W September 2010 : Hollywood's New It Girls by Inez & Vinoodh

I'm not really feeling the new cover look but I have a feeling I'll like the layout - coming from someone who really hates the old layout. What was with their super tiny pictures accompanying articles?

S.T.: Paolo Roversi had a fantastic story in the August issue and wants to work for the magazine, so he will again. Steven Klein — we have not had a project for him right now, but we may have a good project for him. Juergen Teller — we’re going to work with him again in November, I think. But in this issue, we have some of the photographers who have been identified with W recently, and at the same time we brought in some new people like Tim Walker.
So Tim Walker in this issue?
 
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I got to say i love the new logo and i can't wait to see the whole thing in my hands. Then i will know if it all works or not.
 
What the hell? I read that Hollywood Actress Article that's supposed to accompany the cover (thank you for linking it by the way!) and the entire f*king article is Jennifer Lawrence talking. What a rip off! What about the other girls? :shock:
 
The magazine seems so generic now, and less..avant garde. I always saw W as a leading magazine, not the type to follow..
 
These covers looks like an Vanity Fair & i don't like the new logo. :doh:
 
The magazine seems so generic now, and less..avant garde. I always saw W as a leading magazine, not the type to follow..

Does this mean that you have seen the contents already :woot: :buzz:

This might be true but why still single her out just because she was a contestant on a show more than 5-6 years ago?:huh: It's like move on all ready because she surely has! Yaya did the best move by not even bothering to pursue that modeling career with the stigma connected to ANTM. So instead of hating on her why not congratulate her making such accomplishments outside the show?

OT: I can only imagine what the comments are going to be when the ANTM winner gets the Italian Vogue cover. :lol:

I guess those people should/could move on indeed, but the people who make this a question of race should move on as well.
 
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You guys, If I do really good this year at school and go to Parsons and um Yale, lol. I'm gonna apply for editor-in-chief at W when Stefano gets ready to retire. I will bring back the glamour of W! Of course thats gonna take a loooong time and by that time W won't even be printed anymore... One thing I would change would be putting a section for men, W really needs a men's fashion section.
 
Yaya! Great to see her! She really deserves some attention. Can't wait to see the content.
 
Kudos to Stefano for being brave enough to change the logo. Wonder if all W franchises would change theirs to. I like the font though. Very classic and less mainstream.

Don't like the cover though. Barely know any of them. Strange poses and weird editing on the foldout part.
 
The cover certainly looks interesting.

I've only read a few pages of the thread and everyone seems to be looking forward to seeing the editorials. Well, for me at least, I'm really excited to see the features. I've always loved the writing in W but it's fallen by the wayside lately and I'm looking forward to seeing how Tonchi has put a spotlight on the writing. Can't wait!!!
 
Is Yaya really an big up and coming actor? Her next role is in Tron :blink:


Your point being? Tron is going to be a massive hit. I think it looks pretty good. Plus she was just in The Kids Are All Right and she was quite hilarious. That film, btw, is a likely Oscar contender, got great reviews, and has been a hit.
 
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Jennifer Lawrence

“As a kid I wasn’t shy. I’m an extrovert who wants to be an introvert.” Lawrence’s lack of shyness has resulted in one of the boldest performances of 2010: her Ree Dolly in Winter’s Bone. Like many actresses of her generation, Lawrence started young—at 14, she left her home in Louisville, Kentucky, and moved to New York. “I don’t know if I was driven or stubborn or both,” she explains. “But I didn’t think I could fail.”
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Jessica Chastain

“I was the girl who never thought I’d be anything but an actor, so what I’ve really had to struggle with is having patience.” Born in Northern California and a graduate of Juilliard, Chastain was cast by reclusive director Terrence Malick to star opposite Brad Pitt and Sean Penn in The Tree of Life, in theaters this fall. He may have seen her performance in Salome, opposite Al Pacino, where she did the Dance of the Seven Veils. “My character’s goal was to give herself away,” Chastain says. “To be completely naked. So I went to some strip clubs in L.A. just to be, like, Okay, this is normal. There’s nothing taboo about it.”
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Yaya DaCosta

