edit in UK Vogue was shot by... Renell Medrano, styled by Stella Greenspan, although this particular shot above does not appear in that editorial.
Anok's a stunning girl but not a great model. She relies too much on just her looks. Rarely brings any energy to her shots.