Phuel
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prosperk said:John's comeback prospects remain in the balance for the time being for reasons more related to corporate interests than the scandal ....
^^^ prosperk: I'm curious as to why Galliano feels he should/ must align with the giant, corporate entities for his return...?
Except for the obvious advantage of deep production budgets, and of course, their muscle in the industry, why would John want to put himself in that position again after the cold manners in which he was treated by them? Wealth may be an impossible incentive and toxicant to many, but John had started with nothing and even had nothing when he was proclaimed that radiant child of high fashion. So has he become so accustomed to the privileges of the lifestyle of the super-rich that he's unwilling to face similar struggles again?
Anyhow, should John be ready to return as the poetic, desperately passionate and romantic visionary he was in the nineties-- the man who spun magical concoctions like Hothouse Geishas and Belle Epoque collections, then please please please grace the industry with your spell. But if it's just more of the same 1920s dusty vaudeville costumes and OTT Vegas-Barbies-in-drag, then perhaps he needs more time to rediscover his muse.
And I hope his return will be a small affair: he's John Galliano, so understatement and small affairs seem a contradiction of sort. Small in the sense that it's a personal and intimate. Even if he may not have the financial backings of the corporations, he's completely capable of producing a collection, a show, and attracting the fashion world. Leave all the hype, PR and marketing and let his talent speak for itself and him. John doesn't need stars and supermodels, and extravagant sets to push his talent. As much as all of those elements may enhance his vision, when it comes down to it, and stripped off all their frills and theatrics, his designs speak louder and clearer for his talent than anything.
I'd gladly trade the entire roster of New York's so-called new guard in for Gallinao's return. And throw in some of London's overly-hyped Charletons while we're at it. Yes, even at his worst and most redundant, he's still that much ahead of that bunch.
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