“I want to do a silent film, even though it’s out of fashion now.” DaCosta, who studied dance as a child, has an innate stillness and elegance that would be ideal for the cinematic intensity of images without words. In 2009’s The Messenger she played an army wife who has lost her husband, and her grief went beyond speech. Similarly, when Mark Ruffalo tells her character in The Kids Are All Right that he wants to end their relationship, the shock and pain are registered in her eyes. “I grew up watching a lot of old stuff,” DaCosta says. “The first movie I remember seeing was The Red Balloon, which is silent, and it made me feel things that I’d love to make other people feel.”
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Emma Roberts

“I always wanted to be an actress, and my first audition, when I was nine, was for Blow, playing Johnny Depp’s daughter. I think everyone in my family was shocked because they sent me on the audition to kind of shut me up about the acting thing.” Roberts, 19, has been acting in movies from that point forward, playing everything from Nancy Drew to an orphan who runs a hotel for dogs to a troubled teenager in It’s Kind of a Funny Story, which is out September 24. Like her aunt Julia, Emma has an all-American sunniness mixed with an attraction to darker subjects. “I don’t know that I’d do a full-on nude scene, ever,” Roberts says. “I’ve never had a full-on sex scene…but we’ll see.”
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Kat Dennings

“My first audition was for a commercial for the lottery. I didn’t get it, so I hate the lottery.” Since that rejection, Dennings, 24, has become an indie favorite—the smart, seductive, prickly downtown darling in such movies as Nick and Norah’s Infinite Playlist and Charlie Bartlett. Her curves and her attitude—bemused but sweet, self-aware but curious—set her apart from other young actresses. As a kid growing up near Philadelphia, “I wanted to be Christopher Walken,” Dennings says. “I saw a film version of Puss in Boots, and he was Puss. He had a mouse tail hanging out of his mouth, and he said ‘Growl’ as only Chris Walken can. That performance made me want to be an actor.”
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Greta Gerwig

“I grew up in Sacramento, and it seemed like movies were handed down from gods.” Gerwig, who earlier this year starred opposite Ben Stiller in Greenberg, began her acting career as the leading lady of Mumblecore. The movement was born when a group of filmmakers met at the South by Southwest film festival in Austin, Texas, and decided to make movies together. The budgets were minuscule and the films largely improvised, but the acting was fresh and realistic and vibrant in the style of John Cassavetes. “A lot of Mumblecore was about awkwardness, especially with sex,” Gerwig says. “I think a lot of sex is very awkward. Instances of awkward lovemaking probably outpace instances of beautiful, seamless lovemaking, at least in my experience.”
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Zoë Kravitz

“When I was young, I wanted to be able to read minds. I would try to do that with my dogs. It didn’t work.” With a mysterious quality that seems at once innocent and worldly, Kravitz, the daughter of Lenny Kravitz and Lisa Bonet, has defied racial stereotypes. The script for The Brave One, in which Kravitz gave a startling performance, had called for a European-accented blond, but the actress’s audition demanded a total rethink. “I’m a pretty obnoxious person,” Kravitz says, “so I’ll make a sex scene as uncomfortable as I can just to break the ice.”
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Mary Elizabeth Winstead

“I would love to know what it’s like to be blond, but every time I mention the possibility of going blond, people act like the world’s going to come to an end. I will say that having pink hair was really fun.” Winstead went pink (and blue and green and red) in Scott Pilgrim vs. the World, which was released in August. A veteran of television, she was cast by Quentin Tarantino as a snappy, sexy actress in 2007’s Death Proof. “It was never explained why my character was in a cheerleader’s uniform for the entire film,” Winstead says. “But the outfit made it easy to get into character.”
wmagazine.com
 
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Oh my, I LOVE that picture of Yaya. Maybe it's because I'm more familiar but I think her portrait is the best. The rest is what I'd expect from I&V-awkward, stiff angles and try-hard expressions. Yaya's is so effortless-a real model..a true talent. So glad that evem as an ANTM contestant she's still made a name for herself. :heart:
 
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Yaya looks completely stunning
and so effortless...Im in love with her, Zoe, and Emma's shot
and she seems to be doing quite well movie wise
 
the yello border from justjared makes me cringe. i detest his watermark.
 
source | dailyfrontrow.com

Dissecting September W: All the Inside Scoop

(NEW YORK) Earlier today, we got our fix when publisher Nina Lawrence, editor at large Lynn Hirschberg, and creative director Jody Quon finally unveiled their September effort to anxious press over lunch (and vin) at 4 Times Square. Here's the dishy takeaway!

1. SAG cardholders on the cover.
“I like the idea of creative tribes,” explained Hirschberg. “I just think it’s cool when a group of people interact with each other in an original kind of way. And there’s so much uniformity on the covers these days; we just wanted to register something new and different with the readers, and bring this world of newness to our first issue.” Rebecca Hall and Jon Hamm graced the August issue, while eight newbie actresses front September. Expect another couple of actors in October. “The young American actresses are much more interesting these days than the guys,” noted Hirschberg. “The boys are plucking too many eyebrows.”

2. It's a magazine for art-lovers.
The September issue features stories on the Venice Architecture Biennale, a tribute to Louis Bourgeois' final year, a very strong Tim Walker story about colorful East Londoners, an exploration of the L.E.S. art ghetto, and yes, a nod to David Maupin’s upcoming exhibit on Yul Brynner. “Art is something that's very important to us,” added Tonchi. “We’ll be actively collaborating with artists, continuing to do profiles, and we’re keeping November as our big Art Issue. We’re really trying to capture the larger cultural moment.”

3. Jody Quon deserves a lot of credit.
Quon traveled to couture this summer with Tonchi and Hirschberg, although sans doute, she was one of the least-recognized members of the front row. “That was really my first big fashion experience,” she said. “It was amazing, but it definitely felt like, in some way, it was a room of people who’ve worked and lived with each other. It might take a little while for them to recognize me.” It might happen sooner than that. Quon spent six years at New York, and clearly, she was a smart hire. The new WW isn't Us Weekly, you know.

4. Tonchi can't help but indulge his fellow Italians.
After his first two issues, it’s clear that Tonchi likes to support those who speak his language. Frida Giannini and Givenchy's Riccardo Tisci scored big profiles in August and September, respectively, and a coterie of Italian style icons and Valentino Garavani grace the back pages of the new issue.

5. That little documentary W is making? Part of an “ad strategy.”
Tonchi wore a microphone during the lunch because he's masterminding a short documentary about the making of his first few issues. “It’s part of the much larger strategy,” explained the EIC. “Instead of doing presentations to every single advertiser personally, they could maybe just see a video of our team on our site.”

6. Lynn's screen tests are baaaaaack!
Fret not: those beloved "Screen Tests" videos will return to the web, now dubbed Screen Test II on W's site. September's cover girls are Lynn's first subjects. “Andy Warhol invented the term,” explained Hirschberg. "So I'm not really taking the title from the Times." Fun fact: the series earned three Emmy nominations over the years.

7. Where in the world is Alex White?
W's fashion director was missing at lunch today, and only one of her fashion stories (she shot three) was featured in Tonchi’s meticulously edited presentation. However, she earned a serious shout-out in Tonchi’s editor’s letter. But The Daily can't help wonder...will Patrick McCarthy's last remaining magic-maker be around in 2011?

8. Tonchi and Team find inspiration everywhere.
Gap-toothed lovelies Georgia May Jagger and Lara Stone star in September's fashion spreads, while equally space-y stunners Ashley Smith, Barbara Palvin and Lindsey Wixson were featured prominently in August.

9. Anna Will Love It!
John Isner—Wimbledon's tennis hero, for those of you who are allergic to ESPN—earns a flattering profile on page 204. But what? No socialites? Ladies: Start scheduling those lunches with Stephen Drucker, because Tonchi doesn't seem to care too much about you.

10. And finally, the EIC is just a little bit industrial.
Is it us, or does Tonchi’s signature totally have a GE vibe?
 
Gap-toothed lovelies Georgia May Jagger and Lara Stone star in September's fashion spreads.

I wonder if they're going to be in the same one together. The thought of that both frightens and intrigues me. :lol:
 

